what if i just manipulate reality with my mind and make everything perfect and good

Game Changer & Make Some Noise
KIROKAZE
untitled

Product Placement
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todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
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Show & Tell
hello vonnie

Love Begins
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Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
EXPECTATIONS

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@batseekers
what if i just manipulate reality with my mind and make everything perfect and good
☆ Nothing is still in the sea....
Kelp, ever moving, reaching out its golden-green tresses to embrace you ☆
Arthur E. Morton - Anemones, 1910-1915
from the son album by masao yamamoto
The hawthorns were in bloom.
Romeo + Juliet (1996)
im trying its not finished but im trying. when im done ill post the css if anyone wants it YIPPPEEE
MY OWN THOUGHTS by Helena Minginowicz (Polish, b. 1984)
acrylic on paper towel, 23x48 cm, 2026
17/11/11-54 – chasing the fog
miu miu fw07
“I know that if women wish to escape the stigma of husband-seeking, they must act and look like marble or clay - cold, expressionless, bloodless; for every appearance of feeling, of joy, sorrow, friendliness, antipathy, admiration, disgust, are alike construed by the world into the attempt to hook a husband. Never mind! well-meaning women have their own consciences to comfort them after all. Do not, therefore, be too much afraid of showing yourself as you are, affectionate and good-heartened; do not too harshly repress sentiments and feelings excellent in themselves, because you fear that some puppy may fancy that you are letting them come out to fascinate him; do not condemn yourself to live only by halves, because if you showed too much animation some pragmatical thing in breeches might take it into his pate to imagine that you designed to dedicate your life to his inanity.”
— Charlotte Brontë writing to a friend who had been kind to a man she thought was married, only to have him fall in love with her because he thought she was flirting (letter dated April 2, 1845).
needlepoint lace edging, france c. 1900s.
Imogen Cunningham. Shell Collection 3, circa 1930.