
Andulka

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dirt enthusiast
Peter Solarz
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH

祝日 / Permanent Vacation
noise dept.
$LAYYYTER

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RMH
Today's Document
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pixel skylines
AnasAbdin
taylor price

#extradirty
d e v o n
art blog(derogatory)
macklin celebrini has autism
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@asbestospilled
Trying to learn how to draw these two
I think their pretty neat
me looking at mic in official art: fuck i draw him with too much headcanons
me looking at beautiful mic fanart: fuck i draw him way too boring
I'd like this account to be something personal too, not just a place where I post my art (Sorry for the whining)
I just sent a piece for an art trade, and to be honest, I think the person I'm doing the trade with is disappointed in my skill level. How do I get rid of this feeling? I always have it, not only during trades or commissions, but even when I'm just posting things for myself
Also, here are some old little sketches of Hizashi) ♡
ACTION - pt 1
stole grandpa's cane
Translation: A: "Zashi, you… sigh …do you wanna hold hands? " A: "While we walk to Oboro's." Y: "EH?!" Y: "Y-yes, of course!" A: "…" Y: "… A: "Let's go already!"
Self Indulgent Hanahaki Erasermic
<<< Page 59-60
🌸 Archive
I haven't finished this yet, but I wanted to share it anyway
My concept was to visualize how I see and feel the connection within this trio
Hizashi, as a public figure, obviously has pre-programmed cliches that he plays on autopilot, selecting and switching out tapes. He plays them for others, but he doesn't really have a 'tape' of his own, or perhaps he just has no one to play it for. It’s too painful for him to rewatch his memories of Oboro, which is why the tape containing this crucial person stays with Aizawa
Aizawa is the steadfast keeper of that single tape, deeply bound by the weight of this memory. His capture scarf is almost always with him, essentially becoming the personification of that cloudy film reel. He accepted this as a part of himself a long time ago, turning the memory into his anchor and compass
Yamada himself would be too terrified to look back and play something like this on his own; it's vital for him to stay afloat due to his media presence and his anger issues. Shota serves as the perfect counterweight here, providing him with a grounding, stable presence.
Oboro is featured here as a silhouette, elusive and completely recognizable. He only comes into existence while the tape is rolling
For the memory to actually play, you need Hizashi’s cassette player and Aizawa’s tape—only then does the blurred image of their past come alive.
I’d love to flesh out this concept and draw more of it, but I don't have the capacity right now. If you like this idea or want to use it, please tag/credit me as the author 🙏
I also wanted to drop all the sketches I've been too nervous to post until now
I’ve been wanting to share these sketches and headcanons for a while now. Things have been really heavy for me lately, and throwing myself into my work is the only thing that makes sense right now. If you have a moment and feel like it, I’d love to hear what my art evokes in you. It would really help me out right now. Thank you so much in advance 🙏
just spedran this across today he was very important for me
mere two weeks until mic bday......will i manage.....
go my functional depression husbands the city needs you!
“i never see you at the club” ok well i never see you on ao3 at 2am reading about the same two bitches falling in love for the 1000th time in the 500th way
reunion of a lifetime 😸
i just do shit