Dance Exchange, Snail Mail, and LUCID DREAMING
What did you see/hear/learn that was completely new to you?Â
The Dance Exhibit was new to me in more ways than one. The use of the back of a moving truck as apart of their set was unique and creative while the audience interaction was something I’m not used to seeing in theater. The experience was reminiscent of the outdoor plays I used to go to as a kid where the experience was overall more interactive. I enjoyed this updated take.Â
What was your favorite performance/experience? Why was it your favorite?Â
My favorite performance was Snail Mail. Lindsey Jordan had great stage presence, from the way she bounced around stage carelessly to her opening up and crying during her last song. On top of that, her lyricism and vocal talents lended to a great musical performance.
What instances did you notice where artists were collaborating or working beyond the boundaries of a particular arts discipline? How do you think collaboration and interdisciplinarity are helping to push the boundaries of what we understand art to be?
The well-orchestrated blend of virtual reality and art in LUCID DREAMING pushed the boundaries of an art exhibit. This summer I attended an exhibit at the Renwick Gallery in DC that tried to mix VR with glass sculptures and the overall effect was underwhelming. It was clunky, hard to navigate, and added very little to the physical artwork. LUCID DREAMING found a way to bring art to VR that was fun and aesthetically pleasing, the two aspects playing off each other. The use of VR specifically is a great example of the boundaries of art being pushed as technology finds its ways into every part of life, even art. Being able to blend disciplines leads to the potential for new unique ideas. Â