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Debbie Harry
Debbie Harry
Soul Train, 4th November 1975
Golden Years
The Clash (specifically Topper, Paul, and Joe) at Heathrow airport in 1977
picture taken by Caroline Coon
Lene Lovich
‘Be Stiff’ Tour Programme (1978)
We Got the Beat
The Go-Go’s burst out of the L.A. punk scene in the late ‘70s to become “the first, and to date only, female band to have a number one album, who not only wrote their own songs but also played their own instruments.” We delighted to bring you an excerpt from Lisa Whittington-Hills new book “The Go-Go’s: Beauty and the Beat.”
The album cover was the first time I saw what the Go-Go’s looked like. I could finally put faces to my new heroes. In the days before social media, videos, and the internet, it was a lot harder to learn about your new favorite band. MTV would soon change that, but it wouldn’t launch until a month after Beauty and the Beat was released. Years after I first discovered the Go-Go’s, I was packing some records to move and noticed the similarities between the Beauty and the Beat cover and the cover of Cut, the debut album from the Slits. The Slits were naked except for loincloths and covered in mud, not Noxzema, but there was still the idea that both bands wanted to rebel against stereotypical, hypersexualized notions of what women should look like on an album cover. They were both powerful images that the bands chose themselves, which subverted the idea of how women should market their music. There was also the idea that the women wanted to conceal themselves, whether with face masks or mud, to keep a part hidden, especially from a music industry that wanted women to reveal themselves, and all of themselves, if they wanted to sell records.
Read the full excerpt on Longreads.
Strawberry Switchblade. Pictures by Peter McArthur.
Lady Gaga fotografiada por Nick Knight para el álbum “Born this way”, foto inédita (2010).
Annie Lennox
Annie Lennox (1986)
Cindy Wilson by Lynn Goldsmith, 1978.
debbie harry photographed by govert de roos, 1976💫
Nina Hagen
In Ekstasy (1985)