Th’name’s Ben Maxx. I’m a filmmaker above all, but I’m also the practical effects master at the local playhouse. So, if you ever need a bat on some fishing wire, you know I’m the man to call! Heh, just kidding. We can do you way better than that!
Now, can I help you with anything? Or are you just in for a chat?
(a.k.a. another blog from yours truly, @era-of-ages)
Ben Maxx has pulled in the station! The thing about Ben is he isn’t actually an avatar of anything! But he’d love to convince you he is! He’s an expert with practical effects, magic tricks, and mind games and wants to know test just how good at this he is. So let’s put it to the test, shall we? Do you really know what’s real and what’s not?
In case the deceit and trickery did not make it clear, Ben is marked by the web, but he doesn’t know it. This makes him rather good at convincing people of his illusions, which he chalks up to his skill and charm.
//I THRIVE ON INTERACTIONS!!! PRETTY PRETTY PLEASE TALK TO THE SILLY GOOSE!!!
[The shadows seemed off... they seemed to spike at unnatual angles and shift and move oddly. They only get worse the closer you get to a figure in a black trench coat who was holding their shoulder and leaning heavily on a wall.]
[Ben had been walking home, and noticed the shadows. He took out his camera, hoping to get an interesting shot when he noticed the figure. As he stepped closer, he dropped the camera entirely]
[The closer he got to them, the darker the world around them seemed to become. Bernadette shifted when they heard their name and thats when their shadow moved. It looked like a monster.]
Damn. . . performer’s luck at its finest I suppose.
[He finishes bandaging them up]
Right, I’d be careful with that. It’s by no means professional, I’ve never really dressed a bullet wound before, but it should be at least manageable.
You could stay in the theater if you’d like! There’s a small space backstage we set up for one of our crew leads. She’s a bit of an insomniac and falls asleep quite often. But we’ve certainly got a space!
I’m pretty sure I left some microphones on anyway.
[He takes them back to the theater and to a small room behind the stage.]
There we are. You rest here for a bit. If you need anything I’ll be up in the rafters. Think I might cut the trip home short and get around to solving that wiring issue we’ve been having.
[They’d find a variety of teas, coffee blends, and other drinks. In the rafters they could hear quiet shuffling, wheels on a metal track, and occasionally Ben whispering to himself and several “dammits” after dropping tools]
[Ben was hanging from the rafters by one hand from a thick stand of what almost looked like spider silk, a shattered stage light on the stage beneath him. He let out a long sigh but jumped when he saw Bernadette run out.]
Oh! Gosh I’m so sorry! I got so focused I nearly forgot you were here! Trying to change one of the old incandescents and one of the bolts snapped!
Are you alright? Hope I didn’t scare you too much.
[He sighed, going to pick up all the pieces. It wasn’t that broken. It could still be repaired. He looked around the room. There was a lot around here that could be repaired. . .]
[After about an hour he comes back in, his clothes dusty from the rafters. He waves nervously]
I really am sorry about the noise earlier. I uh. . . are you feeling any better?
Well, it’s all done with now. Hopefully I don’t have to mess with that light cage for another few years.
Ah, and speaking of lights. How does that work for you? If you were to do a show for the kids’ program? I know some Dark avatars are rather sensitive to it. Should we cut the brighter of the stage lights?
Right! How about you pop up to the front of the stage and we’ll run a few tests. I’ll test them gradually, don’t worry. I won’t flash bang you.
[Theyre pretty fine with most of the levels of light. Since their clothes covered most of their body, but they did look lile they were starting to feel.. pain?]
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
Well you’re certainly welcome in the theater should you need a break, but otherwise, you don’t have to listen to them. Whatever bad things they say will happen, challenge them. Why is it so very important that people watch you anyway? What happens if people stop watching? This is your narrative after all, so make it fit your style.
Not quite, Scarecrow. It’s a little more complicated.
But for the time being, let’s focus on your problem. You don’t know what’s going to happen if the audience stops watching. So you couldn’t possibly think of a solution to it. So find out what happens first!
[The shadows seemed off... they seemed to spike at unnatual angles and shift and move oddly. They only get worse the closer you get to a figure in a black trench coat who was holding their shoulder and leaning heavily on a wall.]
[Ben had been walking home, and noticed the shadows. He took out his camera, hoping to get an interesting shot when he noticed the figure. As he stepped closer, he dropped the camera entirely]
[The closer he got to them, the darker the world around them seemed to become. Bernadette shifted when they heard their name and thats when their shadow moved. It looked like a monster.]
Damn. . . performer’s luck at its finest I suppose.
[He finishes bandaging them up]
Right, I’d be careful with that. It’s by no means professional, I’ve never really dressed a bullet wound before, but it should be at least manageable.
You could stay in the theater if you’d like! There’s a small space backstage we set up for one of our crew leads. She’s a bit of an insomniac and falls asleep quite often. But we’ve certainly got a space!
I’m pretty sure I left some microphones on anyway.
[He takes them back to the theater and to a small room behind the stage.]
There we are. You rest here for a bit. If you need anything I’ll be up in the rafters. Think I might cut the trip home short and get around to solving that wiring issue we’ve been having.
[They’d find a variety of teas, coffee blends, and other drinks. In the rafters they could hear quiet shuffling, wheels on a metal track, and occasionally Ben whispering to himself and several “dammits” after dropping tools]
[Ben was hanging from the rafters by one hand from a thick stand of what almost looked like spider silk, a shattered stage light on the stage beneath him. He let out a long sigh but jumped when he saw Bernadette run out.]
Oh! Gosh I’m so sorry! I got so focused I nearly forgot you were here! Trying to change one of the old incandescents and one of the bolts snapped!
Are you alright? Hope I didn’t scare you too much.
[He sighed, going to pick up all the pieces. It wasn’t that broken. It could still be repaired. He looked around the room. There was a lot around here that could be repaired. . .]
[After about an hour he comes back in, his clothes dusty from the rafters. He waves nervously]
I really am sorry about the noise earlier. I uh. . . are you feeling any better?
Well, it’s all done with now. Hopefully I don’t have to mess with that light cage for another few years.
Ah, and speaking of lights. How does that work for you? If you were to do a show for the kids’ program? I know some Dark avatars are rather sensitive to it. Should we cut the brighter of the stage lights?
Right! How about you pop up to the front of the stage and we’ll run a few tests. I’ll test them gradually, don’t worry. I won’t flash bang you.
[Theyre pretty fine with most of the levels of light. Since their clothes covered most of their body, but they did look lile they were starting to feel.. pain?]
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
Well you’re certainly welcome in the theater should you need a break, but otherwise, you don’t have to listen to them. Whatever bad things they say will happen, challenge them. Why is it so very important that people watch you anyway? What happens if people stop watching? This is your narrative after all, so make it fit your style.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
Well you’re certainly welcome in the theater should you need a break, but otherwise, you don’t have to listen to them. Whatever bad things they say will happen, challenge them. Why is it so very important that people watch you anyway? What happens if people stop watching? This is your narrative after all, so make it fit your style.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
Well you’re certainly welcome in the theater should you need a break, but otherwise, you don’t have to listen to them. Whatever bad things they say will happen, challenge them. Why is it so very important that people watch you anyway? What happens if people stop watching? This is your narrative after all, so make it fit your style.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
Well you’re certainly welcome in the theater should you need a break, but otherwise, you don’t have to listen to them. Whatever bad things they say will happen, challenge them. Why is it so very important that people watch you anyway? What happens if people stop watching? This is your narrative after all, so make it fit your style.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
Well you’re certainly welcome in the theater should you need a break, but otherwise, you don’t have to listen to them. Whatever bad things they say will happen, challenge them. Why is it so very important that people watch you anyway? What happens if people stop watching? This is your narrative after all, so make it fit your style.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
Well, there is no human being in existence without some sort of character. When I’m off the stage, I’m just Ben. I’m dramatic, resourceful, and perhaps a little pretentious. It’s just how I am. Sure I play into it and exaggerate a bit because I find it fun, but it’s not a character I have to really play.
So what about you? In the show you’re Sylbanus, a showrunner, strait-laced and the picture perfect main character. What about outside of it?
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
Well, the Web isn’t done with me yet. It likes lies. Twisting the belief of other people into whatever it likes. So it really, really loves the theatre. I can make people believe whatever I want on that stage. I could tell them we’re on a Greek island and for those precious few hours they don’t doubt me for a moment. It’s a very easy source of fear to draw from. You don’t know that the actor on set is named Charlie or that after this scene he’ll be down in the green room getting congratulated on his performance. You just see a lone soldier dying on a battlefield where a spotlit sun bathes him in the last sunlight he’s ever granted to see. And you believe with your whole heart that he is dead.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?
Besides dying? Ohhh that is an excellent question. We chased a colony of bats out once, I had a week to teach a near-rabid chihuahua how to dance on stage, I’ve broken limbs, wired up enough lights to blackout the whole street. Theres a lot.
I mean, I suppose if that’s how you cope with the universe that’s your business. But there’s no imaginary audience watching over all of our lives, really.
[Ben gave him a sympathetic look. There was clearly something wrong with this young man. He was trapped in the logic of a play, and the only way he was going to be able to help was to play along. Luckily, he was very good at playing along]
Well, have you got a producer we can speak to? Having you do this all the time is a violation of labor laws you know.
Mm. That they do. And what audience is that? From what this man here as explained to me you are looking to please everyone. What about those that don’t like meta humor? Do you not cater to them?
Mm. And what exactly has this—excuse me for saying—rather vanilla-ish man done to be so so special in the eyes of your audience? Shouldn’t someone like you want a showstopper?
[He shuffled cards rather showily between his hands, occasionally doing a trick]
[Ben stands, now wandering around the stage. This was going to be fun]
Oh I’m certain, but you can’t base your whole story on your climax. Characters are the most important part, don’t you know? A good character can save a terrible story, but one with no defining flaws? No standout traits? One meant to fit in every box? Tsk tsk tsk. Even the best stories can run flat with a dull character.
So he’s a nobody? Generates no interest and does no interesting things because it would ruin his relatability? I hate to tell you, but you would absolutely fail in theatre. Or any true media at all. You’re a farce and a coward, my friend. And, unfortunately, very very dull.
That’s what they all say. Either way, this is pedantics. Don’t you know you’re violating labor laws keeping this young man under employ 24/7? What compensation is he getting?
Are you truly asking me this question? You do know your actors have a life outside of the show? They’re characters! And unless his last name is Truman I really don’t think you’re doing this right.
[Ben looks through the fourth wall, directly at the narrator. His voice has a threatening edge to it.
This is my show, doll. Either you let the man speak his mind, or you’re due for a commercial break. I can very easily cut this season short if you don’t feel like listening.
[He nods towards Sylvanus, a spiderweb stretching between his hands]
They do for a time, but it’s rather easy to get bored of knowing someone like that. It does intrigue me what even brings the “audience” to watch a show like your. It seems like the functional equivalent of watching a zoo camera. I mean, where’s the drama? The suspense?