DO YOU SEE THE STORY? DO YOU SEE ANYTHING? IT SEEMS TO ME I AM TRYING TO TELL YOU A DREAM ––––––– *

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@behld
DO YOU SEE THE STORY? DO YOU SEE ANYTHING? IT SEEMS TO ME I AM TRYING TO TELL YOU A DREAM ––––––– *
i miss bein on here mayb i’ll do some writing here tomorrow?
VIOLINIST IMITATES HUMAN VOICE. / HUMAN VOICE IMITATES VIOLIN. / A DUET. * personals do not interact.
guidest, karen ferris.
❝ no , ❞ 𝚂𝙷𝙴 𝚂𝙰𝚈𝚂 𝚂𝙸𝙼𝙿𝙻𝚈 , 𝚃𝙷𝙴 𝚆𝙾𝚁𝙳 𝙰 𝙳𝚁𝙾𝙿 𝙸𝙽 𝙰 𝙱𝚄𝙲𝙺𝙴𝚃 . no , what ? she asks from within . no , it’s not strange . no , i don’t dream . no , i don’t sleep . but she doesn’t qualify it : no , they say together . something in his voice picks at the comma of the phrase , attempting to tug it loose . she had a sweater once , her grandma knit it for her . she picked it apart with her clever little fingers and her mother had thrown it away and yelled at her . jon’s voice had clever little fingers , too . did people yell at him for picking their sweaters apart ?
karen looks at the surface of the pond . it’s muggy tonight . somewhere , a little to the left , a frog croaks loud enough to overpower jon’s voice if he’d been talking , but he wasn’t now . he was waiting for m o r e , the fingers attached to his questions plucking at her seams . it isn’t overpowering . maybe it would be for others who were not like Them , maybe if he really tried she wouldn’t be able to stop , but she knows she could leave it at no if she wanted to .
but she doesn’t .
❝ i don’t think i sleep . i try to . there’s a motel a little down the way , across the street from the diner , and after i have my coffee and my pie and my cigarette i’ll go there . i rent a room . they take my name but never charge me , we have an agreement , you see , ❞ we’ll charge it to your business account , the clerk always says , and she will smile . ❝ it feels like … a play . one of the short and sweet ones that have some deep meaning hidden in them , ❞ an off - hand comment , an observation she makes just now . she doesn’t smile as she says it , but frowns down at the murky water . the frog croaks again . ❝ like a play in college . no , like a play written by a college student . ❞
❝ anyway , ❞ She regains composure . ❝ anyway , i go to my room and i lay down and i close my eyes but … i don’t think i sleep . so i suppose i don’t dream . ❞ she doesn’t say it with any kind of sadness . as always , she is matter - of - fact . it is him she pities . to be able to sleep , and dream , but it’s never your own dreams . it’s just … everyone else in your head . or the other way around .
❝ what did i do , in your dream ? ❞ Karen turns herself bodily toward him with one of those smiles , thin and threadbare but hers . one leg dangles off the dock . she pulls out her little box of cigarettes , her little lighter . ❝ was it a happy dream ? ❞ she didn’t think it was , but wanted it to be . he looked like he had so few of them .
dreams have a tendency to stick in his mind. spilled-over honeystraws; he has a theory that it is to provide leftovers for beholding throughout the day, shuddering glimpses of old terror sweet on its eldritch tongue. he considers lying even so, but he’s never been quite good at those and lately he finds himself worse, god of secrets loosening all his precious truths.
for a moment, he finds himself jealous of her. it would be so much simpler not to sleep. to close his eyes for a bit and see nothing behind them. he has tried to fight off the urge enough times — his office is, off-and-on, hardly more than a graveyard for scattered coffeecups and energy drink cans, disgusting as both may be. in university he had once stayed awake for six days, a nightmare about certain childhood web-beasts sending him spiraling into sleeplessness.
( perhaps it’s wrong to envy karen her lack of dreams. this friendship, if that is what it is, is founded on ... some lost aspect of each of their humanities. some monstrousness gained in the absence. it must be awful of him to covet something human she has lost. )
his legs hang off the pier, tips of his shoes just grazing the water beneath. rippling. the ripples are, perhaps, not quite what they would be in a normal place; he cannot seem to make much impact here, and that must be for the best. this is her domain. it would be an intrusion if he changed it more than the bare minimum; he takes slices of pie at the diner but the selfsame slices have always reappeared on his next visit, he kicks his feet lightly into the pond but the ripples go naught but a few centimeters before petering out.
he does not ask her for a cigarette, but pulls one of his own from his coatpocket, holds it out to be lit, please. he does not answer the question of happiness.
‘ you were here. ’ not as in the lake or the dock but the road, the here above the here, everpresent, unchanging. ‘ or — we both were. we were ... walking, silently, towards the horizon that refuses to come any closer, and ... at a certain point, you turned to me and said goodbye, jon, and i ... i couldn’t quite remember if that was meant to be me. if i was jon. ’
it is selfish of him to tell her about her own life like this, through the lens of a nightmare all his own. he continues anyway. ‘ i walked a while longer, and the next time i turned to you, you weren’t there. i couldn’t recall if you had ever truly been there. if you’d ... existed at all, or if i’d always just been there alone, and there was nothing left to do but walk so i ... well, i did. i kept walking, and then ... i suppose i woke up. ’
he shakes his head. it’s foolish and feels moreso now that it’s out in the air, hovering among the frogsong and fog. ‘ i’m sorry, that’s ... it wasn’t worth telling, honestly. it isn’t something i’m actually afraid of, but i suppose when a subconscious deals with so much of other peoples’ fear, some of that is bound to bleed through? ’ meaning: he isn’t afraid of being lost. surely, he isn’t afraid of karen; there are so few things in his life that he doesn’t fear, but he can say that in all honesty. to others, this may be a nightmare, but ... jon comes and talks to her and feels at peace. that is a rarity in a life filled with such terrors.
killmeorfuckoff, tim stoker.
AN FOND GRIN STICKS TO THE CORNER OF HIS MOUTH at jon’s heavy, disgruntled sigh, the touch of drama informing tim he is putting his friend through something very laborious and inconvenient and oh how awful of him, but has jon ever refused tim’s hand before? the holes burrowed into their skin, the fresh memory of cries echoing off the walls of the tunnels, it hasn’t changed this. it hasn’t.
jon isn’t technically wrong that the habit isn’t freshly formed, but it’s festering like an open wound. he sees it in the violet shades curved beneath dark hues, the redness touching the whites of his eyes. it wouldn’t surprise tim to find that jon is burying himself in work as a distraction, moving constantly so he doesn’t have to find out what will creep up on him when he stands still. tim understands the impulse at least and went quite a few nights sleepless to avoid what awaited when he closed his eyes. or maybe it just feels like he’s fighting back when he isn’t doing nothing, and tim understand that too, but it isn’t healthy working himself to collapse, nor is it sustainable. tim is worried. it’s a jarring situation to walk into on his first few days back, and worse, he isn’t sure if it’s something he’s equipped to fix just by leaning on his charm and likability like he always does.
conscious of jon’s damaged leg, he keeps an arm instinctively hovering behind him as he steps out from behind his desk.
“ oh come on, jon. you know it isn’t normal to stay cooped up down here all the time. it’s not good for your head— I’m just trying to help. and for the record, I do appreciate that I didn’t have to get any more creative than asking nicely. duly noted that that might not work every time, though I’m not convinced personally, people have a hard time saying no to me. ” tim certainly has a way of batting his lashes and getting what he wants, and jon knows that— wouldn’t be half as good at his job if he didn’t have that convenient ability. or perhaps with jon it’s less his charisma and more that he’s comfortable enough with him that he literally won’t take no for an answer. it wouldn’t been easy enough ( at the cost of maybe reopening a wound or two ) to climb up on his desk and simply block him from doing anything productive until he threw his hands up and gave in.
the question though remains why jon isn’t going home…. if there’s something tim can do about it, maybe? if it’s being alone, well, he could fix that.
tim holds the door for jon as they approach the staircase, letting a sigh unfurl from his lips at the sight of the steps he had not missed even before his body was so badly damaged.
“ what is it about going home that’s so abhorrent all of a sudden? ”
tim is charming. tim is charming and smiling and oh - so - helpful and jon has found it increasingly difficult to trust that truth lies behind any of that as of late: doubt burrows through the same scabbing-over wreckage that the worms had left, and it is festering, is infecting, is getting worse by the day.
( he does not yet know enough of the entities to know that corruption is not simply insects and mold but rotting love, a hollowing-out of feelings that may once have stood firm. )
for now his doubt is sidelined by his exhaustion. he weighs his hatred of being so vulnerable in front of anyone, even tim, against the pain in his injured leg ( only made worse by how long he has been sitting — when did his desk become so impossible to leave? ) and decides, hesitantly, that tim will not judge him for picking up the cheap hospital-issued cane leaning against the bookshelf and using it. wincing his way up the stairs with a whiteknuckled grip on the handrail would be far more embarrassing, after all.
he nods along at tim’s needling, only processes about half of it — bites back a remark about his impossibility to deny being rooted more in levels of annoyance than in tim’s charm. tim doesn’t deserve it, even if it is half-true. jon is not quite kind, but the effort it would take to speak outweighs everything else.
until, of course, tim asks a question. jon freezes in the stair doorway for a moment — the number of reasons are overwhelming, and surely, surely, tim must feel them as well.
‘ isn’t that obvious? ’ he begins the trek up the stairs as he speaks, slow-going as it is. has the institute always had this many stairs? have they always been so steep? it is simpler to live in his office if for the sole reason of not having to go up and down these damned stairs multiple times a day —
but that isn’t the whole reason. of course it isn’t. it couldn’t be anything as simple as that. it’s the crawling feeling that wakes him gasping with the bone-deep need to check every inch of skin for worms, solved with a dozen-pack of the most battery-acid-esque energy drinks the convenience store on the corner stocks. it’s his desk angled with his back to the most solid wall in the room. it’s the fact that he knows the archives’ weaknesses, knows the patched-wall where the worms had first burst forth and the trapdoor to the tunnels. he doesn’t have the same defenses at his flat. it is empty and bare, the sparsest furniture befitting someone who was never truly home much to begin with — but where once he saw the convenience of a soft place to sleep, now he sees too much space that may be filled with things that burrow. whatever weak facsimile of home had once been his flat, all he sees now is a vast, empty space, in which he cannot work and cannot sleep and can hardly even breathe.
‘ it’s ... tim, there’s so much we don’t know. i still think the vast majority of statements we collect are, to put it nicely, absolute bullshit, but — the ones that aren’t, i need to know what’s in them, i need to — to catalogue them, to know how to protect myself — and all of you — from what’s in them, i — ’ this is not the question tim had asked. jon is deeply aware of that. ‘ i would rather stay here at all hours, even knowing that this place is ... is wrong, somehow, than go somewhere i don’t know how to defend. i’ve found i don’t much like being at my flat anymore, if i ever did. home doesn’t have anything useful. once, i would have found a place to sleep useful enough, but ... ’
softer; it could be because they’ve reached the institute’s lobby and he is wary of being overheard by anyone else out of their minds enough to stay at such a late hour, but it is not. it’s ... a confession. a truth. ‘ well, sleep is only good for nightmares now. i’d rather be awake and doing something worthwhile with my time. ’
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@behld sent in ♫ for a playlist : still accepting
drive him wild with hints that you know when he’ll die !
prodigil, sam winchester.
@behld
THIS MAN ISN’T HUMAN. but then again–is sam, really? all that thick, viscous demon blood flooding through his veins, the mark of the devil burned into the underside of his throat beneath his skin (minemineminemine, a very special child, better than mothers milk, you’re my favorite), head full of poppy and dreams that dissolved into twisted, nightmarish predictions of the future, of someones future–did he have the right to judge? thats where things started to get muddy. if dean were here, he’d slap him in the back and tell him that they were all monster… except him. but sam saw his wary eyes.
he practically blinds jon with his flashlight, and the gleam of the flood reveals sam’s carrying a packed-and-loaded shotgun–the right way, too. trained. ‘ step back. who are you? ‘
jon has to blink against the sunbright beam of the flashlight — he’s not sure it’s dark enough to justify that, though perhaps that’s less to do with the moonlight and more to do with the silvershine of jon’s eyes and the way his vision has miraculously improved since taking the position of archivist. he takes a moment scowling in the direction of the flashlight before he notices the more pressing matter, the gun aimed at him, and jumps backwards. ah. fuck.
‘ i’m — jonathan sims? or, uh, the archivist, from the magnus institute, if that’s — if that’s what you’re looking for, uh — ’ panicky, words coming quick and heartbeat quicker still. it isn’t the first time he’s had a gun pointed at him, but it hardly gets easier with experience — if anything, jon’s just accumulated more fear. there is a reason the entities seem to love him so much; to beings that feast on terror, jon must be a goddamn buffet, wide-eyed and heartracing as he is. ‘ i’m not dangerous, you don’t have to — you can put that away, i swear. ’
skyaches, tim stoker.
@behld
this violence can’t last. @ tim !
All that can be seen in the dark corner of the Archives is Tim’s eyes. He’s curled , arms wrapped around his knees , trying to slow his ragged breathing. Only a few minutes ago he had been walking back from lunch with Jon when he had felt an URGE. It was the Hunt , he knew. Maybe it sensed something from the Stranger nearby. Maybe it was just fucking with him. It felt like it was just fucking with him because he had found nothing and had nowhere to expend the energy his accidental patron had given him.
It gave him life when he would have certainly died but that didn’t mean everything about it was good. Like the violence that overwhelmed him to the point where he had hidden himself away until the feelings had passed.
Of course Jon had followed him. Tim didn’t want him to but… as he sits , focused on his friend’s face , knowing he COULD NOT hurt him. The urge to Hunt fades after a few minutes. He feels dizzy and exhausted , and he reaches ( carefully ) towards the archivist for help standing.
❝ This shit SUCKS , Jon. ❞ He considers him for a moment. ❝ Do you ever feel… overwhelmed by… your stuff ? Like , do you ever feel like you HAVE to do whatever it tells you to do ? ❞
jon doesn’t know if they’re far enough removed from all the distance that had sprung up between them for him to be someone tim trusts. he’s not sure how much time is needed — does the miracle that is their mutual survival of the unknowing undo all the hurt; has some understanding of the way jon had acted for all those months sprung up with tim’s newfound affiliation to the hunt? should he follow tim into the stacks of the archives, knowing the potential danger?
well, the last question was never truly a question at all. of course jon had followed tim. jon needed to know. it’s less the eye and more a care he hadn’t been sure he could still feel to such a degree: he is aching to make sure his friend ( are they friends again? would tim fight against jon referring to him as such, even in the secret sanctity of his own mind? ) is alright.
jon takes tim’s hand, helps him up. he is, at least, still trusted enough to do that.
‘ yes, ’ jon says, too much honesty in the syllable. he thinks of the times the hunger for knowledge has become literal enough to make him nearly faint; he thinks of the supermarket cleaner last week and his vast-tinged spiraling warehouse, the story collected — taken, stolen from the man’s voicebox — in a beholding-starved haze. ( he wonders, if he told tim about that, if he would be deemed monstrous enough to hunt, and keeps his mouth shut. )
‘ i – i wish i had any solutions to offer you, but ... well, if there are work-arounds to be found, i suppose i understand why the eye hasn’t offered that knowledge on a silver platter, as it were. but i know what you mean. ’ he has, after all, hardly been at this any longer than tim has — and nothing was nearly as severe before the unknowing. they’d both made choices to stay alive there. both ... became something else. ‘ ... are you alright? ’ he takes care to keep his static away from the question. it’s difficult, but if there ever was a worthy cause ...
thinkin abt bringing my main oc back again
ANNA, SWEET ANNA, SAINT ANNA.
𝙸𝙼𝙰𝙶𝙸𝙽𝙴 𝙰 𝚁𝙾𝙾𝙼 , 𝙰 𝚂𝚄𝙳𝙳𝙴𝙽 𝙶𝙻𝙾𝚆 . 𝙷𝙴𝚁𝙴 𝙸𝚂 𝙼𝚈 𝙷𝙰𝙽𝙳 , 𝙼𝚈 𝙷𝙴𝙰𝚁𝚃 , 𝙼𝚈 𝚃𝙷𝚁𝙾𝙰𝚃 , 𝙼𝚈 𝚆𝚁𝙸𝚂𝚃 . 𝙷𝙴𝚁𝙴 𝙰𝚁𝙴 𝚃𝙷𝙴 𝙸𝙻𝙻𝚄𝙼𝙸𝙽𝙰𝚃𝙴𝙳 𝙲𝙸𝚃𝙸𝙴𝚂 𝙰𝚃 𝚃𝙷𝙴 𝙲𝙴𝙽𝚃𝙴𝚁 𝙾𝙵 𝙼𝙴 , 𝙰𝙽𝙳 𝙷𝙴𝚁𝙴 𝙸𝚂 𝚃𝙷𝙴 𝙲𝙴𝙽𝚃𝙴𝚁 𝙾𝙵 𝙼𝙴 , 𝚆𝙷𝙸𝙲𝙷 𝙸𝚂 𝙰 𝙻𝙰𝙺𝙴 , 𝚆𝙷𝙸𝙲𝙷 𝙸𝚂 𝙰 𝚆𝙴𝙻𝙻 𝚃𝙷𝙰𝚃 𝚆𝙴 𝙲𝙰𝙽 𝙳𝚁𝙸𝙽𝙺 𝙵𝚁𝙾𝙼 , 𝙱𝚄𝚃 𝙸 𝙲𝙰𝙽’𝚃 𝙶𝙾 𝚃𝙷𝚁𝙾𝚄𝙶𝙷 𝚆𝙸𝚃𝙷 𝙸𝚃 . 𝙸 𝙹𝚄𝚂𝚃 𝙳𝙾𝙽’𝚃 𝚆𝙰𝙽𝚃 𝚃𝙾 𝙳𝙸𝙴 𝙰𝙽𝚈𝙼𝙾𝚁𝙴 .
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mysterybusiness, maggie short.
‘ how many of them do you have? ‘ the girl doesn’t look up from her drawing that shows a skinny silhouette of a vaguely human figure, it’s head keeling over from the sheer weight of the amount of multi-colored eyes surrounding it. it wasn’t done yet. not enough eyes. she didn’t know how many would be enough, for every time she drew one, it seemed more had joined in to watch her. she wasn’t scared of them. people had always ended up looking over her shoulder while she was drawing.
she picked up a silvery gray crayon, drawing what seemed to be like rays of light around it’s form. ‘ the eyes. there are too many. ‘
@behld / maggie short starter call.
he can’t quite help looking over her shoulder at the drawing, and his immediate reaction is an almost childish aversion — i don’t like it, as if that means much of anything. it is a portrait of him. that much is clear, though it is not as he appears before her and not as he appears anywhere but in the eye’s secondhand nightmares.
it is ... unsettling, to say the least, that a child should be able to see that. the eyes waiting just beneath his skin. his own monstrousness.
she does not seem unsettled, though, so he keeps his expression flat, lets only a hint of his confusion, his curiosity, show through. well. he isn’t going to lie to her, he decides — lord knows any children wrapped up in the supernatural need whatever truths they can get, even if he’s unsure how much help he could be. ‘ just the two, generally, ’ he says with the sort of small smile you’re meant to aim at children, pointing to his eyes. the ones on his face. not the more ... metaphorical ones. ‘ but that isn’t what you mean, is it? i’m not sure, i guess. i can’t exactly look at myself to count them. ’ there seem to be quite a lot on the page.
guidest, karen ferris.
@behld : i didn’t tell you this before , but you were in my dream last night .
𝚂𝙷𝙴 𝙲𝙰𝙽'𝚃 𝚁𝙴𝙼𝙴𝙼𝙱𝙴𝚁 𝙷𝙴𝚁 𝙻𝙰𝚂𝚃 𝙳𝚁𝙴𝙰𝙼 . oh , She remembers what dreams are and knows she certainly must have had them at one point . she is sure there were dreams where she stood in front of a classroom , naked and trembling , laughter burrowing into her skin like slow bullets . or maybe one where she is f a l l i n g off some precipice , endlessly , and when she is about to hit the ground she wakes with wet palms in tangled sheets . everyone has these dreams , so it stands to reason she must have had them once , too . when she was once like everyone . now She is … like him , maybe . Him ? he wouldn’t like that , the capital .
She doesn’t envy him his dreams , not really . what does She have to dream about that doesn’t already take up her days ( nights ) ? She knows - not like he Knows , but still she knows - what they would be : winding roads and neon lights and signs to tell her that HELL IS REAL and vending machines and gravel and …
these are not things she wants to dream about . it’s one thing to be Lost , another to be Lost in your own head .
❝ was i ? i don’t remember being there , ❞ She is almost playful . it’s easy to be different , with jon . not so much Her , but her . it’s easy to sit in the diner and think that perhaps this time she will eat the key lime pie or to sit outside and share a cigarette or just smile . karen smiles . ❝ are you sure it was your dream ? ❞
it is ... odd. to dream about someone without it being a shared terror. none of his dreams are without the everwatching eye overhead, these days — there is no reprieve, even in the ones he is sure are purely fictional, for the eye drinks down his fear as eagerly as it does those who have given their statements in the hopes of some release only to find themselves taken deeper and deeper into beholding’s clutches. the eye is a parasite, feeding off of secondhand fear — and so, he supposes ( though it makes him shudder somewhere deep inside ), is he.
but of course she wouldn’t do something as simple ( as human? ) as dream. she doesn’t remember being there, so of course it was not hers.
she hasn’t given him a statement to dream about, anyways. not in as many words; she has told him things, and tape recorders have appeared, but nothing the eye could feast on. he has not said the words: statement of karen ferris, the tour guide, recorded direct from subject. statement begins. no one lost on this road has given him one, either, though he is sure if he dug far enough into the archives he could find a few. it feels like an invasion of privacy, somehow. and so it was his dream alone: they had wandered along the road, and he had stayed, become like her, capital-letter lost. it had been almost nice, even as some distant part of him had been aware it was a nightmare.
‘ is it strange to say that your not remembering it is precisely what makes me sure it was my dream? ’ christ, he thinks anyone not as embedded in the ephemera of the supernatural as them would have an impossible time comprehending their conversation. ‘ i ... i don’t have many of my own anymore. just ... other people’s secondhand nightmares. i wasn’t quite sure if maybe, it was your dream as well. but there’s that answered. ’
he squints, curiosity taking over for a moment. ( was he always so eager for answers, before the eye held any influence on his questions? yes. yes, some things have always been true. ) ‘ ... do you dream? or ... sleep, even? ’
i love making dynamics with other tma canon characters that are like oh actually jon knew [character] pre-canon it just wasn’t mentioned bc it wasn’t relevant to the plot. mike and jon were childhood best friends. oliver and jon met at a bunch of parties in uni and didn’t learn each other’s names for a full year. it’s very fun to me