âYou donât need around you what does not need you anymore.â
Ironically, this is exactly what Lestat needs to accept about their relationship (on both sides).
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PUT YOUR BEARD IN MY MOUTH
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taylor price
NASA
ojovivo
KIROKAZE
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One Nice Bug Per Day

Kiana Khansmith

gracie abrams
Noah Kahan
Cosmic Funnies

Jar Jar Binks Fan Club
d e v o n

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Sade Olutola

#extradirty

if i look back, i am lost
Show & Tell

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@fluffycakesistainted
âYou donât need around you what does not need you anymore.â
Ironically, this is exactly what Lestat needs to accept about their relationship (on both sides).
HELAENA TARGARYEN & DREAMFYRE HOUSE OF THE DRAGON 3.07 â The Dragon in Winter
I've always had these episodes since I was a kid. There's aâŚThere's a high, then there's a big low, and then my memory just goes blank. But this time, I feel like there'sâŚI don't know, something bad happened or I did something bad. LEWIS PULLMAN as Robert Reynolds THUNDERBOLTS* (2025) â dir. Jake Schreier
To be seen, to be known is to be loved.
Let it be known that in a world where Wednesday gets merely looked at, Tyler Galpin is the only one who actually seen her; the morbid grimy quirkiness that made others recoil, only made him fell harder.
Gwayne Hightower & Daeron Targaryen House of the Dragon â Season 3
BUFFY SUMMERS ⤠5.12, Checkpoint
Wicked (2024)
Elizabeth Olsen as WANDA MAXIMOFF | WandaVision (2021)
THE LITTLE MERMAID (1989) - Directed by Ron Clements, John Musker
I recently re-watched WandaVision and was reminded how much people slept on Tyler Hayward as an antagonist. Sure, on the surface he was a pretty stereotypical governmental/militaristic asshole representing the trope of The Government/Military Industrial Complex will unethically or immorally weaponize anything (one anyone). But deeper than that, one aspect of his thematic relevance to this chapter of Wandaâs story was very well summed up in Monicaâs plea to Wanda: âDonât let him make you the villainâ (1x07). Implying Haywardâs being, in a meta subtext, emblematic of the male comics writers whoâve used Wandaâs (and other female super-charactersâ) trauma and power to do just that, multiple times over the decades (usually as a plot device to instigate some exec-mandated crisis or crossover event to retcon or restart the timeline or the universes or whatever). And Hayward was pretty explicitly aiming to exploit (and frame) Wandaâs trauma and power for his own agenda (starting even before the Anomaly).
Which was not freeing Westview from her control. If he actually cared about the townâs citizens and ending their plight, as efficiently and safely as possible, he wouldâve listened to Monica about how to deal with Wanda. But instead he eschewed her and anyone else trying to handle the situation with compassion and empathy (and common sense). Because he was only there for Vision. Both of them. To investigate Hex!Vision, and take him if he could. And to (continue to) try to provoke Wanda into empowering the Vision he stole and reassembled. A distinctly feminine power of life-giving that he (a man) canât accessâbut will exploit and control if he gets the chance.
Gif meme â adarkfolktail requested 10 + AngelÂ
Clueless (1995) dir. Amy Heckerling
"When it says there's a shitstorm en route, I make sure there's a lookout to tell me when it's fucking coming."
LANTERNS â 1.01 "Pilot"
THE MATRIX 1999 ⢠dir. Lana & Lilly Wachowski