A WORK IN PROGRESS AS ALWAYS. ASKS WELCOME.

I feel enough like myself to talk a little. An Ask and Light indie RP blog for The Blue Archmage Warlic and his alternates from The Artix Entertainment Game Universe. M!A: none

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honestly i think real knights did this shit back then too

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instagram | _thefeelingofvelvet

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"You're insane, but I love you!"

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yep looks dead to me

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crab instinct

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Suit of Wands (Part 1 - from Ace to VI)

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Suit of Wands (From VII to King)

[autistic-af]

One of my favourite pop culture useless pieces of information that I know is the fact that trends in horror movies can tell you about the general fears of the world at any given time in cinematic history.

[autistic-af]

Sorta!

1940s - You have people still alive that remember Jack the Ripper, you have the Axeman of New Orleans and two world wars. The classics are being made for shock escapism and dark stalkers are also popular (usually trusting people turning out to be the enemy).

1950s - post-nuclear bomb. Giant monsters, or unknown blobs are the trend.

1970s/1980s - modern era begins, and serial killers are becoming known and prominent. Slasher films are the trend. The Cold War also drives the fear of invasion, so a few alien films come out in this time.

1990s - a horror movie lull, and lull in wars and disturbances.

2000s - fear of invasions and biological warfare. Zombie movies become the trend.

[autistic-af]

Here you go! It’s just a random article, but it’s a fun starting point. It outlines the ideas better than what I did above. Fears, politics etc all play a role.

Film has always been a reflection of our society. When world events occur or certain beliefs become widespread, they naturally shape our per

[boogerwookiesugarcookie]

I literally did a 100k PhD thesis on this. I can recommend you a different scholarly book for every decade of American horror.

[milf-zone]

So I totally agree that horror movies are a reflection of global fears and traumas (that thesis ^ is actually really interesting) but this post is so wrong about the 90s.

In the 90s, Japan alone, gave us Ringu, Midori, Cure, and Audition

The 90s also gave us Cube, IT, Blair Witch, Army of Darkness, Jacob’s Ladder, SCREAM, Candyman, Misery, The Silence of the Lambs and SOOOO much more.

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Aight hear me out...

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[everythingfox]

“She’s only brave when the cat’s not looking at her…”

(via)

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suzhou garden by 细草穿沙

[taohun]

seeing the photos from Webb up against photos from Hubble just makes me… I don’t even know like, wow! Look at that!

[babyanimalgifs]

Kabosu (かぼちゃん) famous for the Doge meme turned 16 today 

(Source)

[onenicebugperday]

whats your favorite bee :o) just outta curiosity

BLUE BEE BLUE BEE

Cerulean carpenter bee, Xylocopa caerulea, photos by gancw1

[theangelswans]

[emptynarration]

Sims Medieval is the best Sims game ever made and I can and will argue about it

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sensory-friendly lgbt flags

i made these because the normal ones kinda hurt my eyes. feel free to request a flag or adjustments to these ones!

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i also added an nd one ^-^

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[employee210]

Another day in the Office

[what-even-is-thiss]

Surrealist humor sure is taking on a new flavor huh

[erinnightwalker]

@thegodthief

[tmae3114]

One of the things that I think works very well about Jaania is that it would be so easy to make her just… not care. She’s a female villain with an ice aesthetic who plays a role in a love triangle. It would be so easy to make her ice cold and uncaring. But she’s not. Sure, she puts on a mask of that but it’s obviously a mask every time she deploys it and it’s reasonably easy to make it crack

She feels things and she frequently feels them loudly. She cares. She locks herself in her room to agonise over her decisions and if she might have endangered people. Her entire motivation is that she’s intensely traumatised and wants to protect herself from ever being hurt that way again and she also wants to protect anyone else from being hurt like that again. She cares immensely

and that is not enough

She cares and she knows she cares, she’s not in denial about it, and she hurts people anyways because she’s stopped caring about individual people, she’s tied herself to herself and the “bigger picture”, to the nebulous idea of people, and now she can and will justify causing harm in any way she can because she’s decided that the harm, more often than not, is necessary

Jaania cares and that is not enough to stop her and that is part of what makes her so absolutely terrifying