Misplaced Lens Cap
Xuebing Du
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taylor price
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todays bird
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$LAYYYTER
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Product Placement
ellievsbear
2025 on Tumblr: Trends That Defined the Year
pixel skylines
JBB: An Artblog!
NASA
Love Begins
oozey mess
cherry valley forever
we're not kids anymore.
seen from Japan
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@apofis
“For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think.”
— Ursula K. Le Guin, The Dispossessed
“For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think.”
— Ursula K. Le Guin, The Dispossessed
Original repository at: git://git.bues.ch/razer.git
for using your razer optical device on linux.
Silent Night by Andrew Mar
m fisher, capitalist realism on depression
have a posted this before? if i have oh well too bad posting it again
Glyn Smith (Stag & Serpent), Charon
mayo 18.
Hallowed by thy name es el tema más hermoso que existe.
Wotan takes leave of Brynhildr, 1892.
from The Valkyrie, opera by Richard Wagner.
painting by Konrad Dielitz.
Reports on Observations of the Total Eclipse of the Sun, August 7th 1869.
Without consulting Nietzsche’s works themselves in an attempt to ‘prove’ or ‘disprove’ whether he is compatible with anarchism or not, I believe that a more fruitful way to approach this proposed conjunction is to look at the historical record of how left-wing anarchists have approached Nietzsche. The surprising answer is that many of them quite liked him, including the ‘classical anarchists’; in fact, some of them even used his ideas to justify anarchist beliefs about class struggle. The list is not limited to culturally-oriented anarchists such as Emma Goldman, who gave dozens of lectures about Nietzsche and baptized him as an honorary anarchist. Pro-Nietzschean anarchists also include prominent Spanish CNT–FAI members in the 1930s such as Salvador Seguí and anarcha-feminist Federica Montseny; anarcho-syndicalist militants like Rudolf Rocker; and even the younger Murray Bookchin, who cited Nietzsche’s conception of the 'transvaluation of values’ in support of the Spanish anarchist project. There were many things that drew anarchists to Nietzsche: his hatred of the state; his disgust for the mindless social behavior of 'herds’; his (almost pathological) anti-Christianity; his distrust of the effect of both the market and the State on cultural production; his desire for an 'overman’ — that is, for a new human who was to be neither master nor slave; his praise of the ecstatic and creative self, with the artist as his prototype, who could say, “Yes” to the self-creation of a new world on the basis of nothing; and his forwarding of the 'transvaluation of values’ as source of change, as opposed to a Marxist conception of class struggle and the dialectic of a linear history. Of course, in doing this, the anarchists also conveniently forgot his misogyny, his elitism, and his disdain for those who worked for social justice — as well as his own hatred of them! But then the fascists forgot Nietzsche’s hatred of German nationalism; his admiration for the Jews; his advocating of racial intermarriage; his disgust of ressentiment (of whom Hitler is the personification of par excellence); and his disdain of the State, the market and the herd mentality, all of which the fascist system depended on.
Spencer Sunshine, ‘Nietzsche and the Anarchists’ (via myanarchistproseandpoetry)
Wayne Barlowe
orgasmos, cerveza y humo para mí.
Grotesque Animal Heads by Daniel Hopfer, ca. 1515–20.
