works by.

Here you'll see all of my thoughts folding in on one another. Thank you for your consideration.

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Last few from 2022

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'Waiting'

November 2022

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I've been working on a lot of new things, with the majority of that time studying up on new and old techniques. Looking forward to showing you all some oil paintings in my style. Feels like I'm coming full circle.

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Untitled Sketch, 2022

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'strawberry mimosas and goodbye sandwiches'

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No time for digital work these days, so here are some sketches from the planner.

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I've been hit with one too many feels this last month. Looking forward to when I can make things again.

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"Wendy's Garden", triptych, May 2022

It took a long time to find the courage to make this.

alt: The garden is the home and the moons are the result. One day, and with intention, a brick wall begins. Slowly, both in envy and possession. Though the time before was endless, the brick has taken root, tucking the garden out of reach, capturing it beyond the window frame that has set into the wall. The moons look on.

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"The Love of Everything" project sketches, May 2022

alt: The outlines of a room. The walls are broken apart into squares. Splashes of color support and overwhelm. The difference is like walking into a room with soft radio music verses one with a live band. Oddly shape plants swipe by you as you move inwards towards the the table and chair, which is placed 20 paces straight ahead from the door.

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Color Theory Explorations, March 2022

Find me in the ether

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Untitled, February 2022 Find me in the ether

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Untitled, December 2021

Inspired in part by -- Dutch Painters, experts on UFOs, The City of Ember, Italian Nostalgia, and self-actualization.

Find me in the ether

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alt: Sometimes, thinking about going to the store is adventure enough.

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“This Is How My Dreams Feel”

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Recent thoughts on composition.

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Pushed my last exploration and accidentally made some Kiki's Delivery Service fanart.

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Still working on this. Playing with similar colors, shape texture to manage depth. I really like posting WIPS because it really makes the flaws jump out at you.

Building reference: Gustavo Henrique