The legendary ThĂ©Ăątre du Grand Guignol in Parisâ Quartier Pigalle. It was a serious theatrical enterprise that put on gruesome, faux-blood-splattered shows year-round for decades, the Grand Guignol featured staged killings, mutilations and scenes of torture so realistic that audience members often fled the theater in terror.
The owner, Oscar Metenier was a frequent target of censorship for having the audacity to depict a milieu which had never before appeared on stage: that of vagrants, street kids, prostitutes, criminals and for allowing those characters to express themselves in their own language.
At the Grand Guignol, patrons would see five or six plays, all in a style that attempted to be brutally true to the theatreâs naturalistic ideals. The plays were in a variety of styles, but the most popular and best known were the horror plays, featuring a distinctly bleak worldview as well as bloody climaxes. These plays often explored the altered states, like insanity, hypnosis, or panic, under which uncontrolled horror could happen. To heighten the effect, the horror plays were often alternated with comedies.
Some examples of plots are the following:
Le Laboratoire des Hallucinations, by AndrĂ© de Lorde: When a doctor finds his wifeâs lover in his operating room, he performs a graphic brain surgery, rendering the adulterer a hallucinating semi-zombie. Now insane, the lover/patient hammers a chisel into the doctorâs brain.
Un Crime dans une Maison de Fous, by André de Lorde: Two hags in an insane asylum use scissors to blind a pretty, young fellow inmate out of jealousy
L'Horrible Passion, by André de Lorde: A nanny strangles the children in her care.
Le Baiser dans la Nuit, by Maurice Level: A young woman visits the man whose face she horribly disfigured with acid, where he obtains his revenge
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