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Working with different business cultures all over the globe, my biggest surprise is that while the USA is bad, it's not actually the very absolute worst I've ever worked with.

cipheramnesia

I can imagine all the guesses, but if you haven't talked with a crap ton of people from dozens of countries, it's not obvious.

cipheramnesia

The key is business culture is like its own weird separate culture with rules and structures, but most places have a fairly comprehensible set of expectations. So most of the time, it's just remembering perceived differences in expectations. Some places it's polite to be what feels really overly friendly to me. Some places it's polite to be what feels obsequious and formal to me. It's like, whatever. A secondary form of language kinda. It's not even social cues, it's just mechanics of language really. Places with that stuff, those are all fine and wonderful to deal with because there's a framework to communicate and all that.

Part of why the USA shits the bed trying to talk with is because every business person here has like zero framework, it's all lies and bullshit, and everyone wants to be the smartest bestest boy. It's not business culture as much as daycare for toddlers who have millions of dollars and hate human rights. Not the worst though, not by far.

cipheramnesia

What's key to understand is this is all separate from things like the real people in different places. Business brain people don't have any relevance to real human behavior, it's this whole other structure of make believe which controls everyone's well being. It's important to know because I know how to email a business guy in South Korea using language that will feel appropriate enough after translation, but that's completely irrelevant to the real people living there. It's easy to talk to business guys in China or India or whatever. Germany, Nigeria, Mexico.

UK business guys are pretty bad too. Still not the worst but you have to put a lot of extra work in because business culture in the UK still thinks the Brittish empire exists. The majority of business dudes in the UK see no difference between selling something that has their company name on it, and making it themselves. It's like how all the stuff that says "made in the USA" is 99% made somewhere else, and then one staple is put into it and it's made in the USA, but if you talk to business guys here, they never confuse where things are made, just like... more basic realities like linear time and physics. UK guys go the opposite way, and always say they own everything. But that's all relatively navigable. It's like, okay, you all live in an imaginary world, but I can still get everyone to understand time and logistics and stuff enough to get everyone understanding the same information. I can translate imagination land to reality and back, they get it.

cipheramnesia

Apparently tumble ate my explanation, but the worst business guys are Australians.

cipheramnesia

I cannot stress how much effort I put into explaining things in ways that work for people who aren't native English speakers, because I understand how weird translation can get, and I am not good at other languages. I have so many special little quirks and tricks to make what I say become something moderately clear and apropriate in translation. I can rotate through a dozen approaches to a topic to make it click for someone unfamiliar with what I'm explaining. I know it works because it's been time tested.

Australian executives simply take any information they receive, and do not. Did you say something is going to take a month - after signing a contract and collect a fee? The Australian business executive simply accepts that you have said you have begun work and it will be finished in 48 hours. If I told an Australian executive that the earth revolves around the sun, I would expect him to let me know that I had told him a hamster named Ben carries a really bright lamp around space to make the seasons. I have to painstakingly document every single detail of any interaction with Australian business persons, because they simply imagine things that have happened and information they have been told, and ignore whatever has transpired in actuality.

I have actually warned all my friends off buying anything from Australia - not because I think there's anything specifically wrong with the general quality of Australian goods, but because after every conversation with Australian executives going exactly the same (I say one thing, they declare I have said something completely different), I am hard pressed to believe anyone at a corporate level in Australian businesses actually understands laws, regulations, logistics, safety, or just... words. Every interaction I have with an Australian business guy inevitably stuns me into a loss for words through some completely unanticipated recap of an interaction we had or email I sent which is fully disconnected from the text or actual event. I cannot understand how the people of Australia, not particularly better or worse than people anywhere else, become the worst humans I have had the misfortune to encounter the second they enter the world of business. I wouldn't trust a single Australian executive to pour water out of a boot with instructions printed on the heel.

robdogdraws

Amazing: This dancer is considered an 'Essential Worker'

kianamaiart

"Pretty Pretty Please I Don't Want to be a Magical Girl" 🌟MASTERPOST🌟

"Pretty Pretty Please I Don't Want to be a Magical Girl" is a series that follows Aika, a reluctant magical girl, her new friend, Zira and magical mascot, Hoshi. These days, all Aika wants is to be a normal girl but with her "nemesis" Eclipse and the all powerful Lady DeVoid causing trouble, that dream seems to be unlikely.

More under the cut!

kuropin

Human fuunybunny hell ye hell ye

card-of-the-day

Today's Card Is: Nasty Little Rabbit

sunwhispers

epic transgender bunny that nothing bad happened to

silima

it's always funny to me when ppl act like it's somehow incestuous for characters who consider each other found family/chosen family/whatever u wanna call the trope to date each other, and it's funny for many reasons, but most specifically it's funny because irl when you meet a person and get really attached and decide that you want to be family with them, there's a very popular legally recognized way of doing that & it's called marriage

derinthescarletpescatarian

Marriage promotes incest because then you end up having sex with a family member

paper-mario-wiki

transitioning is like putting on the They Live glasses and seeing that 90% of people looking at you are either jerking off or furiously sharpening a knife. or both. and i do not mean that in a sexy or fun way, and i dont like clarifying that, but i know there's a 90% chance you are thinking it, because i wrote it while being a trans woman.

paper-mario-wiki

to clarify:

when considering the sexual violence against trans women, it's important to remember that "people only view us sexually" does not mean the same thing as "people only find us attractive". it means "people can only conceptualize of our existence within a sexual light" because that's how the majority of our coverage in media has been tinged in the past century. as a result of the chaste and patriarchal nature of modern capitalism, gender and sexuality are inseparable in much public discourse by virtue of propaganda, and as a result, a trans woman is seen as sexual because efforts towards projecting specifically femininity is only categorized as sexual. and when paired with the uncharitable perception of "man", that propaganda can often evolve how people view us directly into "sexual threat" anywhere, for any reason. i could be in the freezer aisle of costco looking down at the ground while i push my cart and i'd still get dirty looks for wearing a dress (this has happened).

when i say "they're either jerking off or sharpening a knife", i mean we're either viewed sexually, or as sexually threatening, in almost all scenarios.

[NOTE: AS WITH ALL MATTERS OF TRANSMISOGYNY, THIS ISSUE IS 100 TIMES WORSE FOR BLACK GIRLS]

That thing

fix dollars

„The sunset… will it ever be this beautiful again?

I really like whole fight with Pink, her design and everything

But that moment when, after defeathing her, we return to the shop and see her with Orange, watching sunset and enjoying every moment they still have left to spend together… that’s really moved me to the core

I also wanted to draw what Pink might look like in the shop, without all the stage accessories

Just chillig

derrickwildsun-deactivated20250

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

sci-fantasy

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

ivy-michaels

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

thepineapplepanda

He says they were good friends. But he's not exactly a reliable narrator.

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jetix

2026-03-27

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