dancing for Elie, directed by Carlotta Guerro

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@asoftwoman
dancing for Elie, directed by Carlotta Guerro
Tuning into the notion of
stilling,
rounding
softening, expanse, and spaciousness,
enables us to connect deeper to our emotionality,
to have a full-present experience of them,
complexities,
and nuance.
When we soften, and we feel, we become more aware,
more perceptive, a
nd more discernment of our c e e r r e
n n t
the sound orchestra, and flowing in the apex dress - Sssone
now breathe in
as exhale
soften
to release
loving yourself the wholeness of you
requires the a state of quiet, an appropriate time to be inward
i needed to take that time
black swan,
growing, wing span expands, and she is urging to be accepted.
But will she accept her?
purer w / @jurrga
grace notes with @jurrga
for the moments that feel ineffectual
remember,
there is grace
seeing the body in its magnificence with @jurrga
b A C k tracking
cultivating
e x p a a a a aaaa n d i n g g g
u a .
n r lllll
v e n g
i g
i long to dance,
For the dance sings my song
@dazed
II acts/I rehearsal
when we come to it
culmination its an honouring, a reverence to what was
breeeaaakinggg
debilitating
cccccccyyyyyccccccclllleeessss of change
endlessly in dis-
array
yet still no flowing state, or station to stay encased around me...
a deeply personal process
yet it reverberates into collectivity,
as we choose to move into the natural re-callibration
of honouring a multi-faceted-ism that is soft black womxnhood...
explorative, shifting, corpus’ of iiiiii den ti- tiiiiieeeessssss
s e
e e e
d e d
and RE d e d
s e e
and so from out of the shadows
birthes a chasm of
L II G H T TT
smoke me, if you will
Khadija Saye :: Dwelling: in this space we breathe is a series of wet plate collodion tintypes that explores the migration of traditional Gambian spiritual practices and the deep rooted urge to find solace within a higher power. This series of tintypes were produced with artist, Almudena Romero. Currently exhibited at the Diaspora Pavilion during the 57th Venice Biennale: May – November 2017
we remember the truth of her legacy