Modern Art Curiosity

I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now

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Dolk 'Punk' Stencil on Canvas

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Harland Miller ‘Fetish or Die’ Oil on canvas

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Berndnaut Smilde Indoor Clouds

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Miss Bugs ‘Waiting for Ed’ - Red Sky 3 colour silkscreen / 18 colour stencil

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Aakash Nihalani 1+1=2 New York 2012

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Kurt Cobain

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[juxtapozmag]

CONOR HARRINGTON 

[stencils]

Mobstr - Oh wow look it’s some street art  (photo by stedavies)

[judithsupine]

[empty-frames-blog-blog]

[pollymorgan-blog-blog]

‘Former Things’ by Polly Morgan

[artcuriosity]

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Artist Michael Thomas Hill 'Forgotten Songs' in Sydney's Angel Place.

Installation of 180 empty birdcages suspended above the ground.

[artcuriosity]

KAWS COMPANION

Macy's Thanksgiving Day Parade balloon

[artcuriosity]

Antony Micallef

Little tiny kisses.

Oil and gold leaf on linen.

140cm x 140cm.

[artcuriosity]

Matthew Small

Becky

80 x 100 cm 20 colour screenprint on aluminium sheet

Matt Small paints directly onto found pieces of metal, bringing physical elements of the city directly into his work, whilst merging them with the human sensibilities of his subjects. The artist paints portraits of anonymous figures, but these evocative impasto artworks are all about his subjects; previous projects include ‘Hope in Life’ a series of weekly workshops where the socially excluded could express themselves through painting and music. It is these people that Matt Small paints, often gifting the original artworks to the subjects themselves.

[artcuriosity]

Kate Moss, London, 2006

Kate Moss has long been one of Testino's closest friends and remains one of his favourite muses. Kate Moss, London, 2006 is a classic Testino work, both capturing the intimacy of a seemingly unguarded or fleeting moment and also heightening a sense of glamour and surreality. Perched casually on a polished bathroom counter in a sheer, frothy black dress and a black mask pulled back and slightly askew, Kate seems caught unawares in the midst of some glamourous fête. It is precisely this contrast between the apparently incidental and the impossibly glamorous which makes Testino's images continually fascinating.