by Bruno Barbey Café São Jorge, 1966

pixel skylines
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
styofa doing anything
RMH
todays bird
Monterey Bay Aquarium
$LAYYYTER

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d e v o n
Keni

blake kathryn
Sweet Seals For You, Always
almost home

titsay
Aqua Utopia|海の底で記憶を紡ぐ
No title available

roma★

No title available
ojovivo

seen from India

seen from Peru

seen from United States
seen from Cameroon
seen from Philippines
seen from United States

seen from Bulgaria
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
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seen from United States
@arteseletrasatelier
by Bruno Barbey Café São Jorge, 1966
Jean de Brunhoff
Illustration for Babar book, N.D.
Artes & Letras Atelier
Lisboa, 2016
Artes & Letras Atelier
Lisboa, 2015
Tom Wallace Gradl Zierschriften 2005 after M J Gradl 1900
via
The Seasons. 1787.
Internet Archive
The material universe : its vastness and durability. 1863. Cover.
Internet Archive
Magic and Grace. 1929. Title page.
Internet Archive
— James Joyce, the final word in his masterpiece Ulysses (1922).
An old print from the vaults, I think 2012!
Ed Ruscha, OK (State I), 1990
As antigas linotypes, onde os jornais eram montados com placas de chumbo, antecederam o «offset» que, em Portugal, só surgiria na década de 1960. Provocavam aos tipógrafos uma doença chamada «vulcanite» (obstrução da visão por uma película resultante de anos de trabalho com chumbo a ferver).
Estes azulejos, com profissões e eventos ligados à Imprensa e desenhados por Jorge Barradas e Stuart Carvalhaes, foram arrancados das escadarias do «Diário de Lisboa». Uma ínfima parcela foi doada a dois museus.
Havia vários milhares, ao longo de três lanços de escadas. Marina Tavares Dias explica tudo, no volume IV da Lisboa Desaparecida.
@ Lisboa desaparecida FB (Abril 2015)