Fire everywhere

tannertan36

shark vs the universe

blake kathryn
Noah Kahan
he wasn't even looking at me and he found me

Discoholic 🪩
Cosmic Funnies
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ
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if i look back, i am lost

#extradirty
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Origami Around
ojovivo
Lint Roller? I Barely Know Her
d e v o n
taylor price
One Nice Bug Per Day
art blog(derogatory)

seen from Germany
seen from Bangladesh

seen from United States
seen from Brazil
seen from Colombia
seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United States

seen from United States
seen from United States

seen from United States

seen from France
@bijanberahimi
Fire everywhere
Too many outlines
Just the outlines
Process error
Process
Dogs
Kobe
FISK x Sofie Ramos at Bad People, 2017
PSU Lecture Flyer, low-res version, 2015
Center For Design class syllabus, PNCA, 2016.
A Good Interview, 2016.
Tonight, a Bernie Pop Up Exhibit at The Cleaners at the Ace Hotel. Here is my contribution, all sales go to the Bernie Sanders campaign.
3 of 13 collages from my solo show titled ‘Capitals’
19x25″, assorted risograph prints
Designers Talking at COMB Gallery in Milwaukee, May 2015
Show info:
On their own, Bijan Berahimi’s fluorescent printed one-sheets read as cheerful ruminations on identity, creativity, and commerce. They’re the kind of thoughts that populate a designer’s head on the daily: who I am I really making this for; am I having fun; is it ethical. The posters’ neon smiley faces and teardrop soccer balls might fool you into thinking these are easy questions to answer.
But Berahimi’s collages tell a different story—an anxious frenzy of illegible half-thoughts, broken hashtags, and dismembered palm trees.
Pierre Bourdieu’s species of capital (economic, symbolic, cultural, and social) play an important role in decoding the work on view and help pinpoint something universal to insatiable makers in the age of social media: the sometimes conflicting desires to create work that is true and meaningful and celebrated and profitable. Right? Wrong? IDK.
Curated by Nate Pyper.
Currently taking pics of new works in the studio, lots to shoot. Here is a little tease.
Simpson McBean Logotype Study 002
Process screen shot for Tongue Tied, a new publication by Armando Mtz-Celis and Brooke Irish.
Los Angeles Collage
Transfer, 8.5x11
Atelier Ace Zine