Autumn Knight Work

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Autumn Knight, "Nothing #59: biennales," Loophole of Retreat: Venice

Autumn Knight performs "Nothing #59: biennales" at Loophole of Retreat: Venice, October 8, 2022.Loophole of Retreat: Venice was a symposium held from Oct 7-9...

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2021

WESTERN FRONT (VANCOUVER) 

LIVE STREAM

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https://shedhalle.ch/en/

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Shedhalle – Autumn Knight

01.02.2021 – 28.02.2021 image courtesy of the artist

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2021 

WORK UP IN ZURICH: https://shedhalle.ch/en/

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In Conversation: Autumn Knight and Justine A. Chambers with Pablo de Ocampo

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Autumn Knight Tears The Kitchen Apart

The artist’s bracing performances demonstrate that institutions – and perception itself – can never be neutral

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Melted Snow on Virtual Stages

|Jasmine Jamillah Mahmoud, Autumn KnightSeattle-based Jasmine Mahmoud talks to New York–based Autumn Knight about Knight’s recent performanc

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[rickwenner]

Autumn Knight

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For Gotham Magazine 2017

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I attended this conference earlier this year. It's all experiential. This one was particularly unique in that  the staff was entirely Black-representing various aspects of the diaspora. Attending these conferences is part of my research as an artist working with here and now aesthetics. I also attempt to stay connected to this work/this world to continue learning about /understanding scholarship around group relations and race that began when I was a graduate student at NYU years ago. In the past, I’ve held several roles in this system: conference administrator, consultant and member. These theories provide a powerful lens through which to view our encounters. 

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Small collages/sculptures create while at the Headlands artist residency Fall 2019.

Aluminum origami sheets, post-it notes, plastic bags of various sizes, found materials in the Headlands artist studio detritus...

I was reading Jenny Odell’s Book, How to Do Nothing: Resisting the Attention Economy. I led me to think more deeply about the relationship between live art forms and the attention economy. Surely they are part of this economy. They compete with each other and against digital attention economies. 

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INTERVIEW: AUTUMN KNIGHT AND PHILLIP TOWNSEND

Autumn Knight is an interdisciplinary artist working with performance, installation, video and text. Her performance work has been on view at various institutions including The Whitney Museum of Art, DiverseWorks Artspace, Art League Houston, Project Row Houses, Blaffer Art Museum, Crystal Bridges Museum, Skowhegan Spa

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Screen shots from Pong, 2019. (7min)

This video was set to be a part of a series presented in April at the Tate Modern (UK), presented by The Kitchen (NYC). 

Description: This programme asserts the place of video as a crucial medium for self-representation. It allows artists to have a demonstrable control over how they are imaged, and then to complicate that reception.

Link for more info:  https://www.tate.org.uk/whats-on/tate-modern/film/never-real-objects-ii