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5 posts!
I feel so proud to have received this achievement!
Writer Struggle #1
Trying not to traumatize your characters too much in the first few chapters of your story!
I am sure they would have survived on any backrooms floor like literally
Awakening: The Eclipse
Chapter 2
The world had gone quiet in a way that felt wrong.
Spencer pedaled out of the Ultimate Apparel lot and onto West Broad Street, and the first thing that hit him — before the dead cars, before any of it — was the silence. Not peaceful silence. The other kind. Athens always had a sound to it, a low constant hum of engines and air conditioning and the highway breathing somewhere off past the trees, the noise you stopped hearing until it stopped. It had stopped. And the not-hearing of it pressed against his ears like a hand.
He didn't let himself sit in it. He had four miles to cover and a reason to cover them, and the reason was named Elenore, and everything else could wait.
Concentrator, he thought, the rhythm of it falling in with his pedaling. Backup tank. Get home. On repeat in his head.
The ache was still there behind his eyes — the leftover of whatever had knocked him flat on his ass in the parking lot earlier. It pulsed with each heartbeat. And at the edges of his vision, the flickers kept coming, those faint drifting strands of light he kept catching sideways, and that vanished the second he turned his head to look at them straight. He'd passed out cold on the asphalt. He knew what that meant. He most likely cracked his head on the ground when he fell. Concussions were a pain, literally. You didn't faint and crack your head and then trust your own eyes for a while afterward. Floaters, light, the works.
Deal with it later, he told himself, and swept it to the back of his mind, pedaling just a bit faster.
Downtown told a different story from what it was when he first came to work. Coming up through the heart of it — past the storefronts, toward the Prince Avenue side — the cars sat where they'd died. Some nosed onto the shoulder by drivers with enough warning to coast; most just stopped dead in the lane, doors hanging open as the people inside had left in a hurry or in a daze. A delivery truck had slammed into a lamppost after the driver lost control, smoke drifting from under the front hood. A sedan sat crosswise across both lanes, black lines spiraling on the road where the tires tried their best to stop. He threaded the bike between them, up onto the sidewalk where he had to, back down where the sidewalk gave out, and he kept his eyes on the next gap in the obstacles and not on the people.
There were people. That was the part he was working hardest not to engage with.
They stood in clusters on the sidewalks, beside their dead cars, in the doorways of shops that no longer had lights — doing the specific thing humans did when the world stopped making sense. Talking too fast, or not at all, turning in slow circles like the answer might be behind them. A man stood in the middle of the street holding his phone up at the sky like he could get a signal off a cloud. Two women leaned over an open hood as if either of them could do anything about what was under it. A kid sat on a curb, just sat, watching the street with the flat, stunned face of someone whose full understanding of the world had been revoked in an afternoon. A woman stood behind him, probably his mother, tears streaming down her face as she hit her dead cellphone.
Spencer's whole body wanted to avoid all of it. That was the honest truth of him, and he knew it even as he did it — the instinct to put his head down, not catch anyone's eye, not get pulled into a conversation he had no answers for and no time for. Avoidance. His oldest, most reliable reflex, and for once it pointed the same direction as the emergency, so he let it drive.
"Hey — hey, you, on the bike!" A man broke off from a knot of people near the corner, jogging a few steps into the road. "You know what happened? You hear anything?"
Spencer slowed just enough for the man to hear him. "I don't know what happened. Sorry. I gotta get home!" And he was past, pedaling on, the man's face receding in the corner of his eye, and the guilt of it landed somewhere in his chest, but he pushed it down. He couldn't stop. If he stopped for one of them, he'd stop for all of them, and Nana had a four-hour battery and a closet of limited air tanks that he didn’t want to think about.
He started the math anyway. Battery probably kicked a few minutes after three-fourteen, give or take, just after the electricity. Four hours, so seven-something. Then the first tank, and the first tank lasts—
No. Stop. He shut it down. He was good at that, shutting things down, putting it off until he had a more concrete understanding. Stay on the road. Stay on the task. Don't spiral, don't look up, don't think past the next mile.
He turned north, off the downtown grid and onto the longer residential run toward home; he’d be there soon.
The world still looked wrong, but Spencer couldn’t put his finger on it.
It came at him in glimpses, in a way that made you question if you actually saw anything. The trees along North Avenue- were they always that green this time of year? He remembered from his ride earlier today that the leaves were a deeper green, not the new growth that came with springtime in the south. Those threads of light seemed to flicker in and out of the canopies as he rode past. He noted it but dismissed it. He would question why the trees looked like they were ready for an August summer rather than a May spring. Probably the concussion. I’m also stressed because of everything going on.
He passed a yard not noticing in his hurry that the rosebush on somebody’s fence had bloomed and the flowers looked otherworldly. He couldn’t stop, flying past the fence, so he didn’t notice tendrils that seemed to crawl out towards the road.
The light was wrong. He kept noticing that detail and kept declining to investigate why. It had a thinness to it that wasn't the eclipse — the eclipse was slowly disappearing, the sun was going back to its giant yellow self, showing off late afternoon splendor— but the quality of everything had shifted half a step sideways, like the whole world had been very slightly recolored while he wasn't paying attention.
Concentrator. Backup tank. Get home.
His legs burned as Newton Bridge Road bent him north and east, the houses spacing out, the city starting to give way to larger yards as he rode farther away from downtown— and it almost worked, the not-looking. He almost made it the whole way with his head down and his eyes on the asphalt and his mind locked on the one thing he could control.
Then something moved at the edge of a yard, and he looked, reflexively, before he could stop himself — and there was a dog standing between two parked cars, watching him pass. An ordinary dog. Some kind of shepherd mix, medium-sized, nothing strange about it at all except its eyes, which caught the wrong light and threw it back at him too bright, lit with an intelligence that wasn’t natural, and it tracked him as he rode by with an attention that was too steady, too aware, like it was reading him and studying him.
The hair on Spencer's arms stood up.
He looked forward again and pedaled harder despite his leg’s protest. Nope. Not now. Not looking at that. But his heart had picked up and the ache behind his eyes had flared with it, sharp enough that his vision swam for a second, the flickering strands brightening all at once across the whole road before they faded back down to the edges, and he had the sudden cold sense — buried fast, filed deep, the drawer slammed shut on it — that the flickers and the dog's eyes and the too-green trees were not three separate things.
He didn't let himself finish that thought either.
His body was making its dissatisfaction with him known. He was not a man who biked. He was a man who owned a bike and rode it the four miles to work and the four miles home and considered that sufficient, and his thighs had begun filing their objections somewhere around the downtown core and were now escalating to formal complaints. His lungs weren't happy. And the ache behind his eyes had settled into something steadier, a low background pressure that got worse, he was starting to notice, when he looked too long or too hard at the strands of light — which was its own small wrongness, the fact that the seeing seemed to cost something, but he wasn't examining that, he was examining the road, he was getting home.
Old Commerce Road took him the last stretch, up toward the woods and the creek, and here it was quieter. The river bottoms. His own end of town, where the houses backed onto the Sandy Creek bottomland and the trees came right up to the fences. The strands of light were thicker here, brighter, the closer he got to the tree line, and he caught more of them in the corners of his eyes and turned to none of them. He swung onto Erskine Drive with his legs burning and his head pounding and saw the house.
Intact. White siding, the porch he kept meaning to repaint, the hydrangeas Nana had put in along the rail because they were his mother’s favorite flower. Something in his chest that had been wound tight the whole ride unwound half a turn just at the sight of it.
He'd think later about the hydrangeas. About how they'd put out three new blooms overnight in a blue that didn't exist, a blue with light in it. He didn't notice them now. He dropped the bike against the porch steps, took the stairs two at a time, and went in.
He knew before he was through the door.
The hum was gone.
Eight months. Eight months of that sound running under everything, the mechanical heartbeat of the house, and its absence hit him like a missed step in the dark — the silence where the silence shouldn't be. His own heart dropped straight through the floor. He was across the front room and into the hall before he'd consciously decided to move.
"Nana—!"
"In here, and stop shouting, I'm not deaf, no matter what that damned Audio-whatever says!"
He raced into the living room and there she was, in her recliner, exactly where he'd left her that morning — except the concentrator beside her sat dark and dead, its hum extinguished, and instead the backup tank stood at her elbow with the line run up to her nose, hissing its small steady hiss. She'd switched it over herself. Or Glenda had, but it was probably Elenore considering the home health nurse was absent. Elenore was looking at him with both eyebrows up and an expression that landed somewhere between took you long enough and don't you dare make a fuss.
The relief hit him so hard his knees actually weakened. He fell to his knees in front of the older woman’s chair, grabbing her fragile hand in his, relief coursing through his body.
"You switched the tank," he said once he regained control over his emotions.
"I'm sick, Spencer, not helpless. The machine started beeping its head off a couple hours ago, and then it quit altogether, and I am perfectly capable of moving a little tube from one hole to another." She studied him, her green eyes doing the full pass, top to bottom, and whatever she saw made them narrow. "You look like death warmed over and served cold. What happened to you?"
"Long ride." He felt the consequences of said long ride making themselves known already, legs beginning to cramp slightly while his heart beat faster than it should, he could hear his GP giving him a talk…already. A long-drawn speech about stress and cortisol that he would not listen to even though he should. He wasn't going to get into the parking lot. Not yet. Not the passing out, not the light, not the door in his head he couldn't explain to himself, never mind to her. "Everything's down. Not just the power — cars, phones, everything. All at once."
"I gathered that much when the television died in the middle of my program and the lamp went with it." She said it dry as ever, but he caught the thing underneath it, the thing she'd never say out loud — that she'd sat here for two hours in a dead house with a dead machine, alone, not knowing if he was coming. He caught it and it twisted something in him.
He got up and made himself useful instead, because that was what he did with feelings he couldn't hold. He checked the tank gauge. He checked the line. He checked the concentrator on the off chance it would do anything, which it didn't. He registered the smell of the kitchen — she had something going on the gas burner, the one appliance in the house that didn't need the grid, the one she'd refused for years to let him replace. Thank the heavens for her stubbornness. He'd never tell her that. She'd hold it over him for a decade.
"How many tanks in the closet?" he asked.
"I got one hooked up and there are three in the closet. Now, don’t go doing those calculations in your head, I can see those gears turning behind your eyes." She shifted in the chair. "I got some beef stew on the stove, eat some to get your energy back and then we can discuss what’s happening next.”
That’s what he loved about Elenore Driscoll. She knew that he would spiral trying to think of plans and contingencies, so she created a speed bump so he could go over things carefully, talking with her if he needed advice.
He grabbed two bowls and spoons from the dishwasher, thankful that he ran it last night and not today. He ladled out generous portions before placing them on the dining room table before helping her to the kitchen so that they could eat together.
After a few minutes of companionable silence and good food, Spencer’s nerves began to unwind from the drama of the eclipse. The stew warmed his belly, replenishing his energy that he realized had settled into his bones now that the adrenaline had worn off.
Then Nana set down her spoon and looked at the window and said, "What are those lights?"
He went very still.
"What lights," he said, unease filling his voice.
"Don't what lights me. Those." She nodded at the window, at the yard going blue with dusk beyond it. "Little threads of light, drifting around out there. Been seeing them for an hour or more. Thought my eyes were going, but they're not — I can see the fence post just fine, the lights are something else. They move." She turned and pinned him with those familiar green eyes. "And by the look on your face, you've been seeing them too. So don't you sit there and tell me I'm imagining things."
Spencer looked at the window.
They were there. Now that the room had gone dim and there was nothing to drown them out, they were there — the strands, the threads, drifting slowly through the dark yard, brighter than they'd been all day, looping lazy through the hydrangeas and the grass and the air itself. And when he looked at them straight on they didn't all vanish this time. Some of them held. Faint, but they held, just long enough to be real before they faded.
His whole careful structure — concussion, floaters, stress, deal with it later — well later was now and his grandmother was seventy-eight years old with bad lungs and good eyes and no head injury at all, and she was seeing exactly what he was seeing.
"I don't know what they are," he said. It came out quiet and honest, which was more than he'd given anyone all day. "I started seeing them after — at the plant. When everything stopped. I thought I hit my head after I passed out and fell." He raised his hand when Elenore furrowed her brows at that, he kept looking at the threads. "But if you're seeing them too, then I didn't hit my head. Or I did, because my head does hurt, but these lights aren’t from the fall."
"Well." Elenore looked back out the window, and her face did something complicated — not fear, quite. Something older and steadier than fear, something that had seen a lot of the world go strange in seventy-eight years and had made its peace with the world's right to do that. "Isn't that something."
"I don't have an answer for it, Nana. I'm sorry. I don't—"
"Did I ask you for an answer?" She reached over and patted his hand, once, brisk. "I asked you what they were. You don't know. That's a fine thing to not know. You'll work on it. You always do." She settled back into the recliner. "You've been chasing the sky your whole life, sneaking out before dawn, scaring the daylights out of your mama. Maybe the sky finally decided to chase you back."
He huffed something that wasn't quite a laugh. "That's not how it works."
"How do you know how it works? Does the world have some kind of rule book that’s set in stone?" Spencer wanted to mention science and physics but was pretty sure she would smack him with her spoon. She closed her eyes, which she usually did when breathing became difficult. "Nothing works how it's supposed to anymore, baby. That much I can promise you, I can feel it in my bones."
She was quiet for a while after that, and he thought she'd fallen into a nap, but then she spoke again without opening her eyes, in the lower, plainer voice for when she meant business.
"You know what I learned, burying the people I've buried?"
He waited. You didn't rush Elenore Driscoll when she spoke like this.
"The world doesn't ask." Her hand moved slow on the arm of the chair. "It doesn't send a letter ahead. It doesn't wait until you're ready, or rested, or done grieving the last thing. It just changes, all at once, on a Tuesday, with no warning — and there you are, standing in the middle of it with the life you had a minute ago still warm in your hands." She opened her eyes and looked at him. "And you get a choice, then. You can stand there holding what's already gone, the way your mama did for too long after your daddy. Or you can set it down and turn around and see what the new world's asking of you." A pause. "The ones that take the changes in stride, they make it. The ones that won't, they break. That's the whole of it. That's everything I know."
Spencer heard the words. He even knew, deep within himself, that they were aimed at him, that she'd chosen this exact moment to say them for a reason. But he was tired, and his head hurt, and the threads were drifting through the dark yard, and the whole of his attention was still snagged on tanks and generators and the four miles of dead world between here and the plant. The lesson washed over him and kept going, the way water goes over a stone that isn't ready to be worn down yet.
"Sure, Nana," he said.
She gave him a look that said she'd heard exactly how much he understood her words, which was none of it, and that she'd expected nothing better, and that she'd say it again later when he was ready. She let it go for now.
"Now," she said, and her voice shifted back to ordinary. "Before all this. This morning, before you left for that wretched job." She paused. "Alex called."
Everything in Spencer went still in a different way.
"He called the house phone, early, while you were getting ready." She was watching him carefully now. "Said his daddy was taking him out to the Statham place for the weekend. Some kind of meeting Warren's having." She paused. "He was using that voice. You know the one. Where he's working real hard to sound like everything's fine."
Spencer knew the voice. God, he knew the voice — he'd been hearing it out of Alex for two years now, that flat careful brightness whenever Warren came up, the it's fine, it's no big deal that meant the opposite of every word in it. Fourteen years old and already fluent in the language of pretending things were okay so the adults around him wouldn't have to deal with them. Spencer had been fluent in that language once too. He recognized what the words meant when he heard them.
"He wanted to talk to you," Elenore said, gentler now. "I told him you'd already left. He said it could wait." She looked at her hands. "I should've gone and got you. I didn't think — it was a Tuesday morning, Spencer. How was I to know the sky was going to fall by suppertime."
"It's not on you, Nana." And it wasn't. It was on him, was the thing — on every time over two years he'd seen the wrongness in that house and looked away from it, told himself it wasn't his place, told himself pushing would only make it worse for Alex, told himself a hundred careful reasonable things that all added up to the same thing every avoidance always added up to. He'd done nothing. And now his nephew was alone and worried in what could be the apocalypse with his volatile father Warren Snell, with people coming in for a meeting. The way Alex said it would always make his heart falter.
The guilt sat on his chest like a stone, the same stone, the one he'd been carrying so long he'd stopped noticing its weight until something pressed it down harder.
"I have to get him," he said.
"I know." Elenore's voice was steady. "Not tonight. It's near dark, you've got no way to get there but those legs you already wore out, and you don't know what's between here and Statham. Tonight you stay. You rest. You see to me and you see to yourself. And tomorrow—" She let it hang. "Tomorrow you figure it out. With a clear head."
He wanted to argue. The argument was right there, fully formed, every hour matters, what if, what if — and he looked at her, at the tank at her elbow, at the dark house and the dead world outside it and the dusk coming down, and he didn't have it in him to fight her tonight. She was right. She was almost always right, and tonight he didn't even have the energy to resent it.
"Tomorrow," he agreed.
She nodded once, satisfied, and closed her eyes again.
Spencer sat in the dimming room and pulled the notebook out of his jacket — the same notebook he'd been scrawling eclipse times into a few hours and a whole lifetime ago. He found a pen on the coffee table he hadn’t cleaned off yet. He didn't write anything yet. He just sat with it open on his lap, and looked out the window, into the dark yard where the threads of light drifted slow and patient through the hydrangeas, brighter now in the deepening dusk than they'd been all day.
And for the first time since the parking lot, he let himself look at them. Really look. Not the sideways glances, not the averted looks — he turned his head and looked straight at a single strand winding lazy and luminous around the porch rail, and he held his eyes on it, and it held, and it didn't vanish, and the ache behind his eyes flared up bright and insistent in answer, like a price being quietly charged.
He looked until the ache made him stop. Then he pulled his gaze back, and rubbed his eyes, and let out a slow breath into the quiet house.
"Okay," he said softly, to the window, to the threads, to whatever was out there waiting in a world that didn't work the way it was supposed to anymore.
Outside, the dark came down the rest of the way, and the lights drifted through it, patient as anything, like they had all the time in the world.
Awakening: The Eclipse
Chapter 1
The first thing Spencer heard when he woke up was the oxygen concentrator.
That wasn't unusual. It was the new normal for their house, had been for eight months — a steady, rhythmic hum running underneath everything, a different sound of life that refused to give up. He'd read once that people who lived near train tracks stopped hearing the trains after a while. He hadn't stopped hearing the concentrator. He was fairly sure he never would.
He lay on his back and did the thing he did every morning before committing to being awake: the inventory. Nana's pillbox was sorted, Monday through Sunday — he'd done it last night. The backup tank in the hall closet read full as of yesterday. Groceries could wait until tomorrow when he got off work; he needed to pick up a few cans of the low-sodium soup she'd eat without comment and a few of the regular kind she'd eat while making her feelings about sodium restrictions known to the room at large.
All while commenting that her GP was a quack.
But today was more special than usual! The eclipse!
Spencer sat up from his bed; his eyes went to the calendar on the wall without asking a spark of excitement enter his bright green eyes. Solar Eclipse! — circled twice in red, the way he'd marked it back in January with the enthusiasm of a man who hoped the universe would grant him this one thing after a long line of tragedy. The path of totality passed close enough to Athens that a clear sky would give him something real. He'd been carrying the date around for months, planning how he would spend the day with the other citizens of Athens who decided to celebrate the astronomical phenomenon.
He had the day off. He'd arranged it three weeks ago. He'd confirmed it twice.
But of course, his phone rang.
He looked at the ringing piece of technology like it insulted his dog; he already knew what was on the other end of the call and was taking a last breath of the version of the day that hadn’t had a chance to start. Then he answered.
"Spencer." Marcus didn't say good morning. Marcus had never once said good morning. "I need you in. Kowalski's a no-show."
"It's my day off, Marcus."
"I'm aware."
"I scheduled it three weeks ago."
"And Kowalski scheduled himself to show up, but he didn’t, so here we both are." Something hit a desk on the other end, set down hard. "I need a body on that floor, and you're the most reliable one I've got. Most people would take that as a compliment."
Spencer pressed two fingers to the bridge of his nose. Through the window, the early light was a little more golden than the season called for, a little more present, like the universe creating a new color just for today. He'd planned to spend the whole day in it.
"The eclipse is today," he said. He didn't know why he said it. Marcus was not a man you appealed to with astronomy.
"Half shift. Out by two." A pause that wasn't a pause so much as a loading screen. "Don't make me call somebody else and have the conversation about reliability during your next review, Spencer."
The word was right there. One syllable. Two letters. Children managed it before they could walk. Spencer looked at the red circle on the calendar and listened to himself say, "I'll be there by eight." Damn it, and he hung up before he could hear whatever Marcus did instead of saying thank you.
He sat on the edge of the bed for a moment, running the conversation back the way he always did — locating the exact spots where a different man would have said the thing, cataloging them, filing the catalog where he filed all the others. It was a large file.
Then he got up and went to check on his Nana, because the day wasn't going to caretake itself.
Elenore Driscoll was already awake, which meant she'd been awake a while, which also meant the night had been another long one where he couldn’t help. Guilt gnawed at his chest as he watched her propped against her pillows, the same position he saw her in before bed. The TV murmured some drama movie he’s pretty sure she’s watched several time before.
"Morning," he said from the doorway.
She turned her head, and her familiar green eyes did their pass over him, top to bottom, ten seconds, before settling on his face. "You look like somebody ran over your bicycle."
"Marcus called."
She made a sound that conveyed her entire opinion of Marcus, but her old-fashioned southern upbringing wouldn’t allow her to say it out loud. "Your day off."
"Half shift. Back by two." He came in and started the routine his hands knew without supervision — concentrator readings, tubing, check the ventilator she wore when sleeping, the little cup of morning pills in their proper order. "How was the night?"
"Fine."
"Nana."
"Manageable," she revised, which was their treaty term for bad but survived. "The machine did its beeping again around three."
He looked at the concentrator. It hummed back, innocent. "The filter's ordered along with a new mask. Should be here in a couple of days."
"Assuming they actually placed the order when you called," she said, dry as a creek bed in August, and took her pills all at once like they personally offended her. Spencer grimaced at the action, never able to do that himself.
He sat in the chair beside the bed while she did it — the chair had a Spencer-shaped dent in it at this point — and looked, because he always looked, at the framed photo on the side table. His mother and his sister, laughing at something off-camera, Fourth of July light all over them. He knew the photo well enough to see it with his eyes shut. He looked anyway. Some things you visited.
"You were looking forward to that eclipse," Elenore said, watching him over the rim of her water glass.
"There'll be another one."
"The next one you can see from Georgia is —"
"I know when it is." Gently. "It's fine, Nana. It's just the moon covering the sun."
She set the glass down and gave him the look she gave a younger him when he wasn’t following her orders. "Glenda's at nine," she said instead. "So you can stop doing the math about leaving me alone. I can hear you doing it from here."
"I wasn't —"
"You were carrying the one." She patted his hand, once, brisk, the gesture she used when affection needed to move fast before it got noticed. "Go to work. Come home by two. And Spencer—" She waited until he was looking at her properly. "Look up once in a while today. Even from inside, you can tell."
He considered explaining that you could not, in fact, tell from inside a manufacturing plant with no skylights, and understood in the same breath that this would be missing her point by approximately the width of the sky.
"Yes ma'am," he said, and went to make her breakfast, and forty minutes later he was on his bike with the morning pouring gold through the trees, pedaling the four miles south toward the plant and trying not to think about how he could slip away with Marcus knowing so he could glimpse the eclipse out the loading dock.
Ultimate Apparel on a short-staffed day was a study in organized chaos.
That was Spencer's private theory, anyway: the chaos only looked random. It had rules. It had a routing system. Kowalski's section sat abandoned, and Kowalski's work had already entered the system — drifting across the floor, getting handed off, set down, nudged along, every transfer looking accidental and none of them being accidental, all of it moving by some unposted schedule toward whoever was least likely to send it back.
"You're doing the face," said a voice at his shoulder.
He didn't jump, something he should be proud of. Danny was hard to detect on a good day, never mind the chaos of today. The trick to detecting Danny Peaks was environmental: you watched the people nearby, and when two or three of them straightened up and discovered urgent business elsewhere. The man was six-foot-something with a laugh that rattled shelving, and he walked like a wraith. Spencer believed the universe had balanced the laugh against the footsteps. You know, to get the balance.
"I don't have a face," Spencer said.
"You have several. That one means it's not yet nine and you're already done." Danny looked at the clipboard in Spencer's hands, then at the line of Kowalski's work creeping toward Spencer's section. "Eclipse today."
"You remembered."
"You've mentioned it forty times since March." He said it without any edge at all, which was the thing about Danny. Most people filed Spencer's sky-watching mutterings under eccentricity, tolerated mostly. Danny filed it under facts about Spencer, same drawer as his coffee order. "Peak's at three-fourteen, you said."
"Ayep."
"You're off at two. So you'll —" Danny stopped, recalculated against the Kowalski situation, and arrived where Spencer had arrived an hour ago. "You're not getting out at two are you?"
"Probably not."
Danny was quiet a moment, which for Danny was an event that you never witnessed. Then: "Three o'clock, I'll cover your section. Ten minutes. You go stand in the parking lot and look up." He held up a hand before Spencer's objection cleared the gate. "Ten minutes, Spence. Nobody in the history of this plant has ever noticed ten minutes."
It wasn't what he had planned. It wasn't the day he'd circled in red. But it was offered the way Danny offered everything — flat, practical, already settled — and Spencer had just enough sense to take it.
"Okay," he agreed. "Ten minutes."
Somewhere around eleven, the universe produced Tomás.
Tomás was three weeks in, young, careful, still mapping the invisible politics of Ultimate Apparel — and Patterson was walking him toward the returns area with the particular tyrannical tone that rubbed Spencer the wrong way. A pallet of damaged and returned stock had been sitting since the weekend — mildewed boxes, a split bag of something that had gone sour, garments that had to be sorted by hand to figure out what was salvageable and what went in the dumpster. The corner smelled like a thrift store that had flooded; it was probably growing its own ecosystem at this point.
"It's not that bad," Patterson was saying, in the voice of a man who never had to take on the task himself.
Spencer watched Tomás look at the pallet, then at his hands, then do the new-guy math: is this the job, is this normal, who do I even ask. And Spencer felt the old familiar gears turn — the cost-benefit, the don't-get-involved, the calculation of exactly how much it would cost to open his mouth, which was the calculation he always ran and almost always lost. He was still running it when Danny's voice cut across the floor beside him.
"Patterson." Not loud. Danny was never loud; he didn't have to be. "That's not the new guy's job and you know it."
Patterson turned. "Somebody's got to—"
"Somebody will. Me and Spence'll take it." Danny said it easy, already deciding, the way he decided most things — like the outcome had been obvious to everyone and he was just the first to say so. He clapped a hand on Spencer's shoulder. "Right?"
"Right," Spencer said, and meant it, and was aware in the same breath that he hadn't been the one to say the first word — that he'd stood there debating with himself while Danny simply acted, and that the gap between those two things was the whole story of him.
Patterson looked ready to argue, but found the conversation wasn't worth its price of making the well-liked Danny mad, so he left with a huff, throwing a snide look over his shoulder. Tomás looked between them.
"Does that happen a lot here?" he asked.
"Sometimes." Spencer was already pulling gloves from the supply closet — two pairs, because if Danny was taking the pallet then Spencer was taking the worse half of it, that much he could do without being asked. "Stick to what's in your job description for a while."
The returns pallet was every bit the experience advertised. He and Danny spent forty minutes sorting other people's ruined merchandise, Danny keeping up a running commentary that made it almost bearable, and Spencer came out smelling like the dumpster he'd half-filled earlier today and feeling just as cruddy; the kid hadn't deserved it, and they'd spared him. Danny had spoken. Spencer had agreed and felt guilt for not being the one to step up first. Spencer had spent his whole life with that type of guilt swimming around in his chest.
Not twenty minutes later, Marcus found him and spent four uninterrupted minutes explaining what the staffing situation required of Spencer's pace, and Spencer stood there smelling like the dumpster and listened to all four minutes without producing a single syllable in his own defense.
Say something, said the voice in his head that had been saying it for thirty years. Danny would. Danny did, an hour ago, for a kid he barely knows.
"I'll pick up the pace," Spencer said.
Marcus moved on, satisfied, the daily dressing down delivered to one of his favorite punching bags. Spencer pulled out his phone — reflex, nothing on it — and Alex's contact photo looked up at him from the favorites screen. Fourteen years old, the Driscoll family curly red hair that he shared with Spencer and his grandmother, his mother's eyes, a grin the camera had caught before the kid could manage it into something more dower; the kid hated having his picture taken. Spencer stood there a moment with his thumb over the picture.
Danny could throw a sentence across a factory floor for a stranger. Spencer had never once managed to throw one across a kitchen table at Alex's father.
He put the phone away and went back to work, because that was the other thing he was good at.
The eclipse was starting.
He noticed it on his lunch break, stepping out the side door to eat somewhere that didn't smell like musty lint — and stopped with the sandwich halfway out of the bag, because the light was wrong. Not dark. Thinner. The world became more subdued, the animals that normally made their presence known hiding from the amazingly eerie event. The shadows under the fence had gone strange, every gap between the chain links throwing a little crescent onto the asphalt, dozens of them, a stencil of the eclipse happening overhead.
A few coworkers had drifted out too, phones out as they took pictures of the shadows on the ground, making end-of-the-world jokes in the tone people use when the joke is doing load-bearing work.
Spencer got out the notebook.
He'd bought it months ago with vague journaling intentions that had never survived contact with an evening. It lived in his jacket pocket out of optimism. Now he stood in the lot with his sandwich forgotten and wrote: 12:50. Partial coverage. Crescent shadows. Temp dropped — 4, 5 degrees? Birds in the fence-line trees gone quiet. Quiet like dusk. His hand wanted to keep going, so he let it. Air feels like before a storm but no storm. Held-breath feeling.
He knew that feeling. That was the thing he couldn't have explained to anyone but Nana — he'd met that feeling a hundred times, standing in the yard at dawn, on the nights of meteor showers, in the minute before weather changed. The world's inhale. He'd been chasing it his whole life the way other people chased music.
He'd just never felt it this loud.
Dave from receiving looked over his shoulder. "Are you journaling right now?"
"Taking observations."
"Of the eclipse?" Spencer grinned at the dubious sound of the other man’s voice.
"Of the eclipse."
Dave thought about it. "Okay," he said, and went back to his phone, and that was the entire exchange, and Spencer wrote that down too, for no reason he could have defended.
Inside, through the early afternoon, the weird things started happening that had the workers looking up in confusion. The lights hesitated twice — not a flicker exactly, more a thought the lights had and decided against. A bagging machine threw a fault code, cleared itself, threw it again. The air on the floor picked up a charge that made the hair on Spencer's forearms stand on end. Nobody else seemed to register any of it. Spencer registered all of it, filed it in the notebook in the dry shorthand he was developing — 1:38, flicker. 2:10, flicker + fault, line 4 — and noticed that his unease had stopped feeling like weather and started feeling like a countdown. Honestly, it was probably so that he wouldn’t get in trouble with Marcus if the man decided to blame someone for the issues.
At five minutes to three, Danny appeared at his elbow, took the clipboard out of his hands, and nodded at the door.
"Ten minutes," Danny said. "Go."
The parking lot was half-full of people who'd had the same idea, eclipse glasses and welding masks and one pinhole cereal box held by a man Spencer was fairly sure was the plant safety officer. Overhead, the sun was nearly gone — a thinning crescent, then a thread, then —
Totality.
The corona bloomed silver-white around a black disc, and the whole lot exhaled at once, the jokes finally giving out, and the streetlights stuttered on in their confusion, and the birds stopped completely, and the temperature fell like a curtain. Spencer stood with his head back and his throat tight and took in all the sensations. This. This was the thing he'd circled in red. The universe doing something enormous and asking nothing for it except attention, and he was here, he had made it after all, ten borrowed minutes in a parking lot and it was enough —
Then an aurora appeared around the eclipse.
Colors came off the eclipsed sun where no color should have been — a ripple of pink at the corona's edge, then green, then a blue with current in it — and it spread. Fast. Not the slow shimmer of photographs from northern latitudes but curtains, sheets of light pouring down the sky toward the horizon, low, descending, until the whole bowl of the afternoon was hung with moving color and somebody behind Spencer gasped out What is that in a terrified voice.
Spencer's eyes filled. He didn't fight it, didn’t wipe them. He had spent his whole life telling people the sky was alive, in smaller words, in apologetic versions, and here was the sky agreeing with him in front of witnesses.
He was still looking up when it reached into his head.
The pain arrived behind his eyes first — pressure, like two thumbs pressing inward from a direction that didn't exist — and then it was light, white and total and coming from inside, and then a sound rose with it, one high clean note held past the limit of any breath. His vision broke apart. Doubled. The parking lot split into two parking lots that wouldn't lie flat on each other — the ordinary one, asphalt and stunned coworkers and crescent shadows, and underneath it, sliding against it, something else, bright-veined and moving — and the seam between them ran straight through the middle of his skull.
His knees hit the asphalt. He heard it more than felt it.
Somewhere very far away, in the original parking lot, nobody else was screaming. Nobody else was even kneeling. They were all just standing under the impossible sky, untouched, faces tipped up, while something pried Spencer's eyes open from the wrong side — that was what it felt like, exactly that, a door being forced in a wall that had never had a door, hinges that were his optic nerves, and he got his palms flat on the ground and felt nausea rolling up his throat.
He may have made a sound, but he couldn’t hear over the ringing that surged through his eardrums.
Then he passed out.
His vision came back blurry, his head still spinning from what just happened. What was happening? The pulse continued as a pressure, and the light seemed to hum from everywhere at once — he felt it all around his body, through his hands, seeping into his very being, then silence. Blissful silence, wait, silence? The plant's exhaust fans wound down, and the streetlights that had stuttered on went dark, and across the lot a dozen parked cars fell silent mid-idle one after another like a sentence losing its words, and somewhere east there was a sound, a tearing sound, high up, car brakes screeching? He experienced all of it through the white noise of his own skull, what was probably the end of the running world arriving in fragments between waves of pain.
The waves got longer. Then lower. Lingering. Spencer knelt on the asphalt, breathing like a man who'd surfaced from deep water and slowly, carefully, lifted his head.
The two parking lots had become one parking lot.
And the parking lot was full of light.
Threads of it. Strands of light — faint, luminous, drifting through the air between the dead cars, running along the fence line, through the grass at the lot's edge, through the stunned and milling people, through like it was alive— slow, patient, purposeful, like a breath made visible. He looked directly at the nearest one. They slowly vanished into the air, like they didn’t just come from the sky and cause a massive light show. He almost thought it a figment of his imagination, but the flickers at the edge of his vision told him otherwise
The seam in his head had closed. The door was open. He understood, in some wordless basement level of himself, that it was not going to shut again.
He raised a hand to his head, hoping to smooth away the lingering ache behind his skull. The sounds of his coworkers’ voices were now a dull murmur in the background. He raised a hand toward the nearest thread — trembling, not entirely his own decision — and a spark crossed the gap to his fingertip. Small. Definite. A point of contact, there and gone, like a handshake from something on the other side of a language.
"Okay," Spencer whispered, to the lot, to the light, to the sky still hung with fading color. His voice came out scraped. "Okay."
Around him the human noise was starting — my phone's dead, mine too, what did you do, nothing, I didn't do anything — and the silence after that exchange was the most frightening of all, it cut through the ache radiating behind his eyes, only for his chest to receive a heavy blow, this time from dread and fear.
The thrum of electricity was gone; the city that always had ambient sound was quiet.
The aurora struck the power grid.
Nana's concentrator.
No electricity. A four-hour battery. Backup tanks in a hall closet, limited use.
He was up before the thought finished — swaying, vision tender at the edges, the threads flickering in and out, but his mind was elsewhere right now to pay attention — and moving for the door to grab his bag. Inside, in the dark of the dead building, he nearly walked past Tomás, who stood frozen against the wall with a stillness that bordered on unnatural.
Spencer stopped. "Hey. Tomás." The kid's eyes came around. "Head outside. Don't stand in here alone. Come on." He waited the two seconds it took for the kid to start moving, stiffly, like a mannequin just learning to walk, and steered him through the door into the strange bright air. After making sure that Tomás was okay and with the others, he hurried to the bike rack. He had four miles from here to home. The world was still shrouded in the shadow on the eclipse and something truly changed, but he couldn’t think about that right now.
He placed his helmet on his still tender head before kicking off and pedalling away from Ultimate Apparel, ignoring the shouts that started up that sounded suspiciously like Marcus’.
He needed to get home, and for once, he didn’t need to second-guess himself.