Beyond Screen

Beauty in Cinema and Photography

[365filmsbyauroranocte]

Late Spring (a.k.a. Banshun) (Yasujiro Ozu, 1949): empty spaces

[365filmsbyauroranocte]

[beyondscreen]

Higanbana (a.k.a. Equinox Flower) (Yasujiro Ozu, 1958)

[sesiondemadrugada]

Blackhat (Michael Mann, 2015).

[cinemawithoutpeople]

Cinema without people: The Virgin Suicides [second pass] (1999, Sofia Coppola, dir.)

❥ requested by bajablastthirstblog ❥

[365filmsbyauroranocte]

Blue & Red in Karel Zeman‘s Baron Prášil (a.k.a.The Fabulous Baron Munchausen) (1961)

[audreyhepbuns]

Thief (1981; Michael Mann)

[yourdoppelganger]

[beyondscreen]

The Red Balloon (1956), directed by Albert Lamorisse.

[scullysass]

“It was in the reign of George III that the aforesaid personages lived and quarreled; good or bad, handsome or ugly, rich or poor they are all equal now.” - Barry Lyndon (1975)

director: Stanley Kubrick

[sineme-tagrafe]

The Innocents (1961)

Director: Jack Clayton

Director of Photography: Freddie Francis

Aspect Ratio: 2.35:1

[beyondscreen]

Photography and photogravure by Baron Adolf de Meyer.

[amanecernocturno]

The Thin Red Line (Terrence Malick, 1998): empty spaces

[beyondscreen]

Autochrome photography by Heinrich Kühn, between 1905 and 1915.

[chairtax]

Miami Vice theatrical cut (d. Michael Mann)

[forthehungryboy]

Chungking Express (1994) dir. Wong Kar-wai

[sineme-tagrafe]

Birth (2004)

Director: Jonathan Glazer

Director of Photography: Harris Savides

Aspect Ratio: 1.85:1

[julydogs]

Interior space: Tokyo Monogatari / Tokyo Story (1953) Yasujiro Ozu  Production Design and Art Direction : Tatsuo Hamada, 

[gelsominas-blog]

Higanbana (1958)