Isabelle Adjani in La Reine Margot (1994)

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@ateflame
Isabelle Adjani in La Reine Margot (1994)
The Battle of Ivan Tsarevich with the Three-Headed Serpent (Detail), 1912 - oil on canvas. â Viktor Vasnetsov (Russian, 1848-1926)
The most interesting of this workâpast, present, or futureâis or will be that which dismantles, boycotts, ignores, destroys, takes liberties with, or at least pokes fun at the avant-gardeâs long commitment to the idea that the shocks produced by cruelty and violenceâbe it in art or in political actionâmight deliver us, through some never-proven miracle, to a more sensitive, perceptive, insightful, enlivened, collaborative, and just way of inhabiting the earth, and of relating to our fellow human beings. For as Arendt puts it succinctly in On Violence, âThe practice of violence, like all action, changes the world, but the most probable change is to a more violent world.â
maggie nelson, from "The Art of Cruelty: A Reckoning"
Agamemnon, Aeschylus (tr. Robert Fagles)
Michael Langdon, fashion icon.
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The âexcuse me what did you say? I canât hear you I have an ear disease called i donât fucking careâ mood.
âOn the palette of a nefarious blood laden meal, I bite my tongue at the silhouette.â
â Channing M Vault of My Books  Â
JUDE LAW as Lord Alfred Douglas in Wilde (1997)
Ingeborg Bachmann, from Darkness Spoken: The Collected Poems; "Of a Land, a River, and Lakes"
Text ID: crowned with smoke, [...] / ablaze, / loved by the fire,
âThereâs some kind of burning inside me, itâs kept me from falling apart; and Iâm sure that youâve seen what itâs done to my heart, but itâs kept me from falling apart.â
â Mitski, from the lyrics of Goodbye, My Danish Sweetheart.
Vivienne Westwood
Jackets from Vivienne Westwood MAN Fall 1996 âMartyr to Loveâ Menswear Collection
Le héros romantique