where are the stars

“so two himbo’s and a green baby walk into a bar —” any pronouns. 18+.

[onlytwitterpics]

[catoverlord]

[iamonlykidding-deactivated20210]

[ouchmyworm-deactivated20190708]

[verdeinvolumes-deactivated20190]

[braetsch]

[star-cocks-deactivated20181217]

[pastelburrito]

[jojomangaedits]

[rainbowgazes-archive]

[gamerphobic-deactivated20200727]

[thewomenandthechildren]

It’s time to activate it…

Bites The Dust! now this entire post will be reversed!

[aliiiiiiice]

[avocadosfromfigaro]

[averruncusho]

Am I having a fucking stroke

[thefloatingmage]

what the fuck was that

[blurrymango]

World heritage post.

[ironmaidenhead]

i have no memory of my mother.

[tarucore]

roy harper one day you will be forty-five and nothing you did or said in your young adulthood will matter, one day you will not be defined by your worst mistakes, roy harper one day no one will leave you because you’ve made yourself a warm home to return to, one day healing won’t be a painful, clawing journey but a well worn path that you carved through hell, roy harper one day I promise you will be fine

[stantanly]

is it obvious ive only drawn roy 3 times

(also extra roydick on bsky🔞!!!!!)

[burins]

dick grayson and survival

(could have, wisława szymborska trans. stanisław barańczak)

panel sources (left to right, top to bottom, by page) Infinite Crisis #6, Forever Evil #8, Batman: Dark Victory #10, Nightwing (1996) #89, Infinite Crisis #4.

Nightwing: Secret Files and Origins, Robin: Year One #2, Batman: Dark Victory #8.

Nightwing (1996) #89, #116, Titans/Young Justice Graduation Day #3, New Titans (1988) #84, Nightwing (1996) #88, 89.

Batman/Nightwing: Bloodborne, Grayson #5, Robin: Year One #4, Batman: Shadow of the Bat #4, Nightwing (1996) #88, New Teen Titans (1980) #41, Robin: Year One #2, Shadow of the Bat #34, Infinite Crisis #7, Nightwing (1996) #116, Nightwing (2016) #50, Nightwing (1996) #88, Batman/Nightwing: Bloodborne.

Gotham Knights #10, Robin: Year One #3.

Nightwing (1996) #117, Detective Comics #1074, Nightwing (1996) #117.

[meruz]

+bonus drawing for this situation

[wolfer-aid]

now im not defending dick grayson’s behavior in outsiders 2003 however if you look at how the rest of his life was going in that time period Well at the very least things begin to make sense

[nyukaart]

[cryingmyeyesviolet]

[lovebugism]

the way joel tries to lift his hand off the ground for ellie despite being half dead. the way ellie hugs his lifeless body after he's gone. like this is 100x worse than i thought it would be

[cutereactions]

you heard them

[snowcoming]

excuse me but dick's siblings can not read him better than the original teen titans. his siblings might read his body language better (especially cass) but they won't recognize- can't recognize dick's expressions like donna, garth, wally and roy can.

there's no way. the fab five have known dick for an insanely long amount of time, and perhaps the only other person is barbara.

like i know you guys love your sibling relationships, but like seriously? the fab five have known each other for an insanely long amount of time there's no need to pretend that they wouldn't understand dick like he's part of their own soul. because they would. you don't go through so much with some people and not know each other like they're parts of you. because at that point, they are.

[vintagerobin]

Every now and then I am reminded that a large portion of the fandom is unaware that Clark and Dick are best friends and always have been and am once again filled with grief and rage.

[roydick]

Guys this might be my villain origin story. It's fucking dire.

[comradekatara]

the thing i don’t get about situating a new avatar series in a futuristic post-apocalyptic setting is that atla already does this. aang is situated in the future — a bleak, post-apocalyptic setting. that is the central tension of the show, the conceit of his emotional journey is learning how to navigate this tragedy. and it does that without resorting to trite sci fi tropes and exaggerated dramatic devices. aang’s struggle feels tangible to many because it is not only a fantastical scenario disconnected from material reality, but functions as a very literal response to the trauma of genocide. his temporal displacement and ensuing cultural dispossession effectively communicates that grief not only as an abstract symbol, but as an emotional qualia that feels grounded in the effects of the generational trauma of genocide survivors. atla did not need to be set in a sci fi futuristic clichéd apocalyptic setting to effectively tell a story about what it means to exist in a post-apocalyptic future. it already does that through centering the voices of indigenous genocide survivors who are tasked with preserving the final vestiges of their cultural knowledge and resisting the violence of empire. we do not need another series that replicates the themes of atla but in a more derivative and less politically grounded way. we already have lok.

[prince-says-lay-her]

[homoquartz]