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Arantza Sestayo selected by Alternative Art
it's the only way to get through the
i'm gonna start dressing like this from now on. too bad winter is already over in texas, which means i can't comfortably do this for the next ten month.
My name is Scott Listfield. I paint astronauts and, sometimes, dinosaurs.
first off, happy goddamn 2014 ya'll! now, i don't know about anyone else, but for me and my money, 2013 was easily the worst year of the 22 i've experienced in their entirety, and yeah, that does include 2001. sure, 9/11 changed everything, but in 2013 i had my heart broken, lost my shit job, was let down repeatedly when people made promises they couldn't keep, and to top it all off, the last season of dexter was written by some by people who apparently idolize psychopaths. shit was awful in 2013, ya'll, and 2014 is looking better already. i mean, legal pot?! what is this nonsense?! so long, 2013, hello 2014.
anyone ya'll, let's bring in the with some good vibes. this track, by l.a. based beat wizard Groundislava, is the perfect way to usher those good vibes in (yeah, i know it's the ninth, but running on CP time is one of my new years' resolutions, so deal). it's mellow, it's danceable, it's just bass-heavy, it's got a weird harmonica part that's really cool for some unknown reason-- it's got it all. Groundislava has been cool for a while, and Cool Party is just the tip of the iceberg when it comes to his music. both his albums are good, but i prefer Feel Me as opposed to his self titled. try 'em out, ya'll, as usual i'm sure you'll like it.
also, brief apology, my writing has gotten really, really bad as i've been out of practice for like, a year. it's hard to maintain when you're either working a shit job or drinking to forget that you work a shit job. i'm sure within ten-ish posts i'll be back on form, but for now, bear with me.
this is the song i want play in intergalactic hookah lounges and cool parties everywhere.
Groundislava--Cool Party--Feel Me
ya'll, once more i have a laptop. i just want to give a quick shoutout to the universe, which has seen fit in its' infinite wisdom to gift me from wi-fi, a free laptop, and an internet full of kickass young musicians to blog about. has a boy ever been so lucky?
now, this great song is by flyover state indie rappers Why?. they've been around for a while now, with their 2008 album Alopecia being one of my favorite of all time. while i haven't had time to really listen to 2012's Mumps with the amount of attention it deserves, i do know that Jonathan's Hope is one of my favorite from last year. Why? crafts a brilliant tune with softly cooed 'ooohs' and just a few whistled notes, along with Yoni's usual oddball lyrics. if you're in the mood for something mellow and heady, please give this song a try. it's a bangin' track from what is (hopefully) a bangin' album.
this is what i want playing hunting interstellar creatures to extinction in my single man ship (sorry, i recently reread Hyperion)
Why?- Jonathan's Hope- Mumps, Etc
ya'll, four years ago LA based beat musician Nosaj Thing released his debut album Drift, to much critical acclaim. after a long wait, Jason has announced a second full length LP, with this track, 'Eclipse/Blue', coming out as its first single.
i've said it before and i'll say it again; Nosaj Thing is music for atlantians. the sliding synths drifting in and out of focus; the soft, slightly muted vocals; the steady drone of the bass-- these elements combine to make music that sounds like it belongs in king neptunes' courtyard being played for nobles and kings, not peasant born landlubbers like us. however, unless i'm smited by some oceanic deity for blasphemy, i plan on listening to this track, as well as e entirety of the album Home, as often as possible. i suggest ya'll do the same.
as a quick aside, i have to say that posting from my kindle is a real bitch. ic anyone knows of a good tumblr app for the fire,let your boy know.
ya'll, i know you love bonobo. i can see it in your eyes. you loved Animal Magic, you adored Black Sands, and since it's been a couple of years since the multi-talented Simon Green has released anything, i also know you have a gaping trip-hop sized hole in your heart that needs to be filled. well, i hope you can wait a few more months, because on april first, bonobos' fifth studio album, titled The Northern Border, is slated to be released. this track, Cirrus<, is a good sign that the british producer still has it, perhaps even more of it than when he started.
My name is Scott Listfield. I paint astronauts and, sometimes, dinosaurs.
ya'll, this guy gets it
ya'll, after months and months of suffering, i have internet again. i finally feel like a man living in the modern, western world instead of some primitive proto-human fumbling around in an unlit cave somewhere. i've missed a lot of stuff in the music scene-new FlyLo album, andy stott, lapalux ep, nosaj thing, to name a few- and eventually i plan to play catch up, but right now i want to share something i just now stumbled upon; Lorde.
ya'll, this chick has talent. hailing from the beautiful land Mordor (or new Zealand, as the plebes call it), this 17 year old young lady is producing tracks that sound like someone with years of pro experience. this track, Royals, is an excellent showcase of her potential. tight basslines, summery synths, and great vocal melodies all work together to create a blend of hip-hop, pop, and electronic goodness. her vocal harmonies and lyrics are simply stellar, carrying this track from good to great. simply put, this is some goddamn good music.
she doesn't have any Ep's or albums yet, be sure to keep on the lookout from this promising young artist. i wouldn't be surprised to see her on ghostly international or brainfeeder in a couple of years, and i'm almost certain she'll start generating some buzz on the blog-o-sphere once pitchfork gets wind of her. be sure to check out her soundcloud, LordeMusic, for free downloads and other equally enthralling tracks.
Lorde- Royals
so ya'll, my 'rents switched internet services, and since then my internet access has been limited and spotty at best. i want to take this time to give a big shoutout to AT&T broadcast for making my life miserable, i'm glad they really stepped up to the plate in being as awful as possible.
ok, now that that's out of the way: this beautiful song, by experimental electronic/ambient/drone artist Oneohtrix Point Never, has been stuck in my head for about two months now. whereas his previous albums were more stuck in softly droning synths, Oneohtrix steps away from that in his latest album Replica to create a softer album based in soft sampling, vintage piano sounds, and gentle melodies. it's still very much expirimental, though, as Sleep Dealer proves; soft chirpings, broken vocals, and a head nodding rhythm come together to create a truly great song.
i'm sorry, i'm a little rusty thanks to AT&T, ya'll. i need time to get my writing chops back, but i promise i will.
this is the song i want playing as i prepare to go out into the black coldness of space for the first time, ready to see my ship from the outside in all its' glory.
Oneohtrix Point Never- Sleep Dealer- Replica
Has anybody ever sent you messages in the ask box making references to the TV show Archer?
no, but i wish people would send me messages like that, because that would make my whole day just a little bit better.
Are you personally friends with Brainfeeder? : ) or do you just really like their music?
i am actually a mod for fuckyeahbrainfeeder, but since my net has been down i haven't posted in forever.
this surreal song by california based beatmaker Nosaj Thang has been one of my favorite tracks for a long time now, ya'll. 1685/Bach combines elements of classical with the newew, l.a. based take on hip-hop and electronic in a way that stays original while avoiding the trap lots of new hip-hop has taken-- that is, repeating the original motif verbatim while adding a 4/4 kick and cheap synth pads underneath and calling it a remake. it's a a fluid, groovy song, and has always reminded me of atlantis in some strange way, as has the rest of the album, Drift. now, i'm not sure i'm qualified to say what atlantians might or might not have listened to, but i'd like to imagine 1685/Bach would be embraced with open arms, if not the entirety of Drift. give this a go if you're looking for hip-hop goodness without all the hassles of rappers or beef or high-pitched, sped up female rnb vocals.
like i said before, this song has always reminded me of atlantis, so i guess i'm breaking my thing here ya'll, but that's ok. you don't even read this part anyway.
Nosaj Thang-- 1685/Bach-- Drift
first off, sorry if the vid makes you watch some terrible ad for sundance or whatever, ya'll. obviously not my call, and i hate it as much as anyone.
this catchy synth-pop collaboration between house artist Morgan Page and canadian indie rock sisters Tegan and Sara stumbled onto my dashboard the other day, and instantly reminded me of how much i love, well, synth-pop. it's probably the most fun song i've heard since Ladytron's Seventeen, boasting simple lyrics, soft pads, house music sensibilities, and a beat that just makes you wanna dance, no matter how terrible you look. i wish i could say more for this song, but really, it just speaks for itself. well, that and i don't know much about any of the three artists involved. Body Work, on Morgan Page's album In the Air, is a pop song with heart, and i feel that even the most pretentious metal-heads and idm-drones can get behind some good vibes every now and again.
this is the kind of music i want playing in nightclubs in the future on colonized desert planets, a la Arrakis.
Morgan Page feat. Tegan and Sara--Body Work-- In the Air
after writing all that stuff for the Andy Stott song, i am a little creatively drained, so you get the brief version this time.
-Monowolfe, a self produced laptop musician
-this song, Flooding, from his album One (which is available here on his bandcamp for free)
-upbeat idm, like a Richards D. James-lite; less neurotic and more melodic, and without all the focus on distorted faces and voices
- fantastic work on the drum programming, and i love his use of light glitch effects to really give this song character
- great song from a solid debut from a guy who shows a lot of promise
- the type of music i want playing during off planet excursions right before take off, when everyone is optimistic and full of life
before i get to the song, i have a few things to get off my mind first, ya'll. first off, the 10mbs limit on audio files is probably my most hated thing about tumblr. i know i can find the videos on youtube (or download in a lower quality), but come on. 10mbs? that's ridiculous, i don't know why the creators of tumblr specifically hate me.
now, second, and a little more importantly, i'd like to introduce you guys a tag i use for music in my library frequently when trying to describe it to friends, and having no real references points. the term is space bass, and i feel like it could become a whole thing. let me explain; often, i find myself drawn to music that is bass heavy, not in the top 40 hip-hop sense filled with sporadic thuds, but in a deep house/minimal techno way, where the bass can range from a distinctive, playful bassline to a rolling, muddled growl. the music that i listen to, though from many diverse genres, also seem to remind listeners of space, the future, or robots. thus the term space bass; music based on bass lines, unsure beats, and a glimpse into the future.
'but blackastronaut', you're saying, 'this is just deep house! we don't need a new name.' well, i agree and disagree, sometimes it is just deep house, like in the case of John Roberts or Scuba. othertimes though, the lines are less clear. what genre would you put Surgeon's beautiful song Remover of Darkness? or Shackleton's Masssacre? for my friends, space bass is short hand for deep, moody electronic music that's hard to categorize, and i think it's pretty good shorthand who might not know the difference between 2-step and american dubstep, or microhouse vs chicago house, or know what idm stands for. i also think it's relatively self explanatory, and describes the music in a way good enough to get the idea, like the way chillwave becomes immediate once you've heard Toro y Moi or stoner metal after Sleep's Holy Mountain, or shit, even idm after hearing Aphex Twin (to an extent). like chillwave and idm, it is also a name being made up by some blogger with too much time, so i don't see a reason it can't stick. so, with that said...
this song, New Ground, from Andy Stott's beautiful release Passed Me By, has been playing on my computer nonstop. it's space bass/ (don't worry, you'll get used to it after a while), deep house perfection, and manages to stand out from an absolutely breathtaking album. don't bother playing this on your terrible laptop speakers, though; this song's pulsing, droning bass and simple yet effective beat are made for subs and sound systems, not skullcandies or your macbook. i'm a fan of doing a lot with a little, and Andy Stott delivers on all counts, using a sparse sample to break up the waves of sound his bassline conjures. the result is a hypnotic, relaxing song, one highly recommened for fans of ambient or drone-esque stuff like Surgeon, Boards of Canada, Shackleton, Oneohtrix Point Never, etc etc. it is my favorite from his 2011 release Passed Me By, but not by much. if you like this, i really suggest you grab this album as well as his album We Stay Together. i doubt ya'll will regret it. plus, Passed Me By has one of my favorite album covers i've seen in a long while, if only for it's simplicity.
this is the kind of music i want playing as i struggle to make repairs on my dying ship in space, running out of fuel, air, and alone, but moving forward nonetheless.
Andy Stott--New Grounds--Passed Me By