doing a watch through of the og daredevil series with my friends who have never seen it and i’ve called Wesley babygirl so many times they’ve started calling him “the babygirl guy”
BABYGIRLLLLLLL

oozey mess
KIROKAZE
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith

tannertan36
todays bird

Love Begins
tumblr dot com
Cosmic Funnies
taylor price
noise dept.
he wasn't even looking at me and he found me
NASA
trying on a metaphor

if i look back, i am lost
Not today Justin
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Alisa U Zemlji Chuda
Show & Tell
Misplaced Lens Cap

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@belle-g34
doing a watch through of the og daredevil series with my friends who have never seen it and i’ve called Wesley babygirl so many times they’ve started calling him “the babygirl guy”
BABYGIRLLLLLLL
foggy being the driving force of matt’s mercy. what am i supposed to do with that
2025 books - the will of the many by james islington (hierarchy #1)
They ask something small of you. A thing you would prefer not to do, but is not so terrible. You think you are working your way up, but in fact they are changing you. Moulding you into what they think you should be, one compromise at a time.
in 2026, remember how GOOD writing feels. remember how satsfying it is to get your characters to the point you have been dying to get to, where they will experience the love, fear, relief or whatever the feeling you want to bring to life may be. let this year be the year of writing, prgress and of satisfactory endings.
“I asked ChatGPT” well I asked Vis Tellimus and he lied to my face so now we are all misinformed
james islington what the FUCK is happening
genuinely if u have been feeling like garbage u have to put the effort in to do one new thing every day. it doesn't have to be big but you have to do it. like I'm talking open your alarms and set a daily new thing time right now before you finish reading this sentence levels of do it. actually making the concrete choice to change something by doing it levels of doing it.
it doesn't have to be a big thing to be new. combine two ingredients for a snack you've never had before. open itch.io and play the first free game you see, or read the first free book. browse online radio stations. try a free demo on steam. catch up on a webcomic. follow an origami tutorial. take a different route on the way home. talk to someone you've been too shy to. watch a video on how to learn a skill you hadn't really thought about. identify one local bird. read a random page on wikipedia all the way through. listen to a local artist on bandcamp. play some new daily website game. read theory that you've been putting off. try a free art program and see what you can make in 15 minutes. experiment with a yoga pose. put your pillows on the foot of your bed and sleep like that for a night. stand on something you usually sit on.
I get that it's hard to make habits. I am saying this as someone disabled, with ADHD, with autism, with depression, unmedicated, etc etc, and as someone who has been in the recovery of clawing myself out of that hole. being stuck in monotony will kill you. you're not obligated to like the new things, you can not finish what you started, never touch it again. but you have to seek it out, and yes, you do have the power to make that kind of change right now, and every day, even when it's exhausting and feels useless and the world sucks. it is not a choice that will solve everything. but I truly do believe it's worth doing. I love you.
A specific source of misunderstanding I've noticed between Matt and Karen throughout the Daredevil series: They've perpetuated a pattern of not expressing, acknowledging, or showing the depth of their feelings for each other to each other. Leading them each to underestimate just how deeply and irrevocably they feel for each other. Given this, I see how they could've separately settled on the same conclusion--that their romantic attraction and attempt at being a couple was a blip, a mutual misjudgment that, to say the least, "didn't pay off." Which in turn probably explains why some of the viewers who don't ship or appreciate them as a romance feel a disconnect from their storyline and romantic framing, particularly post-s2. They agree with the characters and take their "We tried, we failed, it's not meant to be" narrative at face value (especially if they already weren't into Karedevil before they dated only half of each other and had a disastrous breakup), because they share the characters' underestimation of the depth and strength of their attraction and love. Except, we as the audience should and do know better, because we've been privy to all of Matt and Karen's most pure and/or direct expressions of their romantic love for each other and the unique effects they have on each other, that the other isn't aware of, because they occured when the characters weren't in each other's presence.
Karen doesn't know why, before they started dating, Matt kept his glasses on around her as much as possible, and she most likely didn't even notice that was a thing.
Matt emphatically told Elektra that "She is important to me" (2x07). Meanwhile, she was worried that Matt thought less of her because of what she'd said she thinks about Frank Castle's methods.
Frank's "You love him" monologue to Karen (2x11). She wasn't the one saying it, but it's clear that once he was done she couldn't deny it anymore.
Matt had an extended and somewhat debilitating panic attack when Karen was taken hostage by The Hand. Interestingly, since this, I've seen at least two other shows feature the male lead having a panic attack related to fear of losing his love interest (Bridgerton s2 and TWD: The Ones Who Live). But unlike these instances, where the female lead was with him to assure him she's safe and isn't going anywhere--and to witness how damaging her loss could be to him--Matt's attack took place first by himself (in Karen's apartment when he discovered she'd been taken), then in the presence of his ex. And when he did find Karen, it was after he'd calmed down, and it wasn't as Matt, but as Daredevil. So it's only after the fact that Karen had to re-contextualize this interaction (and without knowing about the panic attack).
Karen lamented to Foggy that without Matt in their lives, she no longer felt like she had a home.
Once Karen learned the truth, she wondered aloud to Matt how she could possibly "be this mad at someone who saved my life?" (3x01). His response, that "he's your friend and you cared for him and he broke your trust," while true, could be seen as a passed over opportunity to go deeper, as he downplays (practically erases) their romantic relationship. I mean, Foggy is also his friend who cares for him. While a more intimate trust was broken between him and Karen.
And while his literally heartfelt declaration to her that he doesn't want or need Daredevil anymore can be read as a subtextual love/"I need you" confession, it ended up a broken promise anyway (even though he was as sincere as possible at the time).
Which is why Matt later confesses to Father Lantom that he lied to "Someone I love" (TD 1x01). No need for subtext there. But it's not to the person he's referring to.
After Matt started emerging from his presumed death, he learned that Karen had maintained his apartment and paid his bills--which I'm sure meant a lot to him--but he doesn't know the full extent as to why she did so. He doesn't know that she completely refused to accept he was dead, because she could "feel" that he wasn't. That she searched hospitals. Lit candles for him at church, despite not being Catholic or religious. Obsessed over Midland Circle to the point her boss called it out (TD 1x08; s3). And when he finally revealed himself to her, he did not get a warm, or even openly angry, welcome--she'd already gone through the passionate fury phase right after she found out; now she was icy stillness; almost as if to say, "you have forfeit the right to know just how fucked up I was over your supposed death".
"...she was relieved that he finally came to her. But too stubborn and angry to show it." (D.A.W.)
But he did get a story about Karen's widower neighbor in her hometown who saw no point in talking about his feelings about his wife's recent death (and I'm assuming Matt didn't register that Karen equated herself to a widowed spouse...)--probably feeling that talking about it wouldn't bring her back or undo the car accident, like Karen knew that yelling at Matt wouldn't erase what he'd done or what it put her through. So why bother? But she later indirectly recounted her feelings upon Matt's disappearance to Fisk, in her "poke the bear" tactic.
Most recently, Matt basically malfunctioned right on the stand when he unexpectedly sensed Karen entering the courtroom, in DD:BA's premiere (in somewhat of an inverse of the panic attack). Then there was the "Karen?" heard round the fandom (1x09). Everyone except Karen heard that. But, kind of ironically, this moment's poignancy and meaningfulness resides in the facts that Karen wasn't there, and that Matt hadn't seen or spoken to her since episode 1--there's no other explanation for it other than her automatically being on his mind and in his heart, and him instinctually expressing so at his most vulnerable and mentally unguarded. Then, of course, he didn't tell her--there's still a possibility that he could, but as of now it's yet another of his expressions of how irrevocably in love with her he is that she doesn't know about. As for Karen's end of things, perhaps "You hear mine when I saw you?" is a tip-toe towards more direct expression on her part. It was subtle and subtextual, but it was to him, so that's something. And maybe Matt gets a point for "I'm glad you're back" (iirc before this he'd never told her some version of "I missed you" or an equivalent).
Otherwise, these two are such a peak example of why expressing ourselves to those we care about and have relationships with is so important. Ultimately, people don't know, what we don't know. And we tend to act on, or feel more comfortable/confident acting on, what we do know (i'm not saying anything groundbreaking by mentioning Karen and Matt have been wary of/afraid to Go There again, so of course their lack of certainty around the other's feelings hasn't helped with that). And enhanced senses and the ability to clock physiological responses doesn't equal omniscience. "You don't always know what motivates people..." (3x01).
[p.s.--if you haven't already, you gotta add birdy's "all you never say" to your karedevil playlists
are you uncertain, or just scared to drop your guard? have you been broken? are you afraid to show your heart? life can be unkind, but only sometimes you're giving up before you start
writing isn’t hard it’s just emotionally devastating and time-consuming and requires full body possession by an idea
Part two of never ending household chores.
“…A fair system only works if there’s an unbiased means of assessing merit. When there is no pride or selfishness involved.” He gives a soft snort, shaking his head. “Which means that fair systems cannot exist where people are involved.”
“…we’re meant to be the brightest of the Republic, but almost all of us here are the children of senators and knights. We’ve been trained, educated, since we could walk. Of course we’re going to be ‘better’ than some fifth son of an Octavus who’s been ceding half his life, just so his family can get by. Especially at tests which are devised by the same people who trained us. Who decide what merit is.”
Excerpt From ‘The Will of the Many’ - James Islington
This material may be protected by copyright.
THAT IS EXACTLY WHAT I MEAN. I KNOW THIS IS FANTASY BUT OUR EDUCATION SYSTEM IS ALSO A CONSTRUCT, it doesn’t truly evaluate anything, and certainly not in an unbiased or useful manner.
Anyway, side note, this is a book recommendation. Read this book, it’s long but it’s so good. High fantasy and no romance yet. (I’m halfway through the book so far.)
:)
What do you do when you're obsessed with a tv show and you've read all the fics and you've saved and memorized all the edits and you've imagined all the scenarios before falling asleep and you've rewatched the episodes again and again and there's no new content to make theories over and you're STILL OBSESSED? HOW DO YOU CONVINCE YOUR BRAIN IT'S OVER? HOW DO YOU GO ON WITH YOUR LIFE?
…
you start writing the fic yourself lol
Okay so Shepherd ISN'T subtle and honestly I don't believe she loves Roman or Jane, or ever did.
Start with their names. Renaming children you adopt is a red flag in itself, essentially stripping them of one of the only gifts their original parents were able to give them. But renaming children as old as Roman and Remi were, who lost their parents due to violence the way they did, is downright cruel. It's an excision of their life with their parents, and the start of her molding them into what she wanted. Shepherd adopted them for herself, not for them. She raised them from childhood to be soldiers, not loving or happy people. And the names she chose for her "family" are also very telling.
First, her own name. Shepherd. Someone who guides the herd. Then Roman and Remi...it's giving Romulus and Remus, the twins who founded Rome. They were the children of Mars, god of War. They were abandoned at birth and adopted by...a shepherd. At one point in their story, Remus is captured by the enemy and rescued by Romulus. But ultimately they fought over where to establish their great city, and Romulus murdered Remus and became the sole founder of what would eventually become the Roman Empire.
Not only was Shepherd setting up her "children" to be her generals in the war she wanted to start, I believe losing Remi was not just a possibility but part of her plan. Roman is volatile but malleable, a follower for both Remi and Shepherd. But the Remi we see in flashbacks was a natural leader in ways that would be threatening to someone as manipulative and controlling as Shepherd, who claims to want an end to corruption and tyranny...but does she?
In the flashback with a young Kurt, I'd argue she lets her true desires slip. What she truly seeks is power. She doesn't want to take boots off necks, she just wants to be the one wearing the boots. And she doesn't want to be the face of power, but she does want to be the one pulling the strings. If her plant succeeds, she'll be the face of a revolution and can "cede" power to her handpicked leaders...but she'll still have the firepower and leverage.
But Remi is a staunch idealist and true believer in the cause who still does care deeply about other people. She was always going to see Shepherd for what she is eventually. Hell, maybe she did, and we just don't have that piece of the puzzle yet in season 2.
The point is that Sandstorm could have gotten those clues to Weller and his team in other ways, arguably ways that would be less messy and full of unexpected problems and variables. Erasing Remi's memory mainly serves one key purpose: it eliminates a threat to Shepherd's power. Either Remi becomes someone vulnerable who can be more easily manipulated, or she dies in the course of the mission.
Either way, Shepherd wins.
I have no outline tho, just vibes
Last night I impulsively wrote some fic for the first time in 10+ years (if you saw my last post you’d know it’s for Blindspot, ofc) and I’m feeling lots of emotions about it. In my years of online fandom culture, I never really wrote fic beyond wattpad as a kid despite hyperfixation on multiple fandoms because I never felt like I could understand someone else’s characters enough to write about them. On one hand, I’m excited. I finally wrote something that made me happy (I’ve had writers block on my fantasy trilogy for like 2 years), but on the other, I hesitate to share it because I also don’t know if it’s any good. I suppose it doesn’t matter if it is or not, it’s the act of creation that counts, but I still waver. I remember 11 year old me thinking her wattpad fics ate so hard and now I cringe. But I hit such a slump with writing in the last year that I feel like I need to relearn character, and maybe fic is a place to do that. We’ll see.
I watched all five seasons of blindspot in two weeks (watched s4 in two days and s5 all in one day) and now I have no one to talk to about it. my brain feels like a jumbled mess I don’t even know that I know what happened in the show only that I physically could not stop watching. weighed each thing I did in those two weeks against whether or not that hour would be better spent watching an episode of blindspot. all that to kinda hate the ending.
…what do I do now?