YO STAR WARS FANS.
I remixed the Imperial March.
As always, this song is available for free at bablesquatch.bandcamp.com
Sade Olutola

Product Placement

Kiana Khansmith

Kaledo Art
Claire Keane

❣ Chile in a Photography ❣
No title available
DEAR READER

Andulka
Cosimo Galluzzi

Discoholic 🪩

JBB: An Artblog!
cherry valley forever
ojovivo
I'd rather be in outer space 🛸
we're not kids anymore.
AnasAbdin
Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE
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@bablesquatch
YO STAR WARS FANS.
I remixed the Imperial March.
As always, this song is available for free at bablesquatch.bandcamp.com
thinking about how ursula k leguin said "what goes too long unchanged destroys itself. The forest is forever because it dies and dies and so lives" and how everyday i wake up slightly different and i can feel myself shed the skin of who i used to be slowly, slowly, until i look back and can scarcely recognise who i was... but also she is still a part of me, part of the leaf litter and the humus, supporting me as i send new roots down and new leaves stretching up to the sunlight
Okay but imagine being the team of Eridian scientists tasked with keeping Erid's Only Human alive for as long as possible while the whole planet's environment is literally trying to kill him. And then Rocky shows up and is like:
“Grace says he would like half of dome to be water.”
“Oh, is necessary for humans to have large amounts of water question?”
Small Eridian equivalent of a sigh. “No. Not needed for life. In fact Grace will die if he falls in water and does not get out.”
“Tell him we give him water in containers that won't kill him. Lots lots lots of water on Erid for Grace to drink.”
“No. Grace say he want water on ground. Also want it with excess sodium chloride compound so it will be unhealthy for drink.”
“WHY QUESTION???”
To celebrate Erid getting their sun back on track, Grace asks for some alcohol. There's a small amount left from the Hail Mary and Rocky offers to take it to the science Eridians to see if they can synthesise more.
“Grace want this liquid for celebration.”
“Of course.” They scan it. “You have wrong liquid. This contain compounds which are poisonous for humans.”
“Yes yes yes. Grace say humans like feeling of being slightly poisoned.”
“WHY QUESTION?????”
Grace is like one of those extremely finicky tropical fish who instantly die if not kept in extremely specific conditions.
Only here the fish can talk and keeps asking you to make it vodka.
Only here the fish
can talk and keeps asking you
to make it vodka.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
well breed my hole and call me sir
when i was a tiny baby queer (aka a 24-year-old), i went to my first pride festival probably three months after i kicked ex-gay therapy to the curb and came out to my parents. being the people they are, my parents came with me. they weren’t really sure about this whole gay thing, but they loved me and wanted me to be safe and happy and wanted to be involved in what was important to me, so they came along. (i also think my mother still might have thought i might get drugged or murdered or beaten by a protester of which there were plenty.)
anyway i wanted a memento of my first pride, you know, and this one vendor was selling keyrings, and i liked it, so i bought one. do you remember those italian charm bracelets that were all the rage like 10-15 years ago? it was a keychain like that, and it had a rainbow rooster, a rainbow cat, and then just a rainbow, and so I bought it.
i run into my mom a couple of vendors over and she goes oh you bought something? what’d you get? so i showed her, and i was like, “I’m not sure why it’s a rooster and a cat. Seems kind of random. But I liked the rainbows.”
and my mom, who was some form of minister’s wife for most of my childhood and teenagerhood, stares at me like she thinks i’m joking.
“What?” i say.
“…it’s a cock and a pussy, Jules,” she says flatly, and that is the story of how i died at the age of 24 while attending my first pride festival.
I love how every June this one gets dug up and passed around again, lmao.
oh no is this what we’re doing now
…relic…
*crumbles and blows away on the wind*
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!
@dionysusangel tagged me to share the last song I listened to. It's old, like me!
And I'm passing the tags along to
@dax117 @floralizard @just-otter-thoughts @notclevr @uropity