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Aqua Utopia|海の底で記憶を紡ぐ
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The sky looks so vivid
For: Jil Sander
When: F/W 1996
Foto: Craig McDean
Klara Gro by Cristina Capucci for Urban Magazine, May 2012
Fashion Flashback: To honour and celebrate the master Couturier Charles James, Vogue US ran an editorial so aptly named ‘The One And Only’ which featured a myriad of models all dressed in intricate paper recreations of the billowing gowns which the late designer made famous - they were courtesy of set designer Rhea Thierstein who mused on how photographer of the shoot Tim Walker asked her to interpret the designs in a delicate and surprising way; as time went on the creative process evolved and eventually the posh paper pieces became so grand that they had to be hung from the ceiling. The opulant group shot was inspired by Cecil Beatons iconic portrait of leisurely ladies in their classic Charles James ballgowns which was featured in the Vogue June 1948 issue, and now 66 years later it has been modernised and re-imagined for the May 2014 issue, showing that true beauty, elegance and dedication can live on forever. via: 1,2.
Photographed by Harley Weir for Double S/S 2014
Adrian De Sa Garces
Katya Polyaeva for Revs Magazine by Haylee Barsky
Ginta Lapina in “Charm School” by Walter Chin and Jeff Stephens for Neiman Marcus' The May Book 2014
See more from this set, including Jac Jagaciak, here.
Angelina Jolie in “Untamed Heart” by Hedi Slimane for ELLE, June 2014
Pictures from my yesterday's walk ! <3
#next#picture#from#wrocław#wroclove#<3#great#time#<3
#Me#&#my#gordeous#sister#<3#love#!#:-*
This post is dedicated to fashion’s L’Enfant Terrible, the visionary, the most beautiful soul, the one of a kind - Lee Alexander McQueen (RIP)
This dress made of nude silk organza embroidered with silk flowers as well as many fresh roses is one of the most iconic pieces to ever grace a runway - perhaps one of the only instances where art and fashion truly overlap. It was the finale gown of McQueen’s Spring/Summer 2007 show titled ‘Sarabande’, and in his own words he ”used flowers because they die” - this was shown in the most melancholic way as fresh flowers fell from the dress, leaving a trail of dainty destruction on the runway as the somber orchestra played in the background. Picture shot by Sølve Sundsbø for the ‘Savage Beauty’ exhibition via.
”How Lee loved roses… I recall the expression on his face in 2006 when the orchestra played Handel’s ”Sarabande” as the last dress, made entirely of roses and not quite finished, sewn together at the very last minute, left a trail of loose flowers along the catwalk, just a few falling delicately to the ground. It was a miracle.” - Words by Annie Deniau from ‘Love Looks Not With The Eyes’