Mike Driver
occasionally subtle
Xuebing Du
No title available
Misplaced Lens Cap
Aqua Utopia｜海の底で記憶を紡ぐ
will byers stan first human second
Stranger Things
h
taylor price
Product Placement
Peter Solarz
he wasn't even looking at me and he found me
d e v o n
No title available
dirt enthusiast
Origami Around
Kiana Khansmith
PR's Tumblrdome
tannertan36
seen from T1
seen from T1
seen from France
seen from United Kingdom
seen from Malaysia
seen from United States
seen from Ireland
seen from Malaysia
seen from Malaysia
seen from Türkiye
seen from India
seen from United States
seen from Ukraine
seen from Türkiye
seen from United States
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@b2renger
Article 8 - 2015-04-09
Merci à Beikko pour ce premier article sur l’image
1 - Chargement d'une image
Pour la manipulation des images, Processing dispose de la classe Pimage –pour stocker une image en mémoire- et de fonctions spécifiques pour charger une image depuis un fichier ou...
I did a talk recently at the Full Stack Meet Up in Denver on a bunch of super cool browser APIs like the Geolocation API, the Web Audio API, and the Ambient Light API.
I posted all my code and demonstrations online. You should check them out.
Moon March
Interactive space subdivision. Non-linear gradient textures attached to the longest side of each polygon.
Rhapsody in Grey
Music project from Brian Foo creates algorithmic music with recorded data of brainwaves during an epileptic seizure:
This song generates a musical sequence using EEG brain wave data of an anonymous epilepsy patient. It examines the periods before, during, and after a seizure. The goal is to give the listener an empathetic and intuitive understanding of the brain’s neural activity during a seizure.
Brian has documented the process here
Vintage illustration of Sound Vibration Patterns.
http://b2renger.github.io/ the whole website is written with p5.js. The principle is to have for each node created a csv file written in a specific way so that everytime you over a node in the canvas Dom elements are dynamically created in the right handside of the page. sound to come ...
Using beziers to make these almost realistic birds wings.
Algorithm That Counts Rap Rhymes and Scouts Mad Lines
Study by Eric Malmi combines data science and Hip-Hop to discover the most rhythmic rapper:
Among the many things rappers like to boast about, some are relatively easy to quantify, like money, whereas rhyming skills are something that have been very difficult to measure – up till now. In this post, I’ll present Raplyzer, a computer program which automatically detects rhymes from rap lyrics and which is used to rank popular rappers based on their average Rhyme factor. I’ll also present another program called BattleBot, which is a search engine for rhyming rap lines based on the algorithm used in Raplyzer.
More Here
How to graphically construct the inverse of a real number, using only straight lines and the unit circle. The reason why this works is triangle similarity.
Sid Lee Dashboard
French creative agency have installed various sensors around their office to document data and published in real-time online, an ‘(un)interesting’ Internet of Things:
Inside Sid Lee Paris with real-time (un)interesting data. For its 6th anniversary, Sid Lee Paris invites you to take the daily pulse of its office with its new Dashboard
You can view the online dashboard here
A little experiment with p5.js of realtime sonification from their open source API : http://b2renger.github.io/sidlee-sonification/index.html
Solution to Schrödinger’s equation for the hydrogen atom at different energy levels. The brighter areas represent a higher probability of finding an electron
HOLO 2
Independent (and quite frankly necessary) tech art magazine HOLO has its second edition available for pre-order:
“If anything, this magazine is an attempt to come to terms with the new normal,” is how the first issue of HOLO opined on our “hyper-connected, accelerating present that is a mere innovation cycle away from fantastical (or dystopian) fiction” in spring 2014. Since then we’ve seen the fall of the Berlin wall commemorated with a floating wall of light (8,000 balloons, each laden with LEDs) and the harrowing landing of the Philae probe on comet 67P (hurtling across space at 80,000 km/h) while our concerns about the erosion of privacy continue to grow. Clearly, the new normal isn’t slowing down anytime soon. On the contrary, given the brisk pulse of creative synergies that connect disciplines and offer glimpses of potential futures, it’s imperative that we slow down, reflect, and process the curious developments at the intersection of art, science, and technology once more.
Wobbly drawing machines with personality, a roomful of light bulbs that pulse the syncopated rhythm of a hundred heartbeats, bouncing an encoding of Beethoven’s
Moonlight Sonata off the moon—revealing the “faces, anecdotes, and personalities behind important work“ has been a HOLO mandate from day one. Our second issue will take you to Montréal, London, Paris, Ghent, Zürich, and Berlin where seven contemporary artists and designers who push the boundaries of 21st century creativity have opened up their world to our team of writers and photographers. From Rafael Lozano-Hemmer demoing a machine for capturing the last breath of revered musicians in his St. Laurent workshop loft, to Katie Paterson sifting through a collection of fossils leftover from a project that’s a million years in the making, to 90-year-old computer art pioneer Vera Molnar revealing her latest work over a mean brew of turkish coffee – each of these encounters shed light on careers that span decades and questions that have been around for millennia.
More Here
Defining behavioural geometries in plan
Project name: Dynamic Linearity Team: Vibha Kukreja (India), Junshen Pan (China), Camille Sherrod (USA), Liyuan Zhang (China) Studio: Patrik Schumacher assisted by Pierandrea Angius Our research focuses on social dynamics as a generative design tool in the studio titled Parametric Semiology with the aim of designing an architectural setting as a platform for a social scenario. We begin with the belief that human behaviour in an architectural setting is a ‘dialogue’ between innovative ordering and the framing of communicative spaces. By exploring a new method of social organisation, we deploy a semiological parametric system where social dynamics of spaces can be programmable within a set of architectural proto-scenarios. Parametric differentiation is extended in spaces that are capable of hosting different social events based on the ability of spatial elements to offer different readings. The flexibility of these readings is offered by a parametric system where each transformed frame signifies intended actions. The program of the design is a villa within which to host a social event; where every ritual in the event determines the requirements of transformation and the social organisation of agent rituals. This event allows a spatial organisation that recognises that social communication depends on the physical arrangement of physical bodies in space.
My first processing sketch that involves audio. Hovering over each bar changes the frequency on a sine oscillator. The frequencies of the 8 bars are tuned to a C phrygian scale thing. Playing over a Csus4 drone thing. The color or the bars are generated randomly and change temperature depending on where the mouse is on the screen. The amplitude of the oscillators is also tied to the Y axis.
Anahita & Joe
This series of images is the second iteration of an experiment in digital reconstruction of portrait photography. It is an attempt to create a hybrid between hand drawn and procedurally generated image.
A custom software was implemented in processing, which provides the user with a set of digital brushes. Influenced by the LOGO programming language, each brushstroke spawns agents that move within the blank canvas, to create an image with the trails they leave behind. Each brush is a set of different instructions for the agents to follow. These instructions reference the color of an input image to determine the trajectory, behavior but also the color of their trails. The user’s only creative decision is where and how to apply the brushstrokes within the image. Using a tablet, the speed, tilt and the pressure of the pen change various characteristics of the tool, creating expressive brushstrokes.
Along with painting the images, the implementation of the tool played an equal role to the whole creative process. Both stages required experimentation to define the aesthetic of the final images. For more info, the full series and video, visit http://ch3.gr/digital-brushes-v2/
