Claude Monet
Water Lilies, 1904
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@art-ifax
Claude Monet
Water Lilies, 1904
Forest by Wilhelm Sasnal (2003) Oil on Canvas, 45 x 45cm (18 x 18in)
PROTECT and DEFEND trans women
if you put trans women in danger because you can’t help running your fucking mouth, you are the ENEMY and will be ERADICATED
if you are a cis person who scrolled past this without reblogging because you don’t feel like it’s a necessary message for your other cis friends to see, i want you to know you’ve made it that much harder to trust you
Tatiana Blass (b. 1979, Brazil) Penelope, 2011
Paintings and drawings by Shaina Craft
Nanna Hänninen.
1. Witnesses of the Others I (mother and child) 2014, (original from the familyalbum by Tyyne Böök 9.9.1918). Archival Pigment Ink Print on Hahnemühle Museum Etching, Acrylic Paint
2. Witnesses of the Others II (Young woman with a hat and lace gloves) 2014 (original from the familyalbum by I.Indursky Helsinki in the beginning of 1900-century).
3. Witnesses of the Others III (child) 2014. (original from the familyalbum by Aug. Schuffert, Kuopio 17.8.1917)
4. We all are someones’s scapegoats (woman and cartwheel) 2014. (original by V. Barsokevitsch in Vuorikatu 15 Kuopio between 1893-1927: from the archives of Kuopio Cultural History Museum).
5. Regrets I 2014. (original from the familyalbum, Kuopio 1940-50).
6. Organizing history for the future I 2014. (original by unknown photographer in Maaherrankatu 8 Kuopio 3.2.1940: from the archives of Kuopio Cultural History Museum).
7. Regrets II 2014. (original from the familyalbum, Kuopio in 1950-60)
8. Organizing history for the future II 2014. (original by unknown photographer, Haapaniemenkatu 1, Kuopio in 5.2.1940: from the archives of Kuopio Cultural History Museum).
9. Passing By 2014. (original by V. Barsokevitsch, Puijonkatu/Tullinportinkatu, Kuopio in 1916: from the archives of Kuopio Cultural History Museum).
10. Witnesses of the Others V 2014. (original by V. Barsokevitsch, Dormity of deafs, Kuopio in 1898-1890: from the archives of Kuopio Cultural History Museum).
Henri Matisse, Gouache découpée, 1952
Untitled - Robert Morris.
Vicky Uslé - El Viajero (Traveler), 2013
oil on canvas
200 × 150 in / 508 × 381 cm
The Tsarevets Castle by oberon75. http://bit.ly/1bB62ud
So long, Philip Seymour Hoffman
woop woop im back motherfuckers
heres a grand idea:
dont make fun of other peoples pronouns because it makes them comfortable, no matter how silly it may seem to you
if you make fun of peoples pronouns then you need to lock yourself in your room for a while and go on a journey of self discovery so you can become a less shitty person
Madkobra
Here Comes The Party Animal
Cris Bierrenbach, “The Encounter”, 2011, daguerreotypes of digital files
via
my family is the definition of rich white privilege