art and sea

Eytan. Portland right now. This is mostly a collection of what inspires me.

[deathandmysticism]

Albert von Schrenck-Notzing, Medium’s Ectoplasm, 1913

[gacougnol]

Philippe Pache

La Femme Flamme

2016

[equatorjournal]

A felucca on the River Nile, 1975.

From “Egypt” by Frances Wilkins, 1977. https://www.instagram.com/p/ChVEuPNtvIh/?igshid=NGJjMDIxMWI=

[nontemporary]

2021-12-31 10.39.52.png

[artandsea]

Aren - Czech Republic

[sabonhomeblog]

Tinycup Needleworks

[sabonhomeblog]

Graciela Cattarossi

[michalinamurawska]

[lovethi5]

[56345643563-deactivated20210707]

I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.

—Maya Angelou

Image by Rich Stapleton

[pagewoman]

View from Mam Tor, Peak District, Derbyshire, England

via national trust

[inneroptics]

thomas w. louyle

[gloriaphoto]

© Gloria Rodríguez. Sevilla 2016

[equatorjournal]

alexander calder, the wave

[equatorjournal]

Alexander Calder, Galerie Maeght Pop-up Greeting Card, 1968

[equatorjournal]

Mario de Biasi, Spiaggia di Muizenberg, 1964.

“Deported in Germany, Mario de Biasi begins to take photographs in 1944 thanks to a camera found in the rubbles of Nuremberg. He becomes famous with his portraits of actresses such as Claudia Cardinale, Brigitte Bardot or Sophia Loren alongside the depiction of the Iran Shah’s wedding. Yet what earned the Italian photographer the nickname of the ‘Italiano pazzo’ (the mad Italian) was his reports of conflicts such as the Hungarian revolution of 1956 or extreme experiences such as his Siberian exploration, throughout the world. Uniting the glamour of actresses to social episodes, Mario de Biasi created one of his most iconic images thanks to a group of Italian men observing the curvaceous back of Moira Orfei.” https://www.instagram.com/p/CHQ0OoKAfLA/?igshid=i9n4h2fg8uhx

[zuluandzephyr]