God forbid a girl be both kind and full of rage.
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@beena1sinceday1
God forbid a girl be both kind and full of rage.
Things people hate hearing:
You are capable of harm
You have some level of power and agency
Ergo it is your responsibility to communicate your needs and boundaries
If you lie to someone about something being okay when it isn't, that is on you
Something being a trauma response doesn't exempt it from harming your relationships and the other people in them
Enabling your trauma responses will not make them go away, and it is your responsibility to work on yourself for your own wellbeing as well as the people around you
Being A Victim cannot be a pillar of your identity forever, and being victimized does not make you incapable of harming other people (see above)
You are not a mouse in a jean jacket you are an eel with a gun / adult human being who can use your words even if it's Scary
Having a personality disorder doesn't make you evil but you have got to get off of Personality Disorder Tumblr (see above, re: enabling)
Deep sigh. You want me to ~be compassionate~ here's the compassionate answer: your trauma will tell you you're a helpless child forever and you need to Not Think This Way for yourself (living under the assumption you're still in danger whether you actually are or not) and everyone else who has to tiptoe around your Sensitivity. That's how you break the cycle and you can only do this by accepting responsibility for your actions. And it seems like a small semantic thing but imo step one is calling yourself a survivor instead of a victim. Self identifying with your victimhood helps No One. You lived, now get up
If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.
The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.
This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!
The group is still taking their work across the world's talent shows. And yes, that guy is hypermobile enough to do that with his neck. XD
'green corridor + yellow room' by joāo paulo feliciano, 1997 in 26ª bienal de são paulo (2004)
this isn’t fun anymore i need a kiss
Still a hopeless romantic after all this time. Very insane of me.
I love being quiet and not talking and listening and looking and seeing and feeling
Kinky Afro, photographed by Juergen Teller and styled by Judy Blame, December 1990
when i got home after the new years celebrations last night, i took off my boots and found this pin stuck in the bottom of one of them,, a good sign for the new year perhaps ? :-)
You can’t reconcile with people who aren’t honest about how they mishandled you.