I know your requests are closed right now but just have to put this in while I'm thinking about it and you can get around to it when you're ready.
Namely, Mina and/or Momo from MHA with a male reader whose Quirk is considered quite dangerous but is provisionally allowed to UA for a test case. He's able to manipulate dead or unconscious bodies by singing or making puppeteer-like gestures (no real preference for either on his part, he just likes doing both because of enjoying musical theater, which he can't do in case his Quirk activates). Aware of how lucky he is compared to Himiko Toga but loves his girlfriend(s) an awful lot.
I haven’t been bothered to write lately so this was a fresh breath of air, but it’s POSSIBLY super duper… bad
Mina Ashido x Male Reader (Necromancy/Puppeteer Quirk)
• Mina Ashido is the least scared person in class when she hears about your Quirk.
• Everyone else is like:
“…he can control bodies???”
“OMG that’s like horror movie stuff that’s SO COOL.”
• She immediately asks you if you can do dramatic villain monologues.
How She Handles Your Reputation
• A lot of students whisper because your Quirk sounds villain-like.
• Mina absolutely does not tolerate that.
She’ll loudly say things like:
“His Quirk doesn’t make him bad. If anything he’s the nicest one here.”
• She loves that you’re aware how lucky you are compared to Himiko Toga.
• That level of self-awareness makes her respect you a lot.
The Musical Theater Problem
• When she finds out you love musical theatre but can’t sing normally, she gets sad for you.
Then her brain activates.
“WAIT. WHAT IF YOU ONLY SING DURING TRAINING??”
Now you two practice together.
You controlling unconscious training bots while dramatically singing like you’re on stage.
Mina dancing in the background like it’s a full production.
• Mina is the “your Quirk is cool actually” girlfriend.
• She’ll hype you up constantly.
• When you feel guilty about how dangerous your power is, she reminds you:
“Dangerous Quirks make great heroes.”
During a training exercise, several robot enemies overwhelm the class.
Using your Quirk on unconscious enemies still feels… wrong.
Then Mina grabs your arm.
“Give them the Broadway villain performance.”
You sigh… then start singing under your breath.
Your fingers move like puppet strings.
The fallen robots slowly rise, joints jerking like marionettes as you redirect them to fight for the class.
The battlefield becomes surreal.
She’s cheering like you’re the star of a musical.
“THAT’S MY BOYFRIEND!”
Momo Yaoyorozu x Male Reader
Momo Yaoyorozu is fascinated but also deeply thoughtful about your Quirk.
• “Do you require line-of-sight?”
• “Does singing increase the precision?”
• “Does the nervous system need to be intact?”
“…I just thought it looked cool.”
Momo understands something important:
Your Quirk is strategically incredible.
In rescue missions you could:
• move unconscious civilians to safety
• control fallen enemies without hurting them
• manage multiple bodies at once
She realizes it’s actually heroically efficient.
She knows you worry about being compared to villains.
She reassures you quietly.
“A Quirk is only dangerous if the person wielding it lacks compassion.”
“You have more compassion than most heroes I’ve met.”
The Musical Theater Thing
When she learns you love musicals but can’t perform them normally?
Momo immediately begins engineering solutions.
• sound-dampening masks
• training scenarios where your singing is useful
She basically becomes your personal Quirk research partner.
• Momo admires your restraint.
• She knows you could be terrifying if you wanted to be.
• The fact you choose not to abuse your Quirk makes her love you even more.
A training mission goes wrong.
Several classmates are knocked unconscious.
Your voice quietly echoes across the training field.
Your hands lift like a conductor.
The unconscious bodies slowly move—carefully, gently—guided away from danger.
“You know… when you control them like that…”
“…it looks like you’re conducting an orchestra.”
