• Wedding Ensemble (Possibly worn by Pauline Elisabeth Ottilie Luise of Wied (1843-1916))
Date: 1869
Medium: Silk satin, silk netting, cotton & paper faux flowers.
Jules of Nature

Love Begins
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation
todays bird

tannertan36
he wasn't even looking at me and he found me

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Janaina Medeiros
DEAR READER
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art blog(derogatory)

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oozey mess
will byers stan first human second

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@bertinaucoeur
• Wedding Ensemble (Possibly worn by Pauline Elisabeth Ottilie Luise of Wied (1843-1916))
Date: 1869
Medium: Silk satin, silk netting, cotton & paper faux flowers.
• Afternoon dress
Design House: House of Worth (French, 1858–1956); Designer: Charles Frederick Worth (French (born England), Bourne 1825–1895 Paris)
Date: ca. 1875
Medium: Silk
• Dressing gown or robe.
Date: ca. 1915
Medium: Silk
Alexandre Cabanel(1823-1889)
• Woman's Dress.
Place of origin: England
Date: ca. 1805-1810
Medium: Ivory silk plain weave with multicolored silk embroidery in padded satin, buttonhole, and whipped running stitches and French knots.
• Wedding dress.
Designer/Maker: Madge Haggett; Worn by: Enid May Davenport (nee Coltman).
Place of origin: Sydney, New South Wales, Australia
Date: 1938
Faery tales from Hans Christian Andersen - illustrated by Maxwell Armfield - 1910 - via Internet Archive
Rosamund Pike photographed by Rachel Lum, 2004 ☽
• Sleeveless dress with printed flowers on skirt.
Designer: Galanos, James
Date: 1959
Place of origin: California, United States
Medium: Silk
• Evening dress.
Designer: Gres, Madame Alix
Date: 1949
Place of origin: France
Medium: Silk
Mary Jane Newill, Bedcover, ca. 1908, linen embroidered with colored wools
Pair of ancient Egyptian rings (gold with glass, lapis lazuli, and carnelian inlay) depicting lotus flowers. Artist unknown; ca. 1400-1200 BCE (18th or 19th Dynasty, New Kingdom). Now in the Walters Art Museum, Baltimore. Photo credit: Walters Art Museum.
Evening Dress
Jeanne Lanvin, 1934
The McCord Museum
Gold, enamel, and moonstone brooch designed by Ferdinand Hauser, 1912.
Via the Met.
Often when I’m working on a project that I’m really passionate about, there’s a handful of moments where the work just works- I solve a problem I thought was beyond my technical skill, I start to see what the final outcome will look like, I pull off a new technique flawlessly- this is a snippet of a boring timelapse that I didn’t end up posting, but it captured that moment where this whole project seemed like something I can actually pull off and I have a little burst of happy energy that comes out as me jumping around like a dork in a closed campus building at 10 pm
• Stomacher.
Place of origin: Belgium
Culture: Flemish
Date: early 18th century
Medium: Silver, paste