Stranger Things
dirt enthusiast
todays bird
YOU ARE THE REASON
he wasn't even looking at me and he found me
Peter Solarz

Love Begins

祝日 / Permanent Vacation
No title available

#extradirty

@theartofmadeline

roma★

Discoholic 🪩

Origami Around
Misplaced Lens Cap
occasionally subtle

No title available

blake kathryn

Kaledo Art
ojovivo
seen from Vietnam
seen from United States

seen from Vietnam

seen from United States

seen from Malaysia
seen from United States

seen from Malaysia

seen from United Kingdom
seen from Germany

seen from Türkiye

seen from Spain
seen from United States
seen from United Arab Emirates

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@autodidacticpoet
Adrienne Rich's 1987 Poem "For an Album" from her collection Time's Power.
Wooroloo by Frieda Hughes, from the collection of the same name.
Wild oats pale as peroxide lie down among The bottle brushes. A beaten army, bleaching. Life bled into the earth already, and seeds awaiting. Stiff little spiked children wanting water. Above the creek that split apart the earth With drunken gait and crooked pathway, Kookaburras sit in eucalyptus. Squat and sharp-throated They haggle maggots and branches from ring-necked parrots. I have watched the green flourish twice, and die, And the marsh dry. In this valley I have been hollowed out And mended. I echo in my own emptiness like a tongue In a bird’s beak. My words are all gone. Out of my mouth comes this dumb kookaburra laugh. How my feathers itch.
Kookaburra by Frieda Hughes. From her collection Wooroloo
So big in life, head like a chopping block Beak like a carving knife, His hysterical voice cracked branches, his laugh Stripped bark from the wood-borers But in the twilight something got him, So close to the house I should have heard. He was left like a taunt, a dead bird By an empty chicken run. Now his dusk-stained feathers rock In their dead-grass cradle, His bitten body is the flame From which these moths escape That beak is buried in the sucked-out skull Where eyes were lost in another mouth. His small crate, Ant-eaten already, his ribs like rafters To welcome flies, and his wings rest like two open fans Beside him. Stripped of what made him He is only a fraction of his noise.
Kookaburra by Frieda Hughes. From her collection Wooroloo.
Sylvia Plath in a diary entry wr. c. February 1958 from The Unabridged Journals of Sylvia Plath
The Black Art by Anne Sexton. From her 1962 collection "All My Pretty Ones"
Anne Sexton, from A Self-Portrait In Letters
She asks me to kill the spider. Instead, I get the most peaceful weapons I can find.
I take a cup and a napkin. I catch the spider, put it outside and allow it to walk away.
If I am ever caught in the wrong place at the wrong time, just being alive and not bothering anyone,
I hope I am greeted with the same kind of mercy.
-Rudy Francisco
"Small Wire" by Anne Sexton. Found in her 1975 Collection The Awful Rowing Towards God.
Change is the language spoken
as behemoths collapse without fanfare.
Its history a speck, a moment,
a villanelle in the lines of Didion.
Not a building; a fleeting institution
as wavering as governance.
The culture created, duplicated,
riffed, surpassed, teemed obsolete.
Soon the Sands fulfilled its prophecy
and dropped through the hourglass.
The folies bankrupt and nostalgia preserves
as its walls crash into myth.
"As it has been said: Love and a cough cannot be concealed. Even a small cough. Even a small love."
-Anne Sexton
Excerpt from poem "Small Wire"
Change is the language spoken
as behemoths collapse without fanfare.
Its history a speck, a moment,
a villanelle in the lines of Didion.
Not a building; a fleeting institution
as wavering as governance.
The culture created, duplicated,
riffed, surpassed, teemed obsolete.
Soon the Sands fulfilled its prophecy
and dropped through the hourglass.
The folies bankrupt and nostalgia preserves
as its walls crash into myth.