kristina at vaganova character class
Alisa U Zemlji Chuda
🪼
let's talk about Bridgerton tea, my ask is open
Three Goblin Art
Not today Justin

tannertan36
No title available
I'd rather be in outer space 🛸
tumblr dot com

titsay
Game of Thrones Daily
RMH
occasionally subtle

if i look back, i am lost

ellievsbear

blake kathryn
Keni
Sweet Seals For You, Always
Show & Tell
TVSTRANGERTHINGS
seen from Germany

seen from Canada
seen from Germany
seen from Malaysia
seen from Germany

seen from Panama

seen from United Kingdom
seen from Switzerland

seen from Germany
seen from United States

seen from Germany
seen from United States
seen from United States
seen from El Salvador
seen from United States

seen from United States

seen from United Kingdom

seen from Malaysia
seen from United States
seen from United States
@aspicia
kristina at vaganova character class
Olga Smirnova (x)
Sofiane Sylve in Balanchines Diamonds
Erte’s first cover for Harper’s Bazaar, 1915
Anna Ewers in “Audacieuse” by Mert Alas & Marcus Piggott for Vogue Paris, August 2014
Uliana Lopatkina, Andrey Ermakov - Tango+
DQ Blue Hour.. by TOREX PHOTOGRAPHY on Flickr.
the longing for freedom
2/5. Why you should see “La Bayadere”
The Kingdom of the Shades
stephencrutch.com
Anita Kreituse
Liu Dan
Daphne Guinness photographed by Markus Indrani for Tatler Hong Kong.
Elena Vostrotina.
The Dying Swan performed by Anastasia Kolegova
The Dying Swan is a ballet choreographed by Mikhail Fokine in 1905 to Camille Saint-Saëns’s cello solo Le Cygne from Le Carnaval des Animaux as a pièce d’occasion for the ballerina Anna Pavlova.The short ballet follows the last moments in the life of a swan:
"Arms folded, on tiptoe, she dreamily and slowly circles the stage. By even, gliding motions of the hands, returning to the background from whence she emerged, she seems to strive toward the horizon, as though a moment more and she will fly—exploring the confines of space with her soul. The tension gradually relaxes and she sinks to earth, arms waving faintly as in pain. Then faltering with irregular steps toward the edge of the stage—leg bones aquiver like the strings of a harp—by one swift forward-gliding motion of the right foot to earth, she sinks on the left knee—the aerial creature struggling against earthly bonds; and there, transfixed by pain, she dies."
nikolay krusser ©