Bridget having a relaxing Caturday.
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@bananaavenue
Bridget having a relaxing Caturday.
Grandpa teaches how to bathe a baby. Guess who’s his voluntary assistant.
(Source)
No thoughts, just this
You’ve sang through part 1 and part 2, so here’s the most recent set of Shakespearean Christmas carols!
Happy holidays to all of you! I will be taking next week off to spend time with my family, but I look forward to seeing you here again in the new year!
2016 has definitely had its full share of heartbreak, but it was also a year of adventure and excitement (and stress and euphoria and terror and learning) as I started working full-time on Good Tickle Brain. Thanks again to all of you for reading and supporting and laughing and generally being a fantastic audience. I look forward to another year of sharing Shakespearean silliness with you.
Which Austen book/movie do you think had the most sexual tension?
Persuasion, hands down.Think about it: every other novel depends wholly upon the uncertainty of the heroine being unaware of the hero’s romantic interest for some portion of the novel, with misunderstandings and difficulties largely brought on by the structure of Proper Courtship where it was generally considered inappropriate for either party to display too much obvious inclination until a proposal was actually made. (Marianne’s quick and clear affection for Willoughby makes a lot of people uncomfortable. Fanny Price is commended for her placid response to Henry Crawford’s flirtations. Elizabeth Bennet doesn’t even begin to remotely consider Darcy as a marital prospect until after he’s proposed and been rejected with some of the sickest burns ever committed to the page.)
But Persuasion. Ah, Persuasion. Anne has already previously accepted and then rejected Wentworth before the novel even starts. The whole book already exists at the level of tension we see reached when Lizzy runs into Darcy unexpectedly on her visit to Pemberley. That’s the whole book.
And it gets better.
Anne didn’t reject Wentworth because she couldn’t fuckin’ stand him, the way Elizabeth chewed off Darcy’s ear for being a dillhole to Jane and (she thinks) to Wickham. Anne loved Wentworth, and he loved her. They were devoted to each other. It’s the fact that she broke off the engagement despite this that rankles, for both of them. The attraction was there. It was acknowledged. It was allowed to burn wild and bright for that brief, delicious time before Lady Russell’s doubts and concerns seized hold of Anne and persuaded her to wreck his happiness, and her own. No, they were both fully aware of how much they wanted each other, and they were like “yeah, let’s get married, it’ll be great, I love you so much, oh God you’re so attractive, you’re amazing, I want to spend the rest of my life with you, you’re everything I could ever want.”
It was real and undeniable. They cannot unsay any of it. And then it was over.
[SAD TROMBONE]
And that’s just the backstory.
So despite Wentworth being hella difficult for Anne to read, and her own shattered expectations and self-esteem leading her to believe that of course he’s over her and totally into Louisa Musgrove, why wouldn’t he be, she’s young and cute and so many things Anne is not…we still get to watch Anne burn for this man after eight years apart and know that that’s a fire that’s never going to go out for the rest of her life, if time and distance and hopelessness and even the attentions of other charming young men in Captain Benwick and Mr. Elliott haven’t managed to put out those flames.
And on the re-read we can pick up on every look and cue from Wentworth which we then know to be signs of the fact that he is as helplessly lost to his desire for this person as he was nearly a decade earlier. He wants to believe otherwise and tries to act as if it is–and in a classic case of over-compensation gives rise to hopes and expectations from Louisa Musgrove which then very nearly lock him into an attachment which would surely divide him from Anne forever. And even when he feels himself safe from that, he confronts the possibility of Anne being taken by a rival in Mr. Elliott, and can only watch, rather than give a clear sign of his intent. After all the time that has passed, he is now in the position Anne was in at the beginning of the book, and must painfully struggle to weigh his own doubts against his desires. The no-liking-each-other-too-much-until-you-pop-the-question courtship rules still apply, and an open and happy flirtation at this point is not in their natures as individuals–they’re older than most other heroes and all other heroines. They know the risks. They’ve seen happiness slip away, before, and wonder if it is lost forever. Their emotional stakes are higher. He cannot bear to ask again, face to face.
The misery. The agony. The helpless and resentful eyefucking. That LETTER.
I͚̞̖ ̗̮͈̰̬͇͙c̺̗̮a̗̗̤̜ṉ̯ ̦͔̞̫̟l̯͎͇i̮̱͓̹̭̝͍̥s͓̣̱͎͉̙̻̱̩t͖̠e̼͍̻̣̼n̪̜̮̟̖ ̼̣̼̱̩n̬̳o̩̱̪̟͚̟̲ ̪̺̺l̗̦o͉̝̺̳̤̺̬̻ͅn̗̤̦̥̥͔g̗̰e̜r͎̙̲͚̥̫͇̰ ̜̻͎͈i̘̻̲̫͖̘̫n̩̳̻̮̳̪ ̖̳̳̬̭s̩i̹̩̗̻̘l̹͚e͈̮͖͚͈̫n͔̣̰̯̝̠̤̝c͚͍̙͈̱͉̗͇e̤̭̯̳̹̳.̘̖̫̩̭̻̤͖̱ ̳̞I͓̞̣ ̦̗̼͙͙͎̗͚m͚͙͖̜̜u͈̱̦̩s͓̰͚͎t̼͕̬͈̗̫ ̝͉͕̯̣͈ͅs͖̼͓̤͎͚̮p̲͇̮͓̩e͍̦̹͉͕̠͎̠a̻͎̝̭̜k͉̫̭̣ ̫̣̲̜͙͉̳t̺͚͔̜̗o̫͓̩̝ ̯̻̙̱y͕̳̘̺͎̞o͍̮u̲̭̙̦ ̺̦͎̬̦̣̤
b̩̹͖y̦̝͙̣̮̦̫ ̼̪s̜̜̼͓̝̣͉̺ṵ̼̦̪c͕̝̝h̝̞͈̻̺̩̼̬̩ ͕̺̟͓ͅm͖͈̣̰͍̫̦e̫͕͇̗̳̩̣̠a̬͕̭͕ͅn̖ͅs̲͕͉̙̥͉̠͙ͅ ̤̳̞̖̼̥̰a̗̗̹̰̳̟̙s̭̭͍̦͎͙ͅ ͇̭̰a̱̩͈r͍̦̟̣͚͙̱e̠̟̬̮ ̘w͔̩͈̩̠̮̭̘i̳̻̯͙̦̼t͇̖̹̙̩h͎̣͎̖̩̬̥̪̦i̙n͚̫͈̗̘ ̱̺m̯̜̬͈y̹̟̝̱̼̝̰̘ ̖̞̪̪̦̭r̮̝̙̻̣̯e̳̮̦͚̞̣a̱̞c̠̞̝͎̥̯͚͍ḥ͎̟̯.͎̪̬̟̻̥͉̦͙̭̭͕̲̫̖̜͙̰̬͓̪̹͈ͅY̰̯̟̜͎̼̳͖̱o̘̜̞̣̭̥u̩͎̰̣̤̻͚͙ ̫̲̻̲̜͈p̱̹̯i͎e͈̣̩̠̲̖r̳͉̺c̩͔͉̩̤̥͉̲e͎̗ ̞̠̮̲̝̠̤̜m̯̙̹̖̗̺y̤̺͙̼̮ ̮s͇͔͔̦̮̤o̯͖̥̭͓͍̤ͅu͔̥̩̯̻̖̙̲l̟͎.̤͕ ̰̼̘I̭̝̫ ͚̠̝̜a̮̮̘m̝̖͖̫͙͖̟ ͔̳̯̟̺h̗͖̩̬̟̱͓a̺̳͔̲͈l̙̺̙͓̞f͍̠ ̠̞̘̮̩a̲̝̬̟g̪͖̲͙o̩͚n̩̞̹y̗̖͔̪̮͚̹̻,̖̩̬̗̣͇̺̹ ̥̙͇̜͓̙̠̰͎h͕̮̪͕ạ͙̰̠͓l͚͙͚̤͇̮f͉̰̝͈̳͍̖ ̭̘ḥ̞o̗̲͎̩̜̙p̭e͖̮̼̱ͅ.̻̳ ̙̣͍͍̦̩̼͓̯
T̻̣̖̼͍͉̝e̳̮̯̘̜͖l̪̰l͕͕ ̼͈͉̻̙̗̰̬m̟̬̙̫ͅḙ̬̰̲̦̮̜ ̣̲̘n̺̰̦̟͍͔̫o͙̬͓̗̫̻̻̱t̻̘̰̜̖̦̜͈ ͖͇̜͚̣͍t̳̞̼h̗̹͓̮̖̲̟͕a̫̞̖̣̳̩ͅt͈͚̩ ̝̤̗̲̭̫̭I̪͙͙ͅ ̝̜̭͚̙̞a͉̹͖̫͔̪̮m̯̘͇̪ͅ ̳͍̩t̠͈̻͚̩͇͚o̩̭o̘̦̝̙ ̰̬̠͓̠͚̙̹̹l͚͕͍a̰͎t̖̭̥ẹ͈̝,̩̲͓̖̘͇͎ ̻̲̬̲ț͔͎̹̪͍h̘͔̙̝a͇t̫͎͙͖ ̬̩͇̫̮s͖͉̘̙u͔̹͚c͕̣̝͙͍h͖̤̲̱̟ͅ ̖̺͔̠̰̬p͈̤͔̖̯ṛe͚͙̯̖c̝͔͙͉i̻o̖͙̠u̜̬̦̹̻̫ͅș̝̪̹̝̦̩̼ͅ ̦̥͉̞͉͚̗f͇̪e̝̰̠̝ẹ̹͔͉̟̤l̻͖͔̜͇̝ͅi̟̘͎̦͈̞̱n̲̮̤̤͉͈̬g̱͓͖͕̣̯͚͙s̱ ̩̯̲̪͕̩a̪̠͓͈̩ͅr͓͚e͍͇͖ ̹g̳̖͎͙͉͇͎̯o͓n̘̜͈̫e̲̥̥̞͖̩ͅ ̭̺f͓̺̮͈͚̼̲o̼̝r͖̰̩̞̺̼̮̰̪ ̗̮e̼̬̹̳͕̼̤v̲̝e͙̤͎ṟ̙̘̱.͕̞̥͙̝̘̭̪͙̙̥̲̗̰̺̮̗̳̭̹I̺̼͎͕ ̳̖̘͇͚̦̳͉o̞̥̥̞̘̗̗f̜̱̞͔͕̹͙f̟̹̖̺e̲̬͉̥r̲͚̣̘̪͓̫̳̹ ̙͚͍̘͍̘̦m̪̫͔̼̙͔̯͕y͎̖̯͇s̞e̺̣͓̻̗͎̹͇̻l̙̣̮͈f͖̩̫̱̤͙̘ ̝̩̥͖̞̜͉̻͎t͇̳͈̳o̙̜̳͎̣ ͕̤̣y̱̞̦͈̳̥o͚u̦̭̥͔ ͈̹̗̮a̠̺͓͕͖g̤͇̟͍a͚̱͉̯̬͍̘i͚̣̣̻̥n̞͍̜̗̝͓ ̤̠̹̪̳͉̪͓w̼̭̠̭̝i͖̭t͎͕̮̭ẖ̟̱ ͉̩a̗͇̪ͅ ̩̥̺̱̱̦h̺̝͕͓̠e͈̜̮̪a͚̦̦͇͔̗͙̝͈r͖͔̜̠̰̥t̬̥̻̭͕̬ ̦͇̠͎̱͓͎e̥̙̠̥̼̩͎̘͍v̩͙e͎̭̺̫̥n͍͚̙̺̼ ̘̰̱m̗̲̯̞͇o̝͈͓̰͇r̹̤̞̙͕e͙͍̦̦̦ͅ ̱͔͇̩͓y̻̖͚̱̼ͅo̜̯̗u̦̲̦͎̙̬̭r̼̲̗̟̯̟̱͓ ̗͖o̜͍̤̩͓̲̬ͅw͈̳͎̩̪̤͓͍͎n͖͍͈͔̪͖͔ ͇̳͔̫̮͙̭͕
t̤͕h̲̲̩̱a̪͚͚̞͈͈͉ͅṇ̝̪̞̰̦͎ ͍̺̼̳̦̜w̝̹̖h͉̥̟̝e̮̞͇͕̩͉̰̮n̘͓̜͙ ̙ͅy͕̗͇͎͙͉̹̻o̖͈͈ͅu̺̱͈ ̮̥͍͍͓a̝̮̱l̥̩̤̹m͖̻o̻͚̯s͚͎̳̻͙t̟̹ ̱̹̤̝̞ͅb̰͍̺̜ͅr̤̙͍̹̯͎̻o̥͚͇̻k̹e̟͍̪͎͖ ̱̝̭̥̠i̠̝̬̙̲̤t͇͚̺̯̣̮̜͚ͅ,̙̣̭͓̭̮ͅ ̗̰̞̳͕͔e̦̱̹i̺̙̰͕̲͓̜ͅg̖̯͈͇͔̣h̻̻̺̼͉͍͇̞t̠̝̦̮̟͈ ̤̩̦̻̥y͕̼e̺͉͖a̭r͎̜̻̯͖s̺ ̰͔a͚̗̰̞̺̣n͕̳̜̲̰̱̮ͅd̮ ̲̳͉̙̲̙a͖̞͕͍̗ ̝̲͖̖h͈͈̮͉̯̱̪a̺̖̼̘̯̳͕̼̩ḻ͚̩̰̪̻̞͙f̺̫̻̬͓̩͇̜ ̖̮a͎̯̣͍̻̲̺g̞͖̹̭̻͓̻̥ͅo̺̲̯͔̪̹͖̭.̭͓̮̖̞̞̜̩̮̖͚͍̮̟D̹̺̺͚͎͈a̱̫͕͕̩̞r̭̟̖̤͍̘e̫̞̞͉̖̮̳̣ ̼̱̜ͅn͙o͇̮̰̫̠̺t͕̱̜͎ ̟͕̩̼̙s̹a͖͉y͓̣ ͕̩̠̗t̟͈͍͚h͕͕͖̣̟a̤̹̯̗̪͕t̮̳͓ ͎̳̰̳̙̹͙ṃ̟͕̟ͅa̪̩n̥̲͇̺̞̖̰̫ ̫̖̯̜̼͖͖̼f̟̮̪̖̞o̯͉̝͚r̺̭̞͕g͕̹̤̖̣̤e͖̦̜̘t̺̮s̳̯̳̻̘̟ͅ ̻̜̻̱͉s͍͙̟͇̜̦̬͍o̬̪͔̟o̖̠̺͙̺̯̘͙n̼̫̥̮̬̜̞͖e̤̹͇͇̼r̬̻̰̻̻̹ͅͅ ͇̠ṭ̪̰͈̪̥͙̫h̫͕̙̞̟͍͖̺a̬̭̼̲n̹͙̮̹͚̘̞ ̜̺̤̪w͇̦͖̦͕ͅo̫̪̦͎̜̭m̜͕̹a͉͚̮̫n̪̥̣͖,̠̣ͅ ̺̺̪̠̮̘̮ͅͅ
t̫̳͎͙͎̩̹͕h̙̬̦̟̣̝̜̹a̟̠̖͍̜t̘̣͉͍̤̦̮ ͔̲̹̤̤̝̮͔̠h͖̲̲̣i̜̲͈ͅs̝̠̪̭̝̭̳ ̪̤͓̗̣̩̺l͔̺̱̼͇͕̩o͖̠͖͖v͓̫̤̲̬̳̳͔e̟̮͖̩̲̯̻ ̹͕h̼͚̠̘̺̖a̯̰s͍̹̠͔̠ͅ ̟͈̞̩̳͉̮ͅa͔̺̹̟̼̲̝̦n̳̖͕ ̣̗͍͎͇e͓͉̦̺ͅa͔̰r̠̺͖̝̗̼̼̘l̻̘͕̤̯̩̟̙i͔͚͙̠͓̥ẹ̯͙̼͙ͅr̲͈͉ ̣ḏ̲̯̟̪͇e̳͓̫̲̻͚a̯t̲̭̬̻̯̥̼̭h̠̘.͍̰ ͚͍
Ị̱̻ ̙̭͇̗̟̠͓̠h̲̳͎a͍̠̤̗̠̰̝v̙̘̖̼͖e̞̻̟̹̣̣̭ ̠̱͍̯͈l̹͇̗̣̙͈͈̩̰o͎̭̝v͈͕e̠̳̗͓͍̺ḓ͍͔̯̖̹̼ ̹̼̳͙̗̘̬n̳͕̰̻̲̰̖͉o̬͉n͚̭ͅe͚̮̯ ̺̺b̥̬̩̼̣͈̻̺͖u̫͖͖̦̪̜̠̱t̲̤͓̩ͅ ̙̮̣̜y͚͎̘̭̤̼̞̞o͔̩̭u̖̩͍̫̤͖.̠̬̞̰͍
I once had someone ask me when I thought Darcy fell in love with Elizabeth and I answered when she came to Netherfield to care for Jane, and when rereading it, this is even more affirmed for me. I love the little line after Mrs. Bennet and the other Bennet girls leave Netherfield and Lizzie goes back up to Jane- Miss Bingley and Mrs. Hurst start roasting Elizabeth but then “(Mr. Darcy) could not be prevailed on to join in their censure of her, in spite of all Miss Bingley’s witticisms on fine eyes.” Aka: two ladies of “class” start dragging Lizzie, and practically goading Darcy into saying something by teasing about his fine eyes remark, but Darcy keeps his mouth shut because something is stirring inside him. He sees how Lizzie treats her sister, he understands how embarrassed she is of her family’s poor manners. He realizes her intelligence and lively mind, and dang he is falling in love FAST but doesn’t know how to handle himself
I can’t help it, every time I see Sean Gunn in Guardians of the Galaxy I think “Oh look, Kirk got a new job.”
act II, scene IV
Mercutio: C’mon, guys, I wasn't THAT drunk last night.
Romeo: You were flirting with Benvolio.
Mercutio: So what, he’s my boyfriend...
Benvolio: You asked me if I was single, and then you cried when I said I wasn’t.
Hamlet: We’ll be using code names from now on. I’ll be "Eagle One". Ophelia, you’re "Been There, Done That". Horatio, you’re "Currently Doing That". Laertes, you’re
"It Happened Once In A Dream". Rosencrantz, you’re "If I Had To Pick A Bro". Fortinbras, you’re "Eagle Two".
Fortinbras: Oh, thank God.
Short Hair- Mulan Soundtrack
finally
FINALLY
WHERE HAVE YOU BEEN ALL MY LIFE? DO YOU KNOW HOW DISAPPOINTED I WAS THAT YOU WEREN’T ON THE MOVIE SOUNDTRACK????
First time I heard this, I almost screamed. At first, it sounds like typical movie music until SUDDEN 80’S MONTAGE.
bruh
46 Of The Most Beautiful Sentences In YA Literature
1. “You could rattle the stars. You could do anything, if you only dared. And deep down, you know it too, and that’s what scares you the most.” —Sarah J. Maas, Throne of Glass
2. “Because sometimes chance and circumstance can seem like the most appalling injustice, but we just have to adapt. That’s all we can do.” —Gavin Extence, The Universe Versus Alex Woods
3. “I can’t seem to be a pessimist long enough to overlook the possibility of things being overwhelmingly good.” —John Corey Whaley, Where Things Come Back
4. “Books are my friends, my companions. They make me laugh and cry and find meaning in life.” ―Christopher Paolini, Eragon
5. “Because Margo knows the secret of leaving, the secret I have only just now learned; leaving feels good and pure only when you leave something important, something that mattered to you. Pulling life out by the roots. But you can’t do that until your life has grown roots.” —John Green, Paper Towns
6. “Do not pity the dead, Harry. Pity the living, and, above all those who live without love.” ―J.K. Rowling, Harry Potter and the Deathly Hallows
7. “I’m done with those; regrets are an excuse for people who have failed.” —Ned Vizzini, It’s Kind of a Funny Story
8. “Becoming fearless isn’t the point. That’s impossible. It’s learning how to control your fear, and how to be free from it.” —Veronica Roth, Divergent
9. “The moon is a loyal companion. It never leaves. It’s always there, watching, steadfast, knowing us in our light and dark moments, changing forever just as we do. Every day it’s a different version of itself. Sometimes weak and wan, sometimes strong and full of light. The moon understands what it means to be human. Uncertain. Alone. Cratered by imperfections.” —Tahereh Mafi, Shatter Me
10. “Eleanor was right. She never looked nice. She looked like art, and art wasn’t supposed to look nice; it was supposed to make you feel something.” —Rainbow Rowell, Eleanor & Park
11. “Don’t be afraid of death; be afraid of an unlived life. You don’t have to live forever, you just have to live.” —Natalie Babbit, Tuck Everlasting
12. “Just because we’ve been … dealt a certain hand … it doesn’t mean that we can’t choose to rise above — to conquer the boundaries of a destiny that none of us wanted.” —Stephenie Meyer, Twilight
13. “Some walks you have to take alone.” —Suzanne Collins, Mockingjay
14. “That’s the thing about pain. It demands to be felt.” —John Green, The Fault in Our Stars
15. “We believe in the wrong things. That’s what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We’re just so damn good at reading them wrong.” —Rachel Cohn, Dash & Lily’s Book of Dares
16. “Why would you be given wings if you weren’t meant to fly?” —Leslye Walton, The Strange and Beautiful Sorrows of Ava Lavender
17. “Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.” —Oscar Wilde, The Picture of Dorian Gray
18. “It’s just that…I just think that some things are meant to be broken. Imperfect. Chaotic. It’s the universe’s way of providing contrast, you know? There have to be a few holes in the road. It’s how life is.” —Sarah Dessen, The Truth About Forever
19. “The universe is bigger than anything that can fit into your mind.” —Ava Dellaira, Love Letters to the Dead
20. “I try to think about how it all works. At school dances, I sit in the background, and I tap my toe, and I wonder how many couples will dance to ‘their song.’ In the hallways, I see the girls wearing the guys’ jackets, and I think about the idea of property. And I wonder if anyone is really happy. I hope they are. I really hope they are.” —Stephen Chbosky, The Perks of Being a Wallflower
21. “Things were rough all over but it was better that way. That way, you could tell the other guy was human too.” —S.E. Hinton, The Outsiders
22. “What if evil doesn’t really exist? What if evil is something dreamed up by man, and there is nothing to struggle against except our own limitations? The constant battle between our will, our desires, and our choices?” —Libba Bray, Rebel Angels
23. “It does not do to dwell on dreams and forget to live.” —J.K. Rowling, Harry Potter and the Sorcerer’s Stone
24. “It’s like the people who believe they’ll be happy if they go and live somewhere else, but who learn it doesn’t work that way. Wherever you go, you take yourself with you. If you see what I mean.” —Neil Gaiman, The Graveyard Book
25. “I can tell you that the end of a life is the sum of the love that was lived in it, that whatever you think you have sworn, being here at the end of Jem’s life is not what is important. It was being here for every other moment.” —Cassandra Clare, Clockwork Princess
26. “Life, with its rules, its obligations, and its freedoms, is like a sonnet: You’re given the form, but you have to write the sonnet yourself.” —Madeleine L’Engle, A Wrinkle In Time
27. “Maybe who we are isn’t so much about what we do, but rather what we’re capable of when we least expect it” —Jodi Picoult, My Sister’s Keeper
28. “People never really died. They only went on to a better place, to wait a while for their loved ones to join them. And then once more they went back to the world, in the same way they had arrived the first time around.” ―V.C. Andrews, Flowers in the Attic
29. “Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now.” —Tim Tharp, The Spectacular Now
30. “But if I’m it, the last of my kind, the last page of human history, like hell I’m going to let the story end this way…Because if I am the last one, then I am humanity. And if this is humanity’s last war, then I am the battlefield.” —Rick Yancey, The 5th Wave
31. “The words were on their way, and when they arrived, she would hold them in her hands like clouds, and she would ring them out like the rain.” —Markus Zusak, The Book Thief
32. “Child, no one is ever ready for anything. I would never doom you to that. What sort of adventureless life would that be?” —Alethea Kontis, Enchanted
33. “And now that you don’t have to be perfect, you can be good.” —John Steinbeck, East of Eden
34. “Maybe some people are just meant to be in the same story.” ―Jandy Nelson, I’ll Give You the Sun
35. “If there’s one thing I’ve learned, it’s this: We all want everything to be okay. We don’t even wish so much for fantastic or marvelous or outstanding. We will happily settle for okay, because most of the time, okay is enough.” —David Levithan, Every Day
36. “Doubt everything at least once. What you decide to keep, you’ll be able to be confident of. And what you decide to ditch, you will replace with what your instincts tell you is true.” ―Amy Plum, After the End
37. “Just as a river by night shines with the reflected light of the moon, so too do you shine with the light of your family, your people, and your God. So you are never far from home, never alone, wherever you go.” —Karen Cushman, Catherine Called Birdy
38. “You spend your whole life stuck in the labyrinth, thinking about how you’ll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.” —John Green, Looking for Alaska
39. “There’s no shame in fear, my father told me, what matters is how we face it.” —George R.R. Martin, A Clash of Kings
40. “I know that the whole point—the only point—is to find the things that matter, and hold on to them, and fight for them, and refuse to let them go.” —Lauren Oliver, Delirium
41. “We feel cold, but we don’t mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn’t feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It’s worth being cold for that.” —Philip Pullman, The Golden Compass
42. “It’s a lot easier to be lost than found. It’s the reason we’re always searching and rarely discovered—so many locks not enough keys.” ―Sarah Dessen, Lock and Key
43. “On that cold night in January it all slipped into place for me and she became my everything and my everyone. My music, my sun, my words, my logic, my confusion, my flaw.” —Julie Murphy, Side Effects May Vary
44. “Hope? Hope can be a powerful force. Maybe there’s no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.” —Laini Taylor, Daughter of Smoke and Bone
45. “[She] had always suffered from a vague restlessness, a longing for adventure that she told herself severely was the result of reading too many novels when she was a small child.” —Robin McKinley, The Blue Sword
46. “Youth cannot know how age thinks and feels, but old men are guilty if they forget what it was to be young.” —J.K. Rowling, Harry Potter and the Order of the Phoenix
business email glossary
thanks in advance: get this done by the time i press "send"
thanks for your interest: why'd you have to bring this up
would you be so kind: fucking do it
best: i have never physically met you
all best: this conversation is over
all my best: i wish you would die
happy to help: this is the easiest thing in my inbox
i hope this helps: i've done all i'm willing to do
i did a bit of research: i googled it, because you're too lazy to
sorry to chase: answer my email
so sorry to chase: answer my FUCKING email
i am really sorry for being a pest but: i am LIVID that you are ignoring me
please contact my colleague: this isn't my problem
i'm copying in my colleague: this isn't my problem and i am thrilled about it
i'll check and get back to you: i might forget to
i'll let you know when i hear anything: i will forget to
can you check back with me in a week?: i'm hoping you will forget to
per our earlier conversation: i just yelled at you on the phone
great to chat just now: you just yelled at me on the phone
thanks!: i'm not mad at you
thanks!!: please don't be mad at me
thanks!!!: i'm crying at my desk
please advise: this might be your fault
kindly advise: this is entirely your fault
mind if i swing by?: i'm already in the elevator
can you confirm for me: you told me before and i deleted the email
sorry if that was unclear: i think you're an idiot
let me know if you need anything else: please never contact me again
Reblogging to add a direct quote that I used today -
Please respect my work process: just do it the way I told you to and stop arguing with me, I don't care what you think
In the end Damon and Elena lived out their lives together and at the end when they died they were together. Beyond that Elena finally reunited with her parents, Jenna, and John. Damon reunited with Stefan. This show started with a girl grieving her parents and a broken relationship between two brothers. This show ended in family reunions. I am just overcome with emotions.
okay so my genius of a best friend just pretty much figured out what the hell just happened: stefan died and gave the cure to damon, obviously. delena got married and there was like a time jump or something to when they were walking down the street and damon just disappeared, that’s when damon died. then, elena sees the house and her family and that’s a sign that she died and basically all 3 of them died over a period of time and i am so at peace with that. the three main characters of this show being gone by the end without having the other characters mourn over it and go on with their lives and stefan has a lot to do with it. it also proves that no matter what damon goes back to stefan no matter what. it ALSO proves that stefan is for sure the main character of this freaking show because he started all of these characters lives and how they turned around mystic falls. i don’t know but after this i’m satisfied with how the finale went down and i sobbed my eyes out the whole time. ALSO BONNIE FREAKING BENNETT IS FINALLY HAPPY AND LIFE IS GOING GOOD FOR HER GOOD NIGHT.