graffiti at the bus stop: “fuck your god”
my pagan ass: are…are these instructions?
Cosimo Galluzzi
YOU ARE THE REASON

祝日 / Permanent Vacation
d e v o n
DEAR READER
Monterey Bay Aquarium
One Nice Bug Per Day
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blake kathryn

#extradirty
Alisa U Zemlji Chuda

Janaina Medeiros

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Aqua Utopia|海の底で記憶を紡ぐ
let's talk about Bridgerton tea, my ask is open

★

Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement
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@anon-barefoot
graffiti at the bus stop: “fuck your god”
my pagan ass: are…are these instructions?
hanging out with your long distance friends
Lol heads up if you try to make a candle with food coloring, the food coloring will just sink to the bottom of the glass, and when the flame eventually reaches the bottom all the food coloring will catch fire and become one giant tall flame that you cannot possibly blow out and the glass will start to crack and then you'll throw your tea on it in a panic and then the extremely hot food coloring will boil and sizzle horribly and then the glass will shatter. Please take my word on this lmfao
yup >>; they have wax dyes for a reason....
[video description: a lovely snake coiled around a wind chime as rainbow light dapples the wall and sweet tinkling sounds play]
I have made a perpetual calendar I still need to add an arrow at the top to point at the current moon phase, there are days for the days of the week as well as days for when the moon phases are
Ritual of Forgetting - Cynthia Sheppard
Traditional Witchcraft on a Budget
I think it is important to remember that the witches of old tended to be regular people. They were not people of means. They would not have spent hundreds of dollars on supplies. When you read the old spells, do keep this in mind.
A lot of traditional spells call for horse-related items. They call for horseshoes, horse hair, occasionally even horse bones. I’m not saying that people in any era had an excess of horse bones, but I am saying it was easier to find these things a few hundred years ago. Horseshoes, horse hair - they would have been household items. Most people don’t own horses in 2019 and they need to order these things off the Internet, which is fine, but it should be noted that witches who lived before the Contemporary Period would not have needed to pay the equivalent of $20 for a pound of horse hair.
In an agricultural society, animal skulls were easier to find. In a society that delighted in regular public executions, human bones may have been much more obtainable. It still would have been ghastly and sometimes illegal to obtain them, but it would have been do-able. The old witches would not have spent over $1,000 on an antique skull in an oddities shop. They had more gruesome and direct means of acquiring such curios.
I live in a very cold climate. Thorn trees of any variety do not grow here. So when a book calls for a blackthorn staff, I need to either improvise with a locally-harvested wood of a different variety or I can buy a blackthorn cane online or in an antique shop. However, our antecedents would not have spent $150 on such a cane. They would have harvested it themselves.
I’m not saying we need to abandon all the old traditions. What I am saying is that we need to be cautious about what we spend money on. Spending massive amounts of cash is antithetical to the spirit of witchery. Witchcraft is about necessity. Most of the supplies described in our books would have, at one point, been either household items or cheap to purchase. So even if you get that blackthorn staff or that human skull or that horse vertebra, have you missed the point? I think so many of us focus on following things to the letter that we forget the spirit of our texts.
There’s a fine line betwen substitution out of laziness and substitution out of necessity. If we don’t let some of our traditions evolve to match our lives or our locations, they will perish. Society has changed more in the last 200 years than in the last 2,000. Our practices must keep up. I’m not saying we need to throw out the old practices for emoji spells and bubble baths. We should maintain everything we can.
But if you have to buy a resin replica because you can’t spend an entire paycheck on some random stranger’s skull in an antique shop, I think the witches of old would not have objected.
I couldn’t agree with this more! It’s why understanding the reason behind needing certain ingredients is so important.
When you think about what those spell items meant in their time and setting it becomes easier to see what role they play. The folklore and meanings of them are just as important as the difficulty to aquire the items in the original setting.
And while I don’t believe in simple substitutions in spellwork and rituals, the information you learn when you put everything into perspective can help you craft new spells and rituals tailored to your environment.
Witchcraft has always been a tool for those with less to get more. While some ingredients have historically been harder to come by (looking at you, lucky rabbit’s foot) there is no need to drop buku bucks for every little thing.
Toilet paper pill box.
Another small fun project for recycling! These are perfect for little gifts and a cute way to send your jewelry to customers… it not only give a nice shell of protection to the treasures you put inside, its cost free, customizable and keeps recycling on the mind <3
All you need are - toilet paper rolls - decor ( i used stamps) - Tape or glue
Step one: decorate your roll. I used some of my stamps, but don’t limit yourself to just that… you can use old paper, photographs, tissue paper, paint,sharpie and whatever else you have laying around to decorate. Mod podge and some pattered paper would be fun!
Step two: Once your roll is decorated to your liking, fold down the corners on one end, making it look like little cat ears. Make sure they fold over each other so there is no open gap, and tape down ( you can also glue the end down) * side note… if you dont like the look of regular tape, they sell something called washi tape? that comes in all sorts of amazing patterns!
-Step three: When you have some side sealed and taped down, wrap and place your item/treasures inside the box ( i wrapped up some earrings) and seal the other end, again making sure they fold over one another so there are no gaps.
- Step four… your done!
Again these are wonderful for gift giving and product packaging. Small, sturdy, cheap, recycled pill boxes…. you can use old paper towel rolls too! those are larger and can fit a bit more than TP rolls.
Holy crap I wanna do this.
This is actually great if you have a jar spell that gets buried! It’ll decompose rather than glass that will just take up space and turn into trash overtime. :)
OMG THIS IS EXCELLENT
Witch Crafting
also it’s a great way to make cat toys. put some treats in there and you’re good to go
Wax Seal Charms
From simple love spells to glamours and hexes, wax seal charms are a powerful and versatile tool for any witch’s arsenal. Small, inconspicuous, and easy to hide, these simple charms are useful for nearly any type of magick.
First, you will need a smooth work surface (I used the bottom of a ceramic bowl). Fold a small envelope from a square of paper. You want the envelope to be the same size as or smaller than the wax seal to ensure complete wax coverage.
Next, write your intent (or draw a sigil) on the inside of the envelope. Keep it simple or write very small.
You can add a small pinch of herbs (or a taglock) if you like, but try not to use too much or the charm won’t flatten and may not seal correctly.
Once you’ve added your herbs, fold the envelope shut. You may need to squish it a little to keep it closed.
Pour your wax over the envelope, making sure to cover any open edges, and place your stamp in the molten wax. Apply light pressure for a few moments and then allow to cool.
Once completely cool, remove your stamp and peel the charm off your work surface.
And voila! A small, portable charm that can easily be slipped into a purse or wallet unnoticed.
Oh! This is how I used to do my first few spells. It’s perfect.
I’ve been using a lot of wax for my sigil spells.
🌿🍋Rejuvenating Witch Lemonade🍋🌿
Hey guys! This here is a recipe that I’ve been using for some time now and I love it. It gives me energy and happiness for the rest of the day. I use this in the summer for those sunny days out and about. I hope you guys enjoy it as much as I do.
Ingredients
4 lemons
3 ½ cups of halved strawberries
7 cups of water
½ cup of honey
sugar to taste (mine is somewhere around ¾ cup)
a few leaves of basil (for the top)
Directions
Prepare the fruits. Wash the strawberries and cut them in halves, slice the lemons in haves and juice them.
Add 2 cups of water, the sugar, and the honey into a pot and mix on low medium heat for about two minutes or until everything is mixed and there are no chunks.
Add strawberries into a blender and mix until chunky, then add sugar water mixture and lemon juice and blend until a puree.
Add the blended mixture into the rest of the water and stir until everything is combined together.
Pour into a cup and place a few leaves of basil on top.
For this recipe there is no chant. Of course you are able to add one, but I find that just making this with happiness and comfort gives the lemonade a great deal of energy. I hope your summers are happy and filled with youthful joy.
I will be posting some things about commissions and some of the services I offer soon. So keep a look out for that! Love you all!
- Kenzie
Reblogging from source bc this is an A+ recipe from an A+ witch and some elitist tried to derail it 💛
HERE IT IS! 👹
Here’s a mock-up for our new embroidered backpatches, inspired by the teachings of the Veneficium. The art, beautifully done by @inkandthorns depicts a skull filled with the Poisoner’s allies: you may spot foxglove, mandrake, henbane, wormwood, wolfsbane, belladonna, and poppies.
We have chosen a Paracelsic motto to accompany it: SOLA DOSIS FACIT VENENUM ‘only the dosage makes the poison’. We will offer the chance of pre-ordering them as they will not be ready for the update. And yes, we will use this great illustration in a couple more things that will be announced tomorrow :3
Update: February 22nd.
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#backpatch #embroidered #poisonpath #occvltacrafts #traditionalwitchcraft #pyreneanwitchcraft #sorcellerie #catalanwitchcraft #sorcery #basquewitchcraft #brujeriatradicional #bruixeriacatalana #aphrodisiacs #mandrake #monkshood #wormwood #belladonna #henbane #foxglove #opium
Diabolos Incense, our new blend, dedicated to the Witchfather, is ready for the update in 30 and 60ml jars. A powerful blend of walnut and blackthorn branches, rosehips, fig leaves, dammar resin, dragon’s blood, henbane flowers, and thornapple seeds. To be mixed with soil from your crossroads of choice and used in all works that demand the presence of the Old One. Available February 22nd. . . . #demonology #diablerie #incense #looseincense #poisonpath #occvltacrafts #traditionalwitchcraft #pyreneanwitchcraft #sorcellerie #catalanwitchcraft #sorcery #basquewitchcraft #brujeriatradicional #bruixeriacatalana https://www.instagram.com/p/BuHM_lRHHzJ/?utm_source=ig_tumblr_share&igshid=1oqy6bok2vz59
Sometimes your gods know exactly what you need even if you don’t want it.
Haven’t made a comic in a while, but I’m still around for the most part.
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.
This is amazing!
Wow. It got longer/better!
We secured our loan for Eire to get a double mastectomy for her cancer. I’m so relieved, but we are now going to be carrying a lot of debt. I’m thinking about doing tarot readings by donation, to help contribute to the $1800 in initial surgery, and potentially another $3000 in chemotherapy and follow up diagnostics, plus my $1600 in tuition that will be due soon. Luckily this all CAD, so any American friends who want a tarot reading, your American dollars mean a lot in the exchange.
I’ll think on it and let you guys know with a more detailed post. Thanks for being here, Eire, Steve, Luna and our kids really appreciate the support we’ve been getting. The kids especially, as Eire was the first pet they have ever bonded with, and as kids who are living with various neurodivergences, a relationship with her has been one of the most positive aspects of their childhoods.
❤
Even kitties get cancer.
Forwarding this for anyone maybe interested in a reading to help out so Lappislazuli has a better idea of how many people might be asking.
I, for one, am interested ^w^