BIG AND STRONG

John Blonde, New York

[bigandstrong]

A.M. Boys — Traveler, 2022

[desimonewayland]

Kenneth Noland

Sarah’s Reach, 1964

Acrylic on canvas

Smithsonian American Art Museum

“Like the unmodulated and markedly unagitated bands of pigment that characterize the modernist paintings of Morris Louis and Kenneth Noland, Eggleston’s pictures are at once sensuous and impassive, imparting an unabashed beauty alongside what could be called a consciously refined blandness.” —Robert Slifkin, The Outlands: Selected Works, 2022

David Zwirner

[ce-sac-contient]

William Eggleston - Série Los Alamos, c. 1974

Tirage jet d’encre (56 × 73,5 cm)

Eggleston Artistic Trust, Memphis

[formlab]

Robert Swain, Untitled,6x7-5A RO#3, 1992-99

http://robertswainnyc.com/newBob/1990-2000.html

[maxcapacity]

X2320

[bigandstrong]

Luke Smalley - Ramp, 2007

[wanderingskibum]

[bigandstrong]

Algis Budrys - The Iron Thorn, 1969 Cover design by Terry James

[bigandstrong]

Columbia Records - New Directions in Music 1, 1958

[bigandstrong]

Edward McKnight Kauffer - Poster for American Airlines, 1948

In the collection of the National Design Museum

[bigandstrong]

Franco Grignani, Bellezza d’Italia, 1953

[kidmograph]

DI∆MOND ST∆R

[formlab]

Braun TG 60

(via Dieter-Rams-Braun-TG-60-02.jpg (1500×1500))

[scavengedluxury]

Derby, January 2015.

[bigandstrong]

Wolfgang Tillmans - The Cock (Kiss), 2002

[bigandstrong]

Happy Pride!

[markvomit]