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anothersongaboutghosts

2x2 TONIGHT TRUST AND BELIEVE

anothersongaboutghosts

every year that i watch summer game fest i’m just disappointed

#help

2x2 TONIGHT TRUST AND BELIEVE

#danganronpa #danganronpa 2 #danganronpa 2x2 #dr2 #I’M COPING

mintsky420

these miis are driving me nuts

no-oxygen-in-my-bl00d

I don't think Americans exist

sexy-people-contests-2026

Tumblr Sexyman Contest 2026 Round 1 Part 75

Cecil Gershwin Palmer (Welcome to Nightvale)

Red Guy (Don’t Hug Me I’m Scared)

Nagito Komaeda (Danganronpa)

Remaining time: 2 days 10 hours

Cecil art is by @littleulvar

swisspyup

WHY IS NAGITO THE LOWEST... NO... THIS CANT BE HAPPENING....

i haven’t watched dr3 yet but please tell me we get at least a little bit of post-dr2 content because i need to see peko and fuyuhiko interact even if it’s for 3 seconds

#danganronpa #danganronpa 2 #danganronpa 3 #girl who is too kuzupeko pilled #peko pekoyama #fuyuhiko kuzuryu #kuzupeko

blueskittlesart

ever since i realized im their age now all i want to do is draw them doing the stupid shit me and my friends do for fun

#i’m cryinf

chimkinnuget

My latest creation

lesliewithart

Holy shit they’re dnd-ing

anothersongaboutghosts

i lied. put your clothes back on. we’re gonna talk about how danganronpa constantly mistreats and sets up their female characters for failure and the fandom just enables it

anothersongaboutghosts

for my own sake i won’t go super deep into this but uh

(spoilers across the board for dr1&2)

one thing i’ve noticed during my experience of these games is how grief is handled when it comes to male vs. female characters. bear with me here.

with taka, we see him become a shell of his former self after mondo is executed. i’ve always taken the ishida (kiyondo) transformation to be a metaphorical representation of his mental state instead of a physical change that the rest of the class can see. i would say this is the most complex character-to-character relationship we see in the first game.

with fuyuhiko, we see him wrestle with the burden of having the blood of two people on your hands all because of petty revenge. we see him slowly start to form real connections with the rest of the group instead of pushing everyone away.

now, how is grief portrayed for the female characters?

hiyoko forgives fuyuhiko for killing mahiru—the only person who ever showed her any amount of sympathy—only a few days after it happens. she is killed before we ever see any proper development of her grief or character as a whole.

akane, aside from a few passing remarks, barely talks about nekomaru’s death aside from the “(name) would want us to move on” bullshit that seems to be a recurring theme here.

the same goes for aoi, who mentions sakura quite a bit more than the other two mention their loved one, but she shows barely any signs of her death even affecting her remotely beyond chapter 4’s class trial. you would think that because they were friends for the entire game, she would have a similar reaction to taka (who, by the way, was friends with mondo for 2 days) after losing her best friend, but no! nothing! because aoi’s just a dumb girl with no need for emotional depth, right guys?

why is it that some characters are given complex grieving arcs and emotional depth, but the writers conveniently forget to do this for others? and why is it that the characters without these arcs are all women? just something to think about, i guess.

#danganronpa #danganronpa 2 #of course there is more to the deep rooted misogyny in these games than just this but i thought it was important to mention #i am saying this out of a place of love btw I LOVE MY DR GIRLIES #fuyuhiko kuzuryu #peko pekoyama #kiyotaka ishimaru #mondo owada #hiyoko saionji #mahiru koizumi #aoi asahina #sakura ogami #akane owari #nekomaru nidai

i lied. put your clothes back on. we’re gonna talk about how danganronpa constantly mistreats and sets up their female characters for failure and the fandom just enables it