Robert Budzinski has the right idea.
I love everything bout this.
Aqua Utopia|海の底で記憶を紡ぐ
Not today Justin
Three Goblin Art
Monterey Bay Aquarium
Today's Document
$LAYYYTER

Andulka

tannertan36
sheepfilms

Origami Around
ojovivo

izzy's playlists!
Sweet Seals For You, Always
Peter Solarz
i don't do bad sauce passes
AnasAbdin
DEAR READER

JBB: An Artblog!

blake kathryn
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@beigeinside
Robert Budzinski has the right idea.
I love everything bout this.
While it's still reasonably fresh in mind, here's a few choice set photos by my manservant @beigeinside from my dream-come-true guest spot on #thelastdrivein. On TV it looks like a public access show from hell (as it should), but in person these sets are like their own hyperreal little world. The crew really work their asses off on these episodes, but every single one of them was so, SO nice; I was incredibly impressed not only with their work ethic, but their morale. My only regret is that I didn't get to meet Ernie -- I was too starstruck to talk to him! -- but maybe if the outpouring of support I got from the ever-lovely #MutantFam is heard (you guys have blown my tiny mind!), I'll get another chance some day... 🦎🤠🍻
In-camera double exposures taken from a Northeast Regional Amtrak train from NYC to Providence, RI Autumn 2024
Taking the ferry is such a delight I almost enjoy going into the office
Grand Central, heading upstate on Christmas with @donnerpartyofone
Biking home at night
Unknown, Woodcut, 1930′s
Orlando, FL
@donnerpartyofone and your boy on the way to Governor’s Island
They Hellraised the bottom of the highway.
Claireoke
🌈
Brooklyn welcoming us home
The Prophet Muhammad at the Gates of Hell
from a manuscript copy of al-Sara’i’s Nahj al-Faradis or Paths of Paradise
ca. 1465
Collection of the David Collection, Copenhagen
This is absolutely stunning in person
Calling all true believers! A week from today at LA's Philosophical Research Society--and on your computer screen!--I will deliver my Miskatonic Institute of Horror Studies lecture "Based On a True Story", an examination of the legacy of the Amitvyille Horror, one of the world's most enduring hoaxes. Though outed as a scam in its early days, it still produced a best-selling novel; the then-highest grossing independent American film of all time; and literally countless books and movies. It seems there is something exciting about believing in the so-called Horror...but what? What urge does it satisfy, what void does it fill? Why, as one bombastic movie trailer claims, did it make millions "believe in the unbelievable"? I'll examine the story's factual origins, its fictional distortions, a little cognitive science, and a bit of classic philosophy to try to understand why the world still wants to believe in the reality of the Amityville Horror.
🪰🪰🪰
An exploration of audience credulity in relationship to the facts and fictions surrounding "The Amityville Horror." There are two types of t