Νύχτα Είναι Θα Περάσει

myrto, 24, athens ζητω που καηκαμε

[bintro]

[boyhood]

Did a school visit today and asked a group of 8th graders if they could define the term "contemporary art" for me [for context, I work at a contemporary art museum], and one of them said "Is it art that's made with contempt?"

And unfortunately that's the funniest thing a student has ever said to me in 10 years of teaching

[juliaxyn]

No need to be the best, just be the most persistent version.

[4ktaylor]

UHD | Taylor Swift, The Eras Tour, London New Midnights Body Suit DETAILS 📸 unknown, 16 August 2024

[ilostyou]

"the story isn't mine anymore" she's literally. she packed it up and gave it to us and said it's not mine it's ours now let's move on

[nessa007]

TAYLOR SWIFT + different time period looks in music videos

[speaknowtaylor]

"we learned the right steps to different dances" is such a beautiful way to explain that nobody did anything wrong but it does not work out if you have different goals or different ideals of life, maybe sometimes things don't work out and it is nobodys fault

[awkwardmetal]

i cant wait to stop listening to only ttpd and go back to taylor’s other discography (in about two weeks) and find all the parallels for myself

[baby-girl-aaron-dessner-deactiv]

You look like Stevie Nicks

in ‘75, the hair and lips

[evermoredeluxe]

everyone is talking about taylor’s relationship with us and im just like. she hates us because we analyze her, but she loves us because we see her. it’s a contradiction she can’t escape. on eras tour, she literally talks about how sharing her feelings with us helps her heal, and then in TTPD, she says how the curiosity and opinions feel stifling. i think it’s just one of those things. she hates blurring the lines of our relationship because of what it does to her, and she’s valid in inserting herself in the space that discusses her and being mad, but she also can’t have us without sharing herself and opening herself to the scrutiny. and this is not me abstaining fans of being invasive, but rather just making a point.

[awkwardmetal]

Saint Motel- Van Horn // Taylor Swift- imgonnagetyouback

i love this genre of lyric

[kryptogreen]

A purebred fancy mouse, color: black tan

[taylorswift]

At this hearing, I stand before my fellow members of The Tortured Poets Department with a summary of my findings. 

Album tonight. 

Fortnight music video tomorrow at 8pm et.

https://taylor.lnk.to/thetorturedpoetsdepartment

[the-loststone]

In a house filled with daughters, ttpd is Taylor's first son.

[msthebolter]

[awkwardmetal]

in my mind i can fix him (no really i can) is a sequel to cowboy like me. i will not elaborate

[lunar-years]

what's so clever about Clara Bow is that when she references her own name at the end, she's not talking about the present but the future, quoting the inevitable way people are going to one day talk about her, imagining it will only be in regards to the woma(e)n who surpass her. because there will be someone who surpasses her, eventually. that's the cycle of fame, isn't it? we're simultaneously captivated by the alluring trick of the past while looking for the next big thing. we compare current stars to the lights that shined before them, "you look like taylor swift." but we're also constantly waiting for someone new and greater to take the crown and captivate us anew, "you've got edge she never did." And half the song is about acknowledging that being revered is hell on earth for the people who are in it, because you're always trapped between what came before and what will come after. you're only safe insofar as you remain shiny. But the real beauty of the song is that it never succumbs to this dichotomy, but embraces it. It's Taylor acknowledging she wouldn't be who she is were it not for the women who came before her, who shared the same dreams, and recognizing her place in the chain of the women who will come after. The future's bright, dazzling.