Ok, ok, poem has been reread, walls have been stared at, and I have thoughts (I'm not entirely sure they're coherent but this is tumblr and a blog based on the hyperfixation of one poet, I cannot ever promise you coherency)
Berk tends to have a pretty conversational style to their poems in general, but this one is presenting in a way a lot of their others aren't.
These lines, man these lines make me insane
The half formed thoughts that keep going until you have to just stop?? The way you can feel a breath taken after "okay."??? The childlike quality to it of just needing the other person to not be upset, anything but upset?????
Berk isn't talking to some generalized audience, they're not talking to some unknowable god, intangible grief, or even themselves. They sat you down right in front of them "face-to-face" to speak.
Excuse me while I go stare at another wall for five minutes.
Then again man, you can hear the panicked look up, the immediate rephrasing as you try and get them to know and understand that "I cannot". She can't, she can't, and they know it looks like they won't, but they can't and-
~author falls into indistinct mumbling once again~
But, I think the thing I appreciate most about this poem is how hopeful it is in it's portrayal of affection nonetheless.
Because the listener (you, me, and every reader after) is letting them speak. They're letting her trip over words, rewrite phrases, pause to take breaths, put pebbles over and over and over again back in your bucket while pretending to put ones back into theirs until your bucket is full and theirs is not-
And then we still "together set off",
"Shoulders brushing" in companionship,
"fingers joined" in the only way you know they'll be able to accept and give help,
and a silence filled with company for miles as you refuse to leave them behind.