He still intended to eat him, but for the moment the bear decided he would comfort the lost boy in the forest.
Claire Keane
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@bishopsbox
He still intended to eat him, but for the moment the bear decided he would comfort the lost boy in the forest.
Unbelievable!
Braunschweig, Germany 1910/20
Saint Augustine and the devil (1471-75) - Michael Pacher (1435–1498)
'El oro de la azul' (1968) del pintor, escultor y ceramista catalán/español Joan Mirò (1893-1983) Audaz, colorido y extravagante, como el mismo artista.
"Woman with a Parasol – Madame Monet and Her Son" (1875)
by Claude Monet (1840-1926)
Oil on canvas
Robin Isely
'Deliverance', surreal digital collage by Robin Isely (American artist).
Egon Schiele. ' Kauerndes Menschenpaar (Die Familie) ', ca. 1918.
source: bishopsbox
Charles Hermans, Masked ball (1880).
Francisco de Goya. ' Señora Sabasa Garcia ', ca. 1806-1811.
Görlitz, Gemany 1900/20
A young beauty - Léon-Jean-Basile Perrault (1832-1908)
Paul Verlaine au café François Ier à Paris, 1892 - Photo de Paul Marsan, dit Dornac.
Local music.
MWW Artwork of the Day (7/7/26) Vincent van Gogh (Dutch, 1853-1890) The Siesta (after Millet)(Dec. 1889-Jan. 1890) Oil on canvas, 73 x 91 cm. Musée d'Orsay, Paris
Van Gogh often copied the works of Millet, whom he considered to be "a more modern painter than Manet". Remaining faithful to the original composition, even down to the still life details in the foreground, Van Gogh nevertheless imposes his own style upon this restful scene which, for Millet, symbolized rural France of the 1860's. This highly personal re-transcription is achieved primarily by means of a chromatic construction based on contrasting complementary colors: blue-violet, yellow-orange. Despite the peaceful nature of the subject, the picture radiates Van Gogh's unique artistic intensity.
Jean-Marie Mengue (French, 1855-1939) La Source Musée des Beaux-Arts de Bordeaux