Artes & Letras Atelier
Lisboa, 2016

Love Begins
hello vonnie

Origami Around

★
styofa doing anything
TVSTRANGERTHINGS
One Nice Bug Per Day
Mike Driver
Not today Justin
🪼
occasionally subtle
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣

if i look back, i am lost
Monterey Bay Aquarium

oozey mess
RMH
d e v o n
Game of Thrones Daily

izzy's playlists!

seen from Singapore
seen from United States
seen from Singapore

seen from Türkiye

seen from United States

seen from Malaysia

seen from France
seen from United States

seen from Malaysia
seen from Iraq
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
@arteseletrasatelier
Artes & Letras Atelier
Lisboa, 2016
Artes & Letras Atelier
Lisboa, 2015
Tom Wallace Gradl Zierschriften 2005 after M J Gradl 1900
via
The Seasons. 1787.
Internet Archive
The material universe : its vastness and durability. 1863. Cover.
Internet Archive
Magic and Grace. 1929. Title page.
Internet Archive
— James Joyce, the final word in his masterpiece Ulysses (1922).
An old print from the vaults, I think 2012!
Ed Ruscha, OK (State I), 1990
As antigas linotypes, onde os jornais eram montados com placas de chumbo, antecederam o «offset» que, em Portugal, só surgiria na década de 1960. Provocavam aos tipógrafos uma doença chamada «vulcanite» (obstrução da visão por uma película resultante de anos de trabalho com chumbo a ferver).
Estes azulejos, com profissões e eventos ligados à Imprensa e desenhados por Jorge Barradas e Stuart Carvalhaes, foram arrancados das escadarias do «Diário de Lisboa». Uma ínfima parcela foi doada a dois museus.
Havia vários milhares, ao longo de três lanços de escadas. Marina Tavares Dias explica tudo, no volume IV da Lisboa Desaparecida.
@ Lisboa desaparecida FB (Abril 2015)
Artes & Letras Atelier
Lisboa, 2015
Artes & Letras Atelier
Lisboa, 2016