The Dixie Dugan White Collection of Women's Rights Memorabilia
we're not kids anymore.

oozey mess
he wasn't even looking at me and he found me
RMH
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year
NASA
Keni

Origami Around
d e v o n
todays bird
AnasAbdin
hello vonnie
TVSTRANGERTHINGS
KIROKAZE
occasionally subtle
ojovivo
trying on a metaphor
Stranger Things
styofa doing anything
seen from Ireland

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Romania
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom
seen from United States
seen from Malaysia
seen from Indonesia

seen from Germany

seen from Brazil
@arteseletrasatelier
The Dixie Dugan White Collection of Women's Rights Memorabilia
by Bruno Barbey Café São Jorge, 1966
Jean de Brunhoff
Illustration for Babar book, N.D.
Artes & Letras Atelier
Lisboa, 2016
Artes & Letras Atelier
Lisboa, 2015
Tom Wallace Gradl Zierschriften 2005 after M J Gradl 1900
via
The Seasons. 1787.
Internet Archive
The material universe : its vastness and durability. 1863. Cover.
Internet Archive
Magic and Grace. 1929. Title page.
Internet Archive
— James Joyce, the final word in his masterpiece Ulysses (1922).
An old print from the vaults, I think 2012!
Ed Ruscha, OK (State I), 1990
As antigas linotypes, onde os jornais eram montados com placas de chumbo, antecederam o «offset» que, em Portugal, só surgiria na década de 1960. Provocavam aos tipógrafos uma doença chamada «vulcanite» (obstrução da visão por uma película resultante de anos de trabalho com chumbo a ferver).
Estes azulejos, com profissões e eventos ligados à Imprensa e desenhados por Jorge Barradas e Stuart Carvalhaes, foram arrancados das escadarias do «Diário de Lisboa». Uma ínfima parcela foi doada a dois museus.
Havia vários milhares, ao longo de três lanços de escadas. Marina Tavares Dias explica tudo, no volume IV da Lisboa Desaparecida.
@ Lisboa desaparecida FB (Abril 2015)