2x2 TONIGHT TRUST AND BELIEVE
every year that i watch summer game fest i’m just disappointed
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2x2 TONIGHT TRUST AND BELIEVE
every year that i watch summer game fest i’m just disappointed
2x2 TONIGHT TRUST AND BELIEVE
these miis are driving me nuts
I don't think Americans exist
Tumblr Sexyman Contest 2026 Round 1 Part 75
Cecil Gershwin Palmer (Welcome to Nightvale)
Red Guy (Don’t Hug Me I’m Scared)
Nagito Komaeda (Danganronpa)
Cecil art is by @littleulvar
WHY IS NAGITO THE LOWEST... NO... THIS CANT BE HAPPENING....
i haven’t watched dr3 yet but please tell me we get at least a little bit of post-dr2 content because i need to see peko and fuyuhiko interact even if it’s for 3 seconds
ever since i realized im their age now all i want to do is draw them doing the stupid shit me and my friends do for fun
My latest creation
Holy shit they’re dnd-ing
i lied. put your clothes back on. we’re gonna talk about how danganronpa constantly mistreats and sets up their female characters for failure and the fandom just enables it
for my own sake i won’t go super deep into this but uh
(spoilers across the board for dr1&2)
one thing i’ve noticed during my experience of these games is how grief is handled when it comes to male vs. female characters. bear with me here.
with taka, we see him become a shell of his former self after mondo is executed. i’ve always taken the ishida (kiyondo) transformation to be a metaphorical representation of his mental state instead of a physical change that the rest of the class can see. i would say this is the most complex character-to-character relationship we see in the first game.
with fuyuhiko, we see him wrestle with the burden of having the blood of two people on your hands all because of petty revenge. we see him slowly start to form real connections with the rest of the group instead of pushing everyone away.
now, how is grief portrayed for the female characters?
hiyoko forgives fuyuhiko for killing mahiru—the only person who ever showed her any amount of sympathy—only a few days after it happens. she is killed before we ever see any proper development of her grief or character as a whole.
akane, aside from a few passing remarks, barely talks about nekomaru’s death aside from the “(name) would want us to move on” bullshit that seems to be a recurring theme here.
the same goes for aoi, who mentions sakura quite a bit more than the other two mention their loved one, but she shows barely any signs of her death even affecting her remotely beyond chapter 4’s class trial. you would think that because they were friends for the entire game, she would have a similar reaction to taka (who, by the way, was friends with mondo for 2 days) after losing her best friend, but no! nothing! because aoi’s just a dumb girl with no need for emotional depth, right guys?
why is it that some characters are given complex grieving arcs and emotional depth, but the writers conveniently forget to do this for others? and why is it that the characters without these arcs are all women? just something to think about, i guess.
i lied. put your clothes back on. we’re gonna talk about how danganronpa constantly mistreats and sets up their female characters for failure and the fandom just enables it
rarely do i repost things and especially from shittr but this video is shutting down core partsof my mental processing i think
I do what i want
get in loser we’re gonna try again despite it all
sent this message to my coworker today and he sent me this screenshot with microsoft teams's suggested replies... incredible 10/10 no notes.
because only danganronpa would make an escape room mini game and then straight up tell you the answer. thanks nagito 😭
a small fraction of Komahina art I've made and will show up in the fanzine I'm doing with @altiegg and @/phaidriades 🩷
(insane rebrand of my account I know, bear with me until i finish posting all the stuff i've made of Danganronpa so far)