RMH
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Love Begins
almost home
untitled

Kiana Khansmith
Fai_Ryy
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Jules of Nature
The Bowery Presents
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Discoholic 🪩
trying on a metaphor
cherry valley forever

bliss lane
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH

pixel skylines
ojovivo
𓃗
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seen from T1
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@aquaramine
all the rights that come with marriage you should be able to have without marriage btw. you should be able to designate a person who can visit you in the hospital regardless of your relationship to that person.
Grandma Ferret. (X)
Today’s Grandma Ferret
My favorite part about this scene is that their spinning implies that both Makoto and Ami have to get up form the floor onto the booth seats, on top of the table, back to the seats and down on the floor, all while staying crouched.
And they didn't just clip them on top of the background hoping no one would notice (which honestly would have been still impressive and funny), no, you can literally see Makoto and Ami being on top of the table and booth seats if you pause it.
Also Rei is fully wrapped around the waitress like a snake.
Normal human beings, all 5 of them.
Thinking this morning about the cultural legacy of buffyspeak and the whedonism/whedonesque quips as they have come to be culturally dominant in big budget films like marvel (even before whedon himself was actually working on marvel) and I think part of the issue is that so many people (read: men) in Hollywood see the appeal of whedonesque dialogue as ‘smart guy fast quips’ while ignoring the actually interesting and subversive aspect of buffyspeak, which is that it was rooted in a maligned & devalued dialect & subculture associated with vapid and shallow teenage girls. Whedon is absolutely not the first guy to write fast-paced witty dialogue, but he IS revolutionary for merging fast-paced quips with y2k valley girl slang in a way that created such a lively and unique artistic idiolect that really feels like an organically-derived dialect that arises amongst a group of friends. It’s not the pace that made buffyspeak iconic, it’s the vernacular! + the way the vernacular interacted with the pace. So modern whedonesque dialogue falls SO flat and is so boring bc it all uses the same dialect and diction, rather than having a unique dynamic of tension by engaging with/creating its own idiolect. And that’s why it’s buffyspeak not whedonspeak. A single quip can be a whedonism, but just quips alone cannot create the realistic and engaging artistic idiolect of btvs
Erika Toliusis (b.1969) - Pacific Angel. 2022. Oil with palette knife on canvas.
i went to the beach today
inspired by re:com
The Ocean at Dusk - Kate Jarvik Birch
American , b. 1977 -
Gouache on paper , 10 x 10 in.
Support group
Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.
Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.
That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.
Genuinely, thank you so much for this.
It's fascinating to look at myself objectively in the middle of a freakout and know how irrational it is to be freaking out. A corner of my mind is just sitting there going 'wow. Really?'. Unfortunately the rest of me is completely losing it and knowing that doesn't actually change anything. Having the ability to spectate my breakdown just feels weird on top of everything else.
Jeff Bourgeau - On the Hunt
JUSTICE FOR BIG CHALLENGES I LOVE YOU BIG CHALLENGES
Motoko Kusanagi The Ghost in the Shell (2026) — 1x01
A mom helping her kids beat a hard level in Super Mario Land, 1990s.
this is a renaissance painting
Degrees of Motoko Kusanagi from the new Ghost in the Shell trailer