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Facades

#afrique #architecture #vernacular #facades #traditional #facade #walls #senegal #casamance #paradise #palmthrees

Our print release with anthony-samaniego is now live in our online shop! Here’s all the info:

Four, exclusive 18” x 24” print’s in an edition of 10. Printed in Los Angeles on archival 240gm/10 mil luster premium watermarked paper and shipped in a tube with a certificate of authenticity signed by the artist and gallery.

Roof's node

#architecture #vernacular #vernáculo #africa #senegal #senegamb #senegambia #casamance #bamboo #bambú #cooperation #project #sustainability #enviroment #eco #green building #viajes #subsaharian

Implivium House, Enampor, Ziguinchor Region, Senegal.

#impluviumhouse #impluvium #house #rooftop #roof #structure #architecture #archdaily #traditional #vernacular #arquitectura #africa #afrique #senegal #maison #wood #straw

Catolicisme vernacular.

#arquitectura #arquitexture #Architecture #church #catolicismo #jeanbaptiste #senegal #senegambia #iwol #construction #vernacular #arq #paisbassari #Pays #nature #respectfull #organic #km0 #kmzero

Els nous encants vells, Barcelona.

#barcelona #market #shadow #arquitectura #arquiteturaeurbanismo #urban #urban photography #urban landscape #daily #dailyinspiration #city #cities

Shadow lines

#shadow #wood #architecture #archdaily

architectureofdoom

Orlando Public Library, Florida, John M. Johansen, 1962-66. Pictures by Michael R. Allen. View this on the map

nnmprv

Camper shop in New York by Nendo.

inequalitylandscapes

Paper Sculptures by Mattew Picton

elevenacres

Frank Lloyd Wright’s Guggenheim-inspired 1955 auto showroom for Maximilian Hoffman

http://www.core77.com/

mrsdentonorahippo

Frank Lloyd Wright in front of model of the Solomon R. Guggenheim Museum, New York, 1956

vurtual

Spanish Pavilion (by spiky247)

kateoplis

Today in Iraq: The Valley of Peace cemetery

tierraadorada

Leandro Locsin | Philippine International Convention Center (PICC)

Floating massive geometric rectangular volumes penetrate the space with the profuse use of cantilevers and wide overhangs, which were a mainstay of Locsin’s signature architecture. The dark-bronze tinted curtain wall and the formal reflecting pool further amplify the buoyant maneuvers of Locsin’s architectural composition and defy, albeit illusorily, the gravitational pull.

- Gerard Lico, Edifice Complex: Power, Myth and Marcos State Architecture. Manila: Ateneo de Manila University Press, 2003: 113.

onsomething

Makiko Tsukada Architects | Tunnel House, 2010 Suginami

Photo by Shinkenchiku-sha

mydarkenedeyes

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