Reading Process 3: White Savior?
The White Savior Complex refers to a trope that a lot of media (ESPECIALLY Hollywood Oscar-Bait films) use, essentially this is when a “well-meaning” white person goes out to help POC, in theory this trope seams harmless; after all, using your privilege to help others is noble, but this trope is often insidious in that the “well-meaning” white white person often gives out condescending compassion to the POC they seek out to help. This trope is a modern day critique of themes expressed in Rudyard Kipling’s 1899 poem, The White Man’s Burden.
Many of the characters in Zoot Suit are inspired by people in real life: Henry Reyna is primarily based on Henry Leyvas (the real life leader of the 38th street gang, a real life pachuco who defended hid innocence in the Sleepy Lagoon Murder Trial),
Della Barios (Henry’s girlfriend) is based on Dora Baca (Leyvas’ real-life girlfriend), and the main reason I wrote this post is Alice Bloomfied, an activist who tries to do all she can to help out the accused pachucos (she is based on real-life activist, Alice McGrath, who is of Russian-Jewish descent)
The Real-Life Alice was instrumental in activism, especially regarding the Zoot Suit Riots, she alerted the public’s attention to the treatment of the youths during the trial that are also included in the play, most notably, They weren’t allowed to change their clothes which caused a negative influence that impacted the guilty ruling from the (all white) jury. From 1942-1944, McGrath served as the executive secretary of the Sleepy Lagoon Defense Committee, throughout the rest of her life she was active in progressive issues. Luis Valdez states “She was one of the heroines of the 20th century. In Los Angeles, I can’t think of many people who surpass her influence”, a sentiment in which I very much agree. Take note, this is a good example of using your privilege to help others who do not have said privilege.
Luis Valdez does something really smart and clever when writing Alice Bloomfield’s character, he subverts all of the tropes and moves associated with the WSC. This is really notable in this interaction between Alice and Henry in act 2 scene 3:
ALICE: But what about the trial, the sentence. They gave you life imprisonment?
A: Henry, honestly–are you kidding me?
A: But you’ve seen me coming and going. Writing to you, speaking for you, traveling up and down the state. You must have known I was doing it for you. Nothing has come before my involvement, my attachment, my passion for this case. My boys have been everything to me.
H: My boys? My boys! What the hell are we–your personal property? Well, let me set you straight, lady, I ain’t your boy
In most stories surrounding the WSC, the person/people the WS is attempting to help out have no power or autonomy, they are often props to subdue white guilt and create inspirational stories. However, in this work, Henry calls out Alice (which is obviously something that never happens in WSC stories), his personal growth is not initiated by Alice’s activism, it’s in his own mind with his interactions with El Pachuco. This isn’t a White Guilt play, it’s a play about processing a traumatic injustice through the eyes of someone who went through it. In lesser hands, Alice Bloomfield could have easily become another White Savior, but through understanding and critiquing of the trope, her presence in the play adds nuance and pathos to the story