Peter Solarz
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"I'm Dorothy Gale from Kansas"
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@antipaxs
private and mutuals blog for 𝙽𝙰𝙳𝙹𝙰 𝙾𝙵 𝙰𝙽𝚃𝙸𝙿𝙰𝚇𝙾𝚂 , from what we do in the shadows . written as an original character , w/ influences from show & movie . loved by 𝒎𝒊𝒌𝒆𝒚 , non binary , twenty four , MINORS DNI . low activity . established on may 22nd , 2023 . a͟f͟f͟i͟l͟i͟a͟t͟e͟d͟ with :
[¹] carrd (rules can be found here) , [²] interest tracker
WHAT WE DO IN THE SHADOWS 6.09
so,,,, who's kissing the pretty vampire guys
actions speak louder than words non - verbal / action prompts from yours truly. (add a "swap" to swap the sender/receiver in the prompt (or just do it manually).)
back, sender gives receiver a back hug.
beckon, sender beckons receiver closer with a finger.
blood, sender cleans blood off of receiver.
book, sender helps receiver get a book from a higher part of the shelf.
care, sender takes care of receiver when they're sick.
catch, sender catches receiver by the waist after they bump into each other.
choke, sender saves receiver from choking by giving them the heimlich.
cold, sender places their jacket over receiver's shoulders.
cry, sender wipes tears off receiver's face with their thumbs.
dance, sender sticks a hand out to receiver and invites them to dance.
dip, sender skinny dips in front of receiver and invites them to join.
dog, sender's dog pulls them in receiver's direction.
drive, sender drives receiver somewhere in their car.
drag, sender drags receiver into a room and closes the door behind them.
draw, sender draws receiver like one of their french girls.
face, sender turns receiver's face towards them.
flower, sender gives receiver a flower.
footsie, sender initiates footsie with receiver under the table.
forehead, sender presses their forehead against receiver's.
grab, sender grabs receiver's wrist to stop them from leaving.
jump, sender jumps onto receiver's back.
kiss, sender kisses receiver.
link, sender links arms with receiver while walking.
massage, sender offers receiver a massage.
patch, sender patches up receiver's wounds.
piano, sender teaches receiver how to play the piano.
pin, sender pins receiver's hands behind their back.
pluck, sender plucks something out of receiver's hair.
press, sender presses receiver against a wall.
propose, sender proposes to receiver.
quiet, sender gestures for receiver to be quiet.
rest, sender rests their head on receiver's shoulder.
serenade, sender serenades receiver with a song.
sign, sender walks into a sign and receiver sees.
size, sender measures the size of their hand against receiver's.
shoes, sender removes receiver's shoes for them.
sun, sender rubs sunblock onto receiver's back.
tattoo, sender gives receiver a tattoo.
tie, sender helps tie receiver's tie.
tuck, sender tucks receiver's hair behind their ear.
umbrella, sender lets receiver under their umbrella.
warning, sender presses a knife against receiver's neck as a warning.
zip, sender needs receiver's help to zip up the back of their dress.
DRAMATIC & PROTECTIVE RELATIONSHIP PROMPTS * for the ones who want to keep you safe from harm
get behind me.
go inside and lock the door and don't come out until i say so.
are you all right? where are you hurt?
over my dead body.
i promised them i'd keep you safe.
i sleep better when you're next to me.
are you serious? i'm not letting you risk your life.
don't go. it's safer here.
i should have been here. this is my fault.
here. take this gun. don't pull the trigger unless it's absolutely necessary.
they told me to watch you.
i won't let anyone lay a hand on you.
stay close to me.
i'm not worth saving. please.
can you stay? just for a little while? it would help.
it's too dangerous out there.
i thought i'd lost you.
can you hear me? hello? where are you?
they're all afraid of me.
they told me you'd be trouble. clearly that was an understatement.
one of us has to make it out of here.
is that a bruise?
get back. get back right now.
did they touch you?
i already lost you once. i'm not going to lose you again.
a few more steps. we're nearly there. i've got you.
where does it hurt? let me see.
oh my god, you're covered in blood.
i love you, but you have to go.
climb on my back. i'll carry you.
i wish you'd stay.
i slept here all night. i couldn't leave you.
stay with me. i can keep you safe.
no. i've made my decision. you're staying here.
holy shit. are you okay? what the hell happened?
we have to get inside right now.
quick! hide! in here!
if they know you're with me, they'll leave you alone.
if they attack again, we'll be ready.
this never should have happened.
i want you to run, okay? run and don't look back.
you're all right. you're safe. it's over.
i'll feel better once you're out of this.
i don't have nightmares when you're here.
where have you been? i've been calling you all night.
your phone went straight to voicemail. what's going on?
i don't want anything to happen to you.
i can't stand the thought of losing you.
i won't let them touch you.
when we met, i promised myself i'd keep you safe.
where'd they go? i'll give them a piece of my mind.
here. squeeze my hand if it hurts.
i'll lay beside you.
no. it's non-negotiable. you're staying here.
i don't want you to die, okay?
listen to me! i know what i'm doing!
i can't lose you again!
do you hear me? i love you! i've always loved you.
i've got you. i'm right here.
can i stay? i'll take the couch.
tell them you're with me.
you can make it. i believe in you.
are you kidding me? who decided this?
here, i'll pick you up.
get back in the car. i'll handle this.
if anyone can do it, it's you.
let me carry you to safety.
i don't do well when you're away.
☆ put this star into the inbox of your favorite blogs - it's time to spread positivity !
PAMOLA STOP IM GONNA CRYYY
𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 . ( a collection of 100 nonverbal action prompts . mature and potentially triggering themes are present . add “ + reverse ” to swap assigned roles . )
∗ o1﹕ sender tucks hair out of receiver’s face . ∗ o2﹕ sender offers receiver a bite from their fork . ∗ o3﹕ sender places their feet / legs in receiver's lap . ∗ o4﹕ sender offers receiver an earbud to share their music . ∗ o5﹕ sender comforts receiver in the aftermath of a nightmare . ∗ o6﹕ sender gives receiver company in the hospital . ∗ o7﹕ sender wraps their arms around a hysterical receiver to calm them . ∗ o8﹕ sender shows up at receiver’s home late at night . ∗ o9﹕ sender falls asleep leaning against receiver . ∗ 1o﹕ sender wields a [ gun / knife ] at receiver . ∗ 11﹕ sender runs their fingers through receiver’s hair . ∗ 12﹕ sender invites receiver to dance . ∗ 13﹕ sender takes a [ picture / video ] of receiver . ∗ 14﹕ sender places their head in receiver’s lap . ∗ 15﹕ sender and receiver make eye contact across a busy room . ∗ 16﹕ sender pushes receiver against a wall to kiss them . ∗ 17﹕ sender and receiver cook together . ∗ 18﹕ sender comes to receiver after being injured . ∗ 19﹕ sender sits in receiver’s lap . ∗ 2o﹕ sender lifts receiver's chin , invoking eye contact . ∗ 21﹕ sender overtakes receiver in combat . ∗ 22﹕ sender finds receiver [ injured / bloodied ] . ∗ 23﹕ sender straightens an article of receiver’s clothes . ∗ 24﹕ sender crawls into bed with receiver . ∗ 25﹕ sender rolls their eyes at receiver . ∗ 26﹕ sender lights receiver’s [ cigarette / joint ] . ∗ 27﹕ sender is caught wearing receiver's clothes . ∗ 28﹕ sender strikes receiver with a pillow . ∗ 29﹕ sender writes a note on receiver’s skin : [ note ] . ∗ 3o﹕ sender wraps a blanket around receiver’s shoulders . ∗ 31﹕ sender runs and jumps into receiver’s arms . ∗ 32﹕ sender shoves receiver out of anger . ∗ 33﹕ sender hovers over receiver’s shoulder as they complete a task . ∗ 34﹕ sender is found by receiver somewhere they shouldn’t be . ∗ 35﹕ sender curls up against receiver in their sleep . ∗ 36﹕ sender is found drunk by receiver . ∗ 37﹕ sender throws an item of sentiment bitterly at receiver . ∗ 38﹕ sender joins receiver in the shower . ∗ 39﹕ sender is caught following receiver . ∗ 4o﹕ sender traces one of receiver’s [ scars / bruises ] . ∗ 41﹕ sender twines their fingers with receiver’s . ∗ 42﹕ sender barges into receiver’s home unannounced . ∗ 43﹕ sender kicks receiver’s shin beneath a table . ∗ 44﹕ sender aggressively shoves past receiver . ∗ 45﹕ sender kisses receiver’s [ forehead / cheek ] . ∗ 46﹕ sender pulls receiver out of harm’s way . ∗ 47﹕ sender is found sobbing by receiver . ∗ 48﹕ sender locks receiver out of their room . ∗ 49﹕ sender brings receiver [ coffee / tea ] in the morning . ∗ 5o﹕ sender rests their forehead against receiver’s . ∗ 51﹕ sender plays a song for receiver that reminds them of them : [ song ] . ∗ 52﹕ sender takes a [ punch / stab / bullet ] meant for receiver . ∗ 53﹕ sender buys receiver a drink at a bar . ∗ 54﹕ sender needs receiver’s help getting in the bath . ∗ 55﹕ sender and receiver cross paths in the kitchen late at night . ∗ 56﹕ sender twists receiver’s arm behind their back . ∗ 57﹕ sender winks at receiver . ∗ 58﹕ sender is found collapsed by receiver . ∗ 59﹕ sender prevents an injured receiver from getting up . ∗ 6o﹕ sender claps a hand over receiver’s mouth to silence them . ∗ 61﹕ sender cages receiver against a [ wall / the floor ] with their arms . ∗ 62﹕ sender storms away from receiver during an argument . ∗ 63﹕ sender is found by receiver sleeping in receiver’s bed . ∗ 64﹕ sender [ applies / touches up ] receiver’s makeup . ∗ 65﹕ sender throws receiver into a wall during combat . ∗ 66﹕ sender dances sensually with receiver . ∗ 67﹕ sender strikes receiver across the face . ∗ 68﹕ sender places their hand on receiver’s leg while driving . ∗ 69﹕ sender pulls a chair out from under receiver . ∗ 7o﹕ sender catches receiver’s wrist when they turn to leave . ∗ 71﹕ sender leaves an intimate mark on receiver . ∗ 72﹕ sender beats receiver in a video game . ∗ 73﹕ sender and receiver stand in stunned silence after a fight . ∗ 74﹕ sender cares for receiver while they’re sick . ∗ 75﹕ sender and receiver go on a hike . ∗ 76﹕ sender is caught snooping in receiver’s things . ∗ 77﹕ sender and receiver cuddle while watching television . ∗ 78﹕ sender throws something aggressively at receiver . ∗ 79﹕ sender creeps up behind receiver to scare them . ∗ 8o﹕ sender and receiver go shopping together . ∗ 81﹕ sender helps receiver [ dye / style ] their hair . ∗ 82﹕ sender draws receiver into a kiss by the back of their neck . ∗ 83﹕ sender is discovered having a panic attack by receiver . ∗ 84﹕ sender accidentally injures receiver during sparring . ∗ 85﹕ sender grabs receiver roughly by the hair . ∗ 86﹕ sender brings receiver to their knees during combat . ∗ 87﹕ sender shows receiver evidence of a lie they told . ∗ 88﹕ sender winks [ seductively / mockingly ] at receiver . ∗ 89﹕ sender yells at receiver to put their hands in the air . ∗ 9o﹕ sender helps receiver patch up a wound . ∗ 91﹕ sender holds receiver as they cry . ∗ 92﹕ sender silently and angrily points receiver towards the door . ∗ 93﹕ sender gestures for receiver to sit down . ∗ 94﹕ sender pulls receiver into their lap . ∗ 95﹕ sender cradles receiver’s face . ∗ 96﹕ sender tackles receiver out of the way of danger . ∗ 97﹕ sender has hidden an injury from receiver , and receiver finds out . ∗ 98﹕ sender confronts receiver about their unhealthy behavior . ∗ 99﹕ sender proposes to receiver . ∗ 1oo﹕ sender has just died , receiver finds out .
𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.
okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )
[ HAIR ]: sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)
[ CLOSE ]: while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.
[ CHIN ]: as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.
[ THUMB ]: while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.
[ WOUND ]: upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.
[ INHALE ]: while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.
[ DANCE ]: when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.
[ BARE ]: as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.
[ SCAR ]: noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.
[ FOREHEAD ]: placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.
[ PALM ]: taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.
[ LINGER ]: taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.
[ BEHIND ]: upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.
[ WAIT ]: realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.
[ ARM ]: after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.
[ HOLD ]: while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.
[ PLAY ]: while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.
[ GUIDE ]: in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back
[ TOUCH ]: while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.
[ CUP ]: bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.
[ TUG ]: the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.
[ HUSH ]: while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.
[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.
why are you following me ?
the cover of night was always a favorite for vampires. stalking victims , walking freely , and amongst other things. nadja , of course , had not expected armand to acknowledge her presence- let alone call her out on it. the vampire hissed softly as she began to retreat , hiding [rather terribly] behind a nearby tree.
" no- no reason! no . . reason at all! " the woman stammered out , clearing acting like she wasn't following behind armand.
" i was just- " the vampire glanced around , clearing her throat as nadja leaned onto the tree. hand on head , the other resting on her waist as she had tried to look ' casual '. " -taking a nightly stroll on the town! " nadja knew her excuse wasn't believable , that armand was a smart man , but . . it hadn't hurt to try!
nadja is def the type of partner to random bite her partner but is it in the drink blood way or just to nom on their hand or arm? yes
Nadja & Laszlo being stupidly in love pt. 1
&. 𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐞𝐯𝐞𝐫𝐲𝐰𝐡𝐞𝐫𝐞 𝐚𝐥𝐥 𝐚𝐭 𝐨𝐧𝐜𝐞 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.
( dialogue prompts taken from the script of everything everywhere all at once (2022), directed by daniel kwan and daniel scheinert. feel free to edit and change as you seem fit. )
❛ you look really pretty right now. ❜
❛ stop changing the subject. ❜
❛ every day i fight, i fight for all of us. ❜
❛ what are you doing? what is wrong? ❜
❛ if i have to think about one more thing today, my head will explode. ❜
❛ you may be in grave danger. there is no time to explain.❜
❛ we can make our own way. please, come with me. ❜
❛ don't even talk to me about this because i won't remember.❜
❛ i am not your husband. at least not the one you know. i am another version of him from another life path, another universe. ❜
❛ i’m here because we need your help.❜
❛ sorry, very busy today. no time to help you– ❜
❛ all those years of searching have brought me here. to this universe. to you. ❜
❛ i’m here to tell you every rejection, every disappointment has led you here. to this moment. ❜
❛ i'm not ready to fight yet. ❜
❛ maybe we don't have a choice. ❜
❛ now, you can either come with me and live up to your ultimate potential, or lie here and live with the consequences. ❜
❛ i... want to lie here. ❜
❛ how often do people literally die laughing? ❜
❛ my husband won't even kill a spider. how are you the same person? ❜
❛ we are talking about infinity. if you can imagine it, somewhere out there, it exists. ❜
❛ how did i die? ❜
❛ i've seen you die a thousand ways. in a thousand worlds. in every single one, you were murdered. ❜
❛ what!? who wants me dead? ❜
❛ you’ve been feeling it too, haven’t you? something is off. your clothes never wear as well the next day, your hair never falls in quite the same way, even your coffee tastes... wrong. ❜
❛ maybe we would have been better off if we had never gotten married. ❜
❛ i never said that. ❜
❛ you didn’t have to. it’s the way you look at me. ❜
❛ can’t you see it? how wonderful it would be if you came with me? ❜
❛ i saw my life without you. i wish you could have seen it. it was beautiful. ❜
❛ shhh, you're not thinking straight. ❜
❛ what is worse than death? ❜
❛ i saw your face on a billboard and — this is silly — i wondered if you remembered me... ❜
❛ is it that i can’t be here, or that i’m not allowed to be here? ❜
❛ there is no good, there is no evil. there is only “goovil”. ❜
❛ if you can imagine it, you have fucked it. ❜
❛ do not be so closed minded that you blind yourself from the truth! ❜
❛ don’t make me fight you. i am really really good. ❜
❛ you're capable of anything because you're so bad at everything. ❜
❛ you can't remember anything because your bodies were under the control of other universes. ❜
❛ you were like puppets. and you could do things you normally can't do. you were like, what's that movie... raccaccoonie? ❜
❛ how can you defeat her in every universe, if you can't even kill her in one? ❜
❛ the sacrifices necessary to win this war... i know all too well. ❜
❛ i cannot lose another loved one to the darkness. ❜
❛ i know you have feelings. feelings that make you so sad. that make you just want to give up. that is not your fault. ❜
❛ i'll see you again soon, somewhere out there in all that noise. ❜
❛ just think happy thoughts. ❜
❛ you okay? caught you staring off into space again. ❜
❛ i'm the one you've been looking for. ❜
❛ i’m the one who will defeat you. ❜
❛ you’re finally free, like me. ❜
❛ you don't have to choose anymore. between loving me or hating me. you can do both at the same time. ❜
❛ before, you were asking about "our daughter". it's crazy, but it really got me thinking. what if you had come with me all of those years ago? ❜
❛ all of this time, i wasn't looking for someone who could defeat me. i was looking for someone who could see what i see, feel what i feel... ❜
❛ oh, good, you're here too. ❜
❛ i'm sorry about ruining everything, i– ❜
❛ we're all stupid. small stupid little humans. it's like our whole deal. ❜
❛ everything is going to be okay. ❜
❛ you think i’m weak don’t you? ❜
❛ when we first fell in love all of those years ago, your father would say i was too sweet for my own good. maybe he was right. ❜
❛ please! can we just stop fighting! ❜
❛ you tell me that it's a cruel world and we're all just running around in circles. i know that. i've been on this earth just as many days as you. ❜
❛ the only thing i do know is we have to be kind. be kind. especially, when we don't know what's going on. ❜
❛ i know you go through life with your fists held tight. you see yourself as a fighter. well, i see myself as one too. this is how i fight. ❜
❛ in another life, i would have really liked just doing laundry and taxes with you. ❜
❛ you know what i say? cold, hysterical, unlovable bitches like us make the world go round. ❜
❛ you aren’t unlovable. there is always something to love. ❜
❛ even in a stupid, stupid universe where we have hot dogs for fingers, we’d all be very good with our feet! ❜
❛ in a universe where we both agree that no one could love you, if we look hard enough, something will prove us wrong. ❜
❛ we are all useless alone. so its good you're not alone. ❜
❛ maybe you win in this universe. but in another, i beat you. or we tie. or we eat crepes. ❜
❛ i don't want to hurt anymore. and for some reason when i'm with you, it hurts both of us. ❜
❛ out of all of the places i could be, why would i want to be here with you? ❜
❛ i still want to be here with you. i will always want to be here with you. ❜
❛ i will cherish these few specks of time. ❜
Send me a ♡ plus a ship and I'll tell you...
𝚆𝙷𝙾 𝙰𝚂𝙺𝙴𝙳 𝚆𝙷𝙾 𝙾𝚄𝚃 𝙵𝙸𝚁𝚂𝚃?
𝚆𝙷𝙾 𝚆𝙴𝙽𝚃 𝙸𝙽 𝙵𝙾𝚁 𝚃𝙷𝙴 𝙵𝙸𝚁𝚂𝚃 𝙺𝙸𝚂𝚂?
𝚆𝙷𝙾 𝙶𝙸𝚅𝙴𝚂 𝚃𝙷𝙴 𝙾𝚃𝙷𝙴𝚁 𝙽𝙸𝙲𝙺𝙽𝙰𝙼𝙴𝚂?
𝚆𝙷𝙾 𝙲𝙾𝙾𝙺𝚂 𝚃𝙷𝙴 𝙼𝙴𝙰𝙻𝚂?
𝚆𝙷𝙾 𝙷𝙰𝚂 𝙱𝙴𝚃𝚃𝙴𝚁 𝚃𝙰𝚂𝚃𝙴 𝙸𝙽 𝙼𝚄𝚂𝙸𝙲?
𝚆𝙷𝙾 𝙷𝙾𝙶𝚂 𝚃𝙷𝙴 𝙱𝙴𝙳?
𝚆𝙷𝙾 𝚆𝙰𝙺𝙴𝚂 𝚄𝙿 𝙵𝙸𝚁𝚂𝚃?
𝚆𝙷𝙾 𝙼𝙰𝙺𝙴𝚂 𝚃𝙷𝙴 𝙲𝙾𝙵𝙵𝙴𝙴?
𝚆𝙷𝙾'𝚂 𝚃𝙷𝙴 𝙱𝙸𝙶 𝚂𝙿𝙾𝙾𝙽?
𝚆𝙷𝙾 𝚂𝚃𝙰𝚈𝚂 𝚄𝙿 𝚃𝙷𝙴 𝙻𝙰𝚃𝙴𝚂𝚃?
𝚆𝙷𝙾 𝚁𝙴𝙰𝙲𝙷𝙴𝚂 𝙵𝙾𝚁 𝚆𝙷𝙾'𝚂 𝙷𝙰𝙽𝙳?
𝚆𝙷𝙾'𝚂 𝙰 𝙵𝙰𝙽 𝙾𝙵 𝙿𝙳𝙰?
𝚆𝙷𝙾 𝚂𝙽𝙾𝚁𝙴𝚂?
𝚆𝙷𝙾 𝙶𝙴𝚃𝚂 𝙰𝙽𝙽𝙾𝚈𝙴𝙳 𝙼𝙾𝚁𝙴 𝙴𝙰𝚂𝙸𝙻𝚈?
𝚆𝙷𝙾 𝙸𝙽𝙸𝚃𝙸𝙰𝚃𝙴𝚂 𝚂𝙴𝚇?
𝚆𝙷𝙾 𝙰𝚂𝙺𝚂 𝚆𝙷𝙾 𝙵𝙾𝚁 𝚃𝙷𝙴𝙸𝚁 𝙷𝙰𝙽𝙳 𝙸𝙽 𝙼𝙰𝚁𝚁𝙸𝙰𝙶𝙴?
𝙼𝚈 𝙼𝚄𝚂𝙴'𝚂 𝙵𝙰𝚅𝙾𝚁𝙸𝚃𝙴 𝙼𝙴𝙼𝙾𝚁𝚈 𝙾𝙵 𝚈𝙾𝚄𝚁𝚂:
𝙰 𝚁𝙴𝙶𝚁𝙴𝚃 𝙼𝚈 𝙼𝚄𝚂𝙴 𝙷𝙰𝚂 𝚁𝙴𝙶𝙰𝚁𝙳𝙸𝙽𝙶 𝚈𝙾𝚄𝚁𝚂:
𝙸𝙵 𝚃𝙷𝙴𝚈 𝙲𝙾𝚄𝙻𝙳 𝙲𝙷𝙰𝙽𝙶𝙴 𝙾𝙽𝙴 𝚃𝙷𝙸𝙽𝙶:
𝚃𝙷𝙴𝙸𝚁 𝙻𝙾𝚅𝙴 𝙻𝙰𝙽𝙶𝚄𝙰𝙶𝙴𝚂 𝙰𝙲𝙲𝙾𝚁𝙳𝙸𝙽𝙶 𝚃𝙾 𝙼𝚈 𝙼𝚄𝚂𝙴:
* ― ﴾ 𝚗𝚜𝚏𝚠 𝚙𝚛𝚘𝚖𝚙𝚝𝚜 ﴿ : 𝐇𝐀𝐋𝐋𝐎𝐖𝐄𝐄𝐍 𝐄𝐃𝐈𝐓𝐈𝐎𝐍.
a random assortment of nsfw actions and silly dialogue prompts , perfect for the spooky season. or maybe all year round. i won’t judge you. feel free to make adjustments / add specifics / reverse wherever you see fit.
actions.
[ HAUNTED HOUSE ]: sender and receiver sneak off while going through a fake haunted house to have sex.
[ ABANDONED ]: sender and receiver have sex in a supposedly real haunted house.
[ CEMETERY ]: sender and receiver have sex in a cemetery.
[ HAYRIDE ]: sender and receiver have sex on a hayride.
[ COSTUME PARTY ]: sender and receiver sneak off to have sex at a costume party.
[ ROLEPLAY ]: sender and receiver roleplay in their costumes.
[ COSTUME ]: sender and receiver have sex in their costumes.
[ DRIVE IN ]: sender and receiver have sex in the car at the drive in while a scary movie plays.
[ SCARY MOVIE ]: sender and receiver forgo their scary movie night to have sex while it plays in the background.
[ MESSY ]: things get steamy while one or both muses are wearing face paint or makeup.
[ BLOODY ]: things get steamy while one or both muses are covered in (real or fake?) blood.
[ COSTUME SHOPPING ]: receiver helps sender pick out a sexy costume.
[ DRESS ]: receiver is supposed to help sender into their costume but they end up taking it off instead.
[ CANDY ]: sender is wearing candy pasties and the receiver eats them off.
dialogue.
“ your costume looks complicated. need help taking it off ? “
“ i’ve got some candy for you … “
“ i’ve got a treat for you … “
“ i was expecting a trick. but you’re a real treat. “
“ if i were a zombie, i’d eat you first. “
“ wanna take a ride on my broomstick ? “
“ i’m not a ghost, but you can still get under my sheets. “
“ you look so sexy dressed up like (costume). “
“ wanna check my pants for a treat ? “
“ forget your broom. ride me instead. “
“ i’m tired of this broom. got anything else i can ride ? “
“ i bet i can make you scream tonight. “
“ is that candy in your pocket or are you just happy to see me ? “
“ my / your costume would look better on my / your bedroom floor. “
“ i’m not a vampire, but i know how to suck. “
“ wanna find out how many licks it takes to get to the center of my tootsie pop ? “
“ i like to give head like a zombie. i’ll eat you out ‘til your insides are on me. “
“ i’ll be your victim. “
“ i can make your heart beat faster than a haunted house. “
was gonna work on nadja tonight but,,, got distracted by until dawn instead
✱˚｡⋆ ↪ 𝐂𝐔𝐋𝐓 𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐒 . ( a collection of horror - based dialogue prompts . adjust phrasing as necessary . mature themes present . )
you'll never get what you want .
we need to stay together . no 'splitting up' bullshit .
nobody ever prepared me for this .
so you've just been lying to me this entire time ?
there's too much blood , i can't stop it .
this is over when i say it's over .
[ name ] , be careful . i've already lost enough people that i care about .
i never should have trusted you .
this is getting really out of hand , okay ?
i feel like we're not alone .
revenge is the best medicine !
put your head on straight , this isn't over yet .
maybe we should ... y'know , check it out ?
run . run and don't stop .
i thought i saw something ... i - i must be going crazy .
you couldn't pay me to go down there .
the cops are on their way .
would you rather stay here and die ?!
there's no such thing as [ ghosts / demons ] . it's made-up .
you aren't going anywhere .
i'm putting you out of your misery .
i know you think you're untouchable , but they will kill us .
you shouldn't have touched that .
we aren't going to make it out of here , are we ?
why are you following me ?
there has to be a medical kit here , somewhere .
i'll go with you . strength in numbers , right ?
don't move ... a fucking muscle .
fuck , the door is locked from the other side .
don't get ... dead , okay ?
that was the only [ bullet / round / flare ] we had .
did you really think it would be that easy ?
we've come too far , we can't turn around now .
put down the [ weapon ] . please .
come on , help me barricade the door .
[ name ] , is that ... blood ?
haven't you seen a horror movie ? the blonde always dies .
it was you ? YOU did this ?!
you are gonna fucking pay .
i'm going to give you ten seconds . nine , eight ...
i want you to admit what you did .
hey , look at me -- it's not real . it's not real .
do you think they're watching us right now ?
we're in this together . no one gets left behind .
let them go ... please , just let them go .
oh my god , what the hell was that ?!
you know i'm capable of this .
i had to ... i had no choice .
you don't have the guts .
this is fucked up , this is so fucked up .
what we're dealing with isn't even human .
you need to hide . find somewhere & don't come out .
stop ! don't touch that . we don't know what it is .
i've done bad things to good people .
if they catch us , they will kill us .
why are you covered in blood ?
i can't ... i can't feel my -
[ name ] is dead . i saw it happen .
what , you're gonna kill me ? i don't believe you .
there is an evil in you . i see it .
this shit only happens to people in horror movies .
forget about me , just save them .
what's one reason i shouldn't kill you right now ?
you aren't supposed to be here .
please don't . i'm begging you .
are you scared ?
whatever happens , don't let go of my hand .
[ name ] , this isn't you .
well , what the fuck are we supposed to do ?!
get out of my house before i call the cops .
you're going to regret that .
there's that smile ... i'm glad it's the last thing i'll see .
if we make it out of here , tonight will haunt me forever .
