BEYASE LEE WARTON

https://beyase.myportfolio.com/welcome

[beyasewarton]

The Rise of AI in Fashion Media: When Technology Wears the Brand —

Artificial intelligence has moved beyond design labs and data analytics. It now plays a starring role in how fashion presents itself to the world. From AI-generated photo shoots to fully digital models, brands are experimenting with machine creativity to reimagine storytelling. Three recent campaigns from Mango, Valentino, and Guess reveal how fashion houses are using AI not only to innovate but also to challenge the industry’s ideas of authenticity, artistry, and ethics.

Mango’s “Sunset Dream”: Fashion Without a Photoshoot

In 2024, Mango launched its Sunset Dream campaign for its youth line, becoming one of the first global retailers to release a fully AI-generated fashion campaign. The visuals were created using generative imaging tools trained on real product photos. The result was a series of photorealistic images that looked like a professional shoot without using models, locations, or lighting teams.

Mango’s use of AI showed the technology’s efficiency and creative flexibility. It reduced production costs and time, allowing the brand to produce cohesive imagery quickly and at scale. However, the campaign’s reception was mixed. Some praised its futuristic look, while others criticized the lack of human touch and questioned the authenticity of computer-generated fashion.

Valentino x Vans: When Luxury Meets the Algorithm

Valentino’s Fall/Winter 2025 collaboration with Vans took a more artistic approach. Instead of replacing real people or settings, the brand integrated AI into existing runway footage. The videos were reimagined using AI tools that transformed the models and scenes into surreal digital landscapes. The result was a hybrid campaign where reality and technology collided, reflecting Valentino’s bold creative identity.

This experiment successfully merged luxury and streetwear within a futuristic visual space. It showed how AI could amplify a brand’s aesthetic instead of replacing its creative vision. Critics noted that while the visuals were captivating, the AI effects sometimes overpowered the clothing itself. Still, the campaign was widely praised for its innovation and its ability to generate excitement while maintaining artistic integrity.

Guess: The AI Model Controversy

Guess took a more provocative approach with its 2025 ad spread in Vogue, featuring a model entirely generated by AI. Created by digital artist Seraphinne Vallora, the ad appeared lifelike at first glance, with only a small note revealing its artificial origins.

The reaction was mostly critical. Many in the fashion industry and among readers felt uneasy about a fictional model replacing a human one. Critics raised concerns about creative labor, model representation, and unrealistic beauty standards. The lack of transparency made the backlash stronger, as audiences argued that AI-generated figures should be clearly identified in print media.

What These Campaigns Reveal

Together, these campaigns show both the potential and the risks of AI in fashion media. Mango used AI for speed and creative experimentation. Valentino used it as a tool for artistic expansion. Guess used it to test the boundaries of realism and ethics.

As AI becomes more involved in fashion storytelling, the question is no longer if the industry will use it but how it will balance technology with human creativity. These campaigns remind us that while AI can generate style, it still struggles to create emotion.

Works Cited:

All sources are on the boards, and the presentation was made on Canva.com.

[beyasewarton]

[beyasewarton]

Before Instagram, There Was Susie Bubble —

As a fashion design student who grew up in the age of Instagram, it’s easy to forget there was once a time when fashion was less accessible, when it lived mainly on glossy magazine pages or in runway shows behind velvet ropes. Then came Susanna Lau, better known as Susie Bubble, who opened those doors wide in 2006 with her blog Style Bubble. She wasn’t just documenting outfits; she was creating a space where creativity, individuality, and curiosity collided. Reading her articles now feels like looking into the roots of everything we take for granted in digital fashion media today.

Rise to Fame —

Lau began Style Bubble from her home in London as a personal side project while working in digital media. Her posts, full of bright colors, clashing prints, and intellectual commentary, quickly drew attention. By the late 2000s, she was one of the few independent bloggers invited to sit front row at international fashion weeks, a space once dominated by traditional editors and stylists. Her unique voice, equal parts analytical and playful, earned her recognition at publications like Dazed Digital and The Guardian. For me, what’s inspiring about Susie’s rise is that it wasn’t driven by fame or sponsorships, but by a genuine curiosity about how fashion functions as both art and identity.

What She Wrote About — Susie’s blog stood out because it wasn’t just about trends or designer labels; it was about storytelling through clothing. She explored the cultural and emotional layers of fashion, writing about emerging designers, local craftspeople, and even student collections. She combined detailed outfit breakdowns with essays that analyzed why fashion mattered. Her posts were long, image-heavy, and deeply thoughtful, almost like digital sketchbooks. As someone studying design, I see a reflection of the creative process in her writing: the same layering of thought, experimentation, and texture that goes into building a garment.

Her Loves and Aesthetics — Three things defined what Susie Bubble loved most: independent designers, eclectic personal style, and the stories behind fashion. She was one of the first voices to champion young designers like Simone Rocha and Christopher Kane, giving them visibility long before they became household names. She adored experimenting with layers, color clashes, and unusual silhouettes, wearing outfits that looked more like walking collages than coordinated ensembles. Above all, she embraced individuality. She never dressed for trends; she dressed for joy, creativity, and expression. That freedom to dress without fear is something I find deeply empowering as a design student trying to define my own aesthetic.

Career and Evolution — Over time, Susie’s blog transformed from a personal project into a respected media platform. She became a digital editor, contributed to Vogue and Business of Fashion, appeared in The New York Times, and collaborated with major brands, all while staying true to her original voice. Her Instagram and continued work on Style Bubble remain extensions of that early vision: fashion as conversation, not consumption. Her success showed that passion-driven storytelling could lead to a sustainable and respected career, blurring the line between critic, creator, and influencer.

Contribution to Modern Fashion Media — Susie Bubble’s biggest legacy is how she democratized fashion journalism. She proved that an independent writer with a unique perspective could sit at the same table as industry editors and even change the conversation. Her long-form, personality-driven writing set the foundation for the hybrid roles we now see everywhere: the influencer-critic, the designer-journalist, the creative director who also blogs or runs a Substack. The personal, image-rich, community-driven model she pioneered is still the blueprint for how fashion is discussed and discovered online.

Connection to Current Journalists — Today’s digital critics, from Vogue Runway writers to Substack essayists, owe much to Susie’s approach. They balance analysis with accessibility, just as she did. Her writing taught readers that fashion isn’t just about clothing, but about the ideas, histories, and identities stitched within it. As a student, I can see how her lens encouraged a more inclusive and imaginative way of looking at design, one that values authenticity over algorithm and storytelling over status.

Susie Bubble didn’t just blog about fashion; she humanized it. She demonstrated that style could be a form of personal freedom, that fashion writing could be both intellectual and emotional, and that one voice (honest, curious, and a little chaotic) could change the entire rhythm of the industry.

Works Cited:

Dot Dot Bubble Tea (@Wearedotdot) • Instagram Photos and Videos. www.instagram.com/susiebubble.

Lau, Susie. “A Look Back at Louis Vuitton’s Trip to Barcelona for Cruise 2025 - 10 Magazine.” 10 Magazine, 6 May 2025, 10magazine.com/louis-vuitton-barcelona-cruise-2025-10-issue-7.

Lau, Susanna. “Is London’s New Era Here?” The Business of Fashion, 2 Oct. 2025, www.businessoffashion.com/reviews/fashion-week/hm-conner-ives-simone-rocha-burberry-womenswear-spring-summer-2026.

Lau, Susie. “Susie Lau on Her Trip to Kyoto for Dior Fall 2025 - 10 Magazine.” 10 Magazine, 6 May 2025, 10magazine.com/susie-lau-trip-to-kyoto-dior-fall-2025.

“Susanna Lau - the Business of Fashion.” The Business of Fashion, 23 Sept. 2025, www.businessoffashion.com/authors/susanna-lau.

Wikipedia contributors. “Susanna Lau.” Wikipedia, 12 May 2025, en.wikipedia.org/wiki/Susanna_Lau.

Media can be found on Susanna Lau's Instagram page: https://www.instagram.com/susiebubble/ and her outfit archives on the internet throughout other blog posts.

The presentation was made on Canva.com.

[beyasewarton]

Soshi Otsuki Lookbook: Quiet Power in Motion —

Soshi Otsuki’s latest lookbook celebrates refined tailoring and understated elegance. Every element is designed to let the garments shine, focusing on texture, structure, and craftsmanship.

Makeup and Grooming Women’s makeup highlights cheeks and lips only, enhancing natural beauty with soft, sun-kissed tones while keeping freckles and beauty marks visible. Men are clean-shaven with sleek, simple hair, presenting a polished, confident look. Avant-garde styles are avoided to keep attention on the clothing.

Cultural and Natural Hairstyles Hairstyles honor each model’s cultural identity. Indigenous models may wear braids to celebrate heritage, East Asian models draw from classic Japanese styles, and natural curls are embraced and defined. The result feels authentic while complementing the garments.

Lighting and Photography Shoot in natural sunlight before 12 PM for a soft, morning glow. Soft fill lighting and mirrors reflect light, highlight textures, and add depth. Harsh, backlit, or colored lighting is avoided. Poses suggest movement or anticipation, showing how fabrics drape and flow with the body.

Expression and Mood Models express quiet confidence and fulfillment through subtle smiles and smirks, reinforcing the empowering effect of the suits while keeping focus on the tailoring.

Every choice in makeup, hair, lighting, and posing is intentional, creating a lookbook that is serene, elegant, and alive, letting Soshi Otsuki’s craftsmanship speak for itself.

[beyasewarton]

NYC Study Tour : Soorty Denimkind —

During my visit to Soorty Denimkind’s NYC showroom, tour guide Melissa Urbina highlighted the brand’s message of “sustainable craftsmanship of the future.” Soorty operates as a vertically integrated denim manufacturer with global hubs in Pakistan, New York, Amsterdam, Istanbul, and Bangladesh, controlling every stage from fiber sourcing to garment finishing. Their LEED-certified factory in Karachi uses recycled fibers, organic cotton, and bio-based dyes, supported by blockchain technology for full traceability. Innovative laser technology and zero-waste cutting methods further reduce water, chemical, and fabric waste.

The visit inspired me to integrate sustainable practices into my own design process. For my Junior Studio I project, I plan to research Soorty’s production model and explore biodegradable fibers like ramie. This experience also deepened my interest in textile engineering and how responsible design can shape fashion’s future. Ultimately, I aim to revive Claude Montana’s legacy through a vision rooted in circularity, innovation, and social responsibility.

[beyasewarton]

This article's layout explores maximalism in New York City street style, presenting it as more than a trend and instead as an expression of individuality and confidence. The updated writing below captures the bold layering, textures, and accessories that define the style, while the layout design mirrors its eclectic energy through imagery, typography, and color. The goal is to show how maximalism transforms the streets into runways and functions as a statement of identity within contemporary fashion.

The Bold Art of More: UNLEASHED —

Maximalism is alive and thriving on the streets of New York City. It is not just a passing trend. It is a full-blown attitude, a declaration that fashion belongs to those who dare to take up visual space. Street style here is fearless, layered, and unapologetically personal, transforming sidewalks into living collages of texture and color. Oversized silhouettes collide with razor-sharp tailoring, velvet pants sweep the pavement beside glossy patent leather boots, and textiles dance together in an orchestrated chaos of movement.

Accessories are not an afterthought. They are the punctuation marks of every outfit. Fingers glint with stacked rings, chunky chains anchor necklines, mirrored sunglasses shield sharp stares, and oversized statement bags swing with purpose. Each avenue feels like a curated gallery, each subway entrance like a catwalk, where rules are not just bent but rewritten daily.

New Yorkers layer prints, clash colors, and experiment with proportions in ways that feel both rebellious and intentional. Leopard might meet neon plaid, metallics might sparkle against distressed denim, and somehow it all works. Every outfit is a story built in layers, a visual diary of personality, heritage, mood, and experimentation.

Here, nothing whispers. Everything speaks. Maximalism on NYC streets proves it is not about excess for the sake of excess. It is about ownership. Ownership of space, of presence, of voice. It is a philosophy that says: I am here, and you will see me.

Maximalism ROARS.

Hand-shot —

Shape & Texture Play: Incorporate ornate details to create contrast with mixtures of elements, adding depth.

Accessory Galore: Bold centerpieces to draw attention that ground the whole look.

Dimension: Different lengths and heights add elegance without causing unbalanced movement in an area.

Stacking Strategies: Thinness/thickness anchors and grounds the look. Could you pair it with dainty accessories to add movement?

[beyasewarton]

NYC Study Tour: Timeless Elegance Meets Creative Innovation —

Bergdorf Goodman stands out as more than just a retail space. It is a true fashion landmark with a luxurious aesthetic, carefully curated floors, and exclusive high-end brands that highlight craftsmanship and artistry over mass appeal. In contrast, Dover Street Market thrives on experimental, art-driven concepts that celebrate innovation and creative risk-taking. Together, they represent two distinct yet equally important sides of the fashion industry. For me as a fashion design student, Bergdorf embodies timeless prestige and heritage, while Dover Street Market reflects the bold creativity that pushes fashion forward.

[beyasewarton]

Coterie/Magic Trade Shows —

Visiting the Coterie/MAGIC trade show in New York City gave me a clear understanding of how different platforms serve different areas of the fashion industry. Coterie is a high-end, curated show focused on contemporary women’s fashion that caters to an older, more established audience, connecting brands with luxury retailers and boutiques. In contrast, MAGIC is broader and more trend-driven, showcasing apparel and accessories across categories at accessible price points, appealing to a younger demographic.

Seeing both shows firsthand allowed me to experience how fashion transitions from design to market, and how trade shows are vital for linking creativity with business. It also gave me valuable perspective as a Kent State fashion student on how brands position themselves for different audiences within the global fashion landscape.

[beyasewarton]

Maximalism —

I chose to write about maximalism to explore where street style and its subcultures are heading. With so many overlapping themes in my class, I decided to focus on the opposite spectrum for contrast. The media featured in my magazine layout are placeholders, used only to illustrate my vision for what I aim to capture in future photoshoots.

The in-text article consists of:

“Maximalism is alive on the streets of New York City. It is not just a trend. It is an attitude. Street style is bold, layered, and unapologetically personal. Oversized silhouettes clash with sharp tailoring, velvet pants brush past patent leather boots, and textures mix freely in motion.

Accessories are everywhere. Stacked rings, chunky chains, bold sunglasses, and statement bags turn sidewalks into showcases. Every corner becomes a runway where rules are rewritten. New Yorkers stack prints, colors, and proportions with fearless energy. Outfits are built in layers, each one telling a story.

Nothing is subtle. Everything is intentional. NYC street style proves that maximalism is not about excess. It is about owning your space, your look, and your voice.”

This is my first rough draft in creating the spread. My goal was to test layouts and guide my audience through my ideas clearly and visually engaging.

As I continue to do more research, I would like to see which genres of maximalism will be better fitting for this spread. Such as: English cottage, Art Deco, or organic modern. I would also like to play around with colours, patterns, layered textures, statement pieces, mixed styles, and the overall curation of this spread. I want to avoid too much clash as it may come off as tacky and not visible for certain elements (text, images, etc).

Locations for backgrounds: Professor Wallis' home, Bensonhurst Statue House, Times Square, etc.

[beyasewarton]

Soshi Otsuki's Lookbook Concept Development —

Who is Soshi Otsuki? Soshi Otsuki is a Japanese fashion designer known for his refined tailoring and quiet elegance. His work blends traditional Japanese craftsmanship with contemporary silhouettes, creating garments that are both structured and soulful.

I’m proposing this photoshoot direction to help Soshi Otsuki’s designs connect with a younger audience, who are the next generation of consumers. By incorporating playful and unexpected concepts without compromising aesthetic quality, he can add more energy to his editorial lookbook.

The current lookbook (2nd board) for the Fall/Winter 2025 arrivals offers calm, structured elegance, but the static presentation makes it feel a bit stiff. Otsuki’s talent in tailoring deserves contrast that highlights the craftsmanship rather than blending into formality. I introduced wooden elements, like hangers, as a nod to traditional Japanese culture. This subtle touch brings warmth and authenticity.

Changing a few backdrops and incorporating styled flat lays, like an outfit draped on a chair with accessories beside it, invites the audience to engage creatively, piecing the look together in their mind. While the relaxed model poses feel organic, adding more expressive movement would give the images greater impact.

Otsuki’s casting mostly features Asian models, so including a more diverse range would expand global reach and spark new loyal followings. Inspired by the format of a cookbook, I envisioned a few pages showcasing the "ingredients" of each piece, including fabrics, sketches, and trims, to celebrate the meticulous process behind each garment. Close-up shots have proven to be captivating, so pushing them to the forefront builds curiosity, with the full look revealed later as a visual reward. Lastly, instead of garments simply hanging, what if favourited pieces appeared to float mid-air? It would add magic and motion, bringing stillness to life.

The boards are made through https://www.canva.com/, and the media are listed below:

Clarke, Ashley Ogawa. “LVMH Prize Winner Soshi Otsuki on How Giorgio Armani Inspired Him: ‘His Work Is Proof That Clothing Can Transcend Borders.’” Vogue, 5 Sept. 2025, www.vogue.com/article/lvmh-prize-winner-soshi-otsuki-on-how-giorgio-armani-inspired-him-his-work-is-proof-that-clothing-can-transcend-borders.

McFadden, Kayla. “45 Fresh Summer Wedding Decor Ideas Trending Now.” THEWED, 11 June 2025, thewed.com/magazine/summer-wedding-decor-ideas.

“Pin on EXPO ISA X YANA.” Pinterest, www.pinterest.com/pin/17451517302622461.

“Pin on Pose.” Pinterest, www.pinterest.com/pin/985231162921789.

Rustic  Wood Pant Hangers With Black Hook. www.barrdisplay.com/rustic-dark-wood-pant-hangers-with-black-hook.html?srsltid=AfmBOoq2NSRAjavLm24gX4eV1in71nguF1-q5GNkcAP3Fi-3OBOwdwYg.

Rustic Wood Shirt Hangers With Black Hook. www.displayfixturesuperstore.com/rustic-dark-wood-hangers-with-black-hook.

[beyasewarton]

Bey’s Lens on NYC Street Style —

Every street in New York City tells a story, and for the past two weeks, I followed the style trail to see where it led. I set out to capture fashion where it lives: on the streets, in real time. With the phone in hand and curiosity at a high, I documented the looks that made me pause, stare, and take a shot.

For clarity, I’ve numbered each outfit and scene. My top five favourite looks were Styles 1, 5, 8, 9, and 10.

Style 1 featured relaxed neutrals in a baggy silhouette, pulled together with matching black sunglasses, sneakers, and a crossbody. The standout was a pendant necklace popping against a white tank, effortless but intentional.

Style 5 felt personal. It’s something I, Beyase, would wear. A fitted top paired with jorts, all accessorized to perfection. The belt, purse, sunnies, and loafers were completely in sync.

Style 8 leaned into earthy browns and was grounded by suede knee-high boots. The contrast of a white tote, black top, and dusty hues created a harmonious blend.

Style 9 was one I’d love to wear. It kept to a muted, monotone palette, with a rich burgundy shoulder bag adding just the right pop of colour within the grungy spectrum.

Scene 10 reflected the everyday New Yorker. Think comfort-first outfits in basics like solid tees, jeans, sneakers, and Birkenstocks.

Catching standout looks felt like spotting rare birds. New York’s streetwear leaned casual, with duller tones and simple silhouettes, but every now and then, something truly unique emerged. The outfits I captured go beyond trends. They reflect personal style, individuality, and intention. Every detail told a story.

[beyasewarton]

[beyasewarton]

I visited the MET GALA as the "Superfine: Tailoring Black Style" exhibit will only last until October 26th, 2025. The emotions you feel when walking into the moody, dark room, in contrast to the overall hallways and rooms in the museum. It showcased top designer garments from the 1830s to the present with Pharrell Williams' bag.

Check it out now before the exhibit ends!

[beyasewarton]

Ethereal and Erotic Art through Photography —

A Japanese photographer, Hiroshi Nonami (野波浩), is known for his dramatic and breathtaking photographs of women. Nonami’s work is inspirational because of how he goes about getting to the end results. He experimented with “several techniques, including letting mold grow on the film (to create stains and patterns), and stacking his slides to combine images” (Campbell, 2012). It is exciting because results are never the same and unanticipated. He has successfully published visual books of his photography and is available to purchase on his website: “https://hiroshi-nonami.com/en/books-en/”. He remains active in the industry and posts recent work under the “News” section on his website. There are currently no public scandals regarding this artistic photographer, as Nonami is recognized as a respected creative in Japan and overseas galleries. Artists can take on creative choices that may sound orthodox, but it is boring to stay safe. Having fun and experimenting within the arts can be the ticket to one’s success.

Works Cited:

“BOOKS - HIROSHI NONAMI.” HIROSHI NONAMI, 25 Apr. 2024, hiroshi-nonami.com/en/books-en.

Campbell, Wendy. “Hiroshi Nonami: Photography – Daily Art Fixx.” Daily Art Fixx, 16 Feb. 2012, dailyartfixx.com/2012/02/16/hiroshi-nonami-photography.

“GALLERY - HIROSHI NONAMI.” HIROSHI NONAMI, 28 Apr. 2024, hiroshi-nonami.com/en/gallery-en.

Phantasmic. “Hiroshi Nonami ‘Abyss’ SIGNED.” PHANTASMIC, phantasmic.com/products/hiroshi-nonami-abyss?srsltid=AfmBOorSE7-Pp-c6goIwsgeQgw8BLksPcAouZf911rhUxm44SWbamh4B.

[beyasewarton]

Creatives from Taiwan (1/3) —

In the music industry, fashion has played a huge role in an artist’s career. From visual aspects of music videos, live performances, fan interactions, and interviews, what a celebrity chooses or is styled to wear greatly affects their reputation. Jolin Tsai, also known as the Queen of Chinese Pop music, is a Taiwanese singer with various professions in the industry and more. I grew up as a third-culture child, but kept the cultures of Taiwan close to my heart. Jolin Tsai appeared in my life from an early age, and I have seen her thrive year by year through her music. If I were to explain who Jolin is in Western cultures, she would be the daughter of Lady Gaga and Katy Perry of Taiwan. In her stage costumes, music video attire, and her modeling career, she has showcased a wide range of avant-garde clothing that catches the eyes of her fans and haters. In 2022, Jolin lost supporters due to political tension between China and Taiwan. The media news outlet portrayed her to be a villain for not incorporating posts or comments about “[t]here is only one China” (Ke, 2022). There were allegations of Jolin’s relationships stirring up the public occasionally. As someone who faces no privacy due to fame, criticism from the public is bound to happen in one’s career. As a public figure, Jolin Tsai used her voice and status to support causes such as disaster relief, championing LGBTQ+ rights and gender equality, self-love and understanding, and women's empowerment.

Works Cited:

Herman, Tamar. “C-Pop Star Jolin Tsai on LGBTQ+ Representation in Her Music: ‘I Am Just Following My Heart’” Billboard, 29 June 2017, www.billboard.com/culture/pride/jolin-tsai-on-lgbtq-representation-in-her-music-7849254.

Ke, Bryan. “Jolin Tsai Loses 270K Followers After Not Sharing ‘There Is Only One China’ Post Following Pelosi’s Taiwan Visit.” Yahoo News, 9 Aug. 2022, www.yahoo.com/news/jolin-tsai-loses-270k-followers-172100367.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAM-BU8NA1V281W4nbaK0iis_9_EX99x7x6qyY88zaaXrTvduhB1UIM529UHJdPsBmb8DeKnJ9W0JAs4BE_LbfSBAAjN2gwPPLlAbr-m18mkpwDAEW0UeYG6REF1-0w9Qgii6_cSNXOj8M5xU5mS3OE69ctnq2w_-nilCkSEeErLf.

JOLIN CAI 蔡依林 (@Jolin_Cai) • Instagram Photos and Videos. www.instagram.com/jolin_cai/?hl=en.

Song, Forrest. “How a Taiwanese Singer’s Concerts Became a ‘Queer Party’ in China.” The China Project, 8 Sept. 2023, thechinaproject.com/2023/09/06/how-a-taiwanese-singers-concerts-became-a-queer-party-in-chinese-mainland.

[beyasewarton]

Creatives from Taiwan (2/3) —

#DAMUR is a Berlin-Kreuzberg-based label founded by Damur Huang, a Taiwanese native who worked for notable fashion houses, such as Alexander McQueen and Tim Van Steenberg. He is currently showcasing his SS26 designs in the Berlin Fashion Week. Damur’s designs are hyper-experimental and challenge gender norms. His avant-garde pieces essentially celebrate the freedom to surround individuals with unrestricted rules and to simply enjoy life. The contributions from #DAMUR and the designer himself offer enriching confidence and an exhilarating experience for those who attend his fashion shows, wear his designs, and attend his pop-up events. As the creative force of #DAMUR, there are no current or past scandals related to Damur Huang. Aspiring designers in the industry can take on Damur’s views of freedom and self-expression through each creation.   

Works Cited:

DAMUR - Confidence in All Moods! ❤️‍🔥 Loud or Quiet, Playful or... | Facebook. www.facebook.com/damurfashion/posts/pfbid026s3L94oKHsRdR2xzRtCmt6amhMPgQFozbkPq5j2adN2AmHx8SwxfaB1nZ8iuahjEl.

Damur Huang (@Huangdamur) • Instagram Photos and Videos. www.instagram.com/huangdamur/?hl=en.

#DAMUR | Berlin Fashion Week. fashionweek.berlin/en/brands/marke-detail/damur-1.html.

#DAMUR (@Damur.Fashion) • Instagram Photos and Videos. www.instagram.com/p/DNRFzk_M-_J/?hl=en&img_index=1.

[beyasewarton]

Creatives from Taiwan (3/3) —

Justin Yu-Ying Chou, a Taiwanese fashion designer, is renowned as Tatler Asia's Most Influential in 2022 and the man behind the official uniforms of Chinese Taipei for the 2024 Olympics. Chou’s brand, JUST IN XX 周裕穎, displays avant-garde streetwear with cutting-edge designs. As a prominent figure to represent my home country, Taiwan, Chou has simultaneously shed the spotlight on the aboriginal tribes as well. Chou’s works contributed to the fashion media to give exposure to Taiwan’s identity during the 2024 Olympics, alongside other countries and their chosen designers. Regarding any bad press in the industry, Justin Chou is continuing to live close to the vest; he has yet to be in major interviews as of 2024. Although he is collaborating with individuals and Casetify with new project launches, he is shown to be present in the fashion industry. As a fashion designer, one does not have to be a part of an ethnic group and can most definitely show appreciation towards the community and display the beauty of cultures.

Works Cited:

Asia, Tatler. “Justin Chou | Tatler Asia.” Tatler Asia, www.tatlerasia.com/people/justin-choutw.

Asia, Tatler. “周裕穎 Justin Chou | Tatler Asia.” Tatler Asia, www.tatlerasia.com/people/%E5%91%A8%E8%A3%95%E7%A9%8E-justin-chou.

Casetify. “JUST IN XX – CASETiFY.” CASETiFY, www.casetify.com/co-lab/just-in-xx?

JUST IN XX (@Justinxx_Official) • Instagram Photos and Videos. www.instagram.com/justinxx_official/?hl=en.

Pernet, Diane. “Woven Dreams: The Artistic Vision Behind Chinese Taipei Team at the Paris 2024 Olympics - Uniforms Designed by Justin Chou of JUST IN XX.” A Shaded View on Fashion, 6 Aug. 2024, ashadedviewonfashion.com/2024/08/06/woven-dreams-the-artistic-vision-behind-taiwans-paris-2024-olympic-uniforms-designed-by-justin-chou-of-just-in-xx.

(20+) Facebook. www.facebook.com/justinxx.official.