Toreutique (du grec toreutikê, qui signifie “art de graver”) : art de ciseler, de graver, de sculpter sur métaux ou sur ivoire.
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Toreutique (du grec toreutikê, qui signifie “art de graver”) : art de ciseler, de graver, de sculpter sur métaux ou sur ivoire.
“The New Couture” Harper’s Bazaar UK, June 2017
Album Cover for the Polish rapper Quebonafide from QueQuality records. Front and inside graphic.
Mythology Around the World: Common Themes:
Spring
Mother of Polish artist Marcin Nagraba in his interpretation of ‘The Moon’ Tarot card. Costume designed by Agnieszka Osipa.
Costume design appreciation gifset (01/??) :
Dune (1984) David Fincher
Costume designer : Bob Ringwood
Artist Mimics Japanese ‘Kintsugi’ Technique to Repair Broken Vases with Embroidery
I found this art piece to be so beautiful. This is the Artignale in Venice. “The Key in Hand” by Japanese artist chiharu shiota comprises more than 50,000 keys hanging from a cloud of tightly interwoven string.
The installation seeks to explore the notion of memory, using tens of thousands of keys collected from people across the globe in its realization. ‘Keys are familiar and very valuable things that protect important people and spaces in our lives. they also inspire us to open the door to unknown worlds’ Shiota explains. (Source)
TheONEandTheMany, 2015. out of circulation series, 2007-2015 vector for print</p
GOLEM X MBA
Continuation of project by BK gives life to classical sculptures using projection mapping.
GOLEM is a concept that uses sculpture and video to create an uncanny feeling. The Fine-Arts Museum of Lyon, invited Arnaud Pottier to bring three of their sculptures to life.
More Here
WATCH: Odyssey: Otherworldly Macro Footage of Ink, Oil and Soap Shot by Ruslan Khasanov (video)
This 3D printed top inspired by water science recently won an international 3D printed fashion competition organised by Nanyang Technological University, Singapore. It was designed by architects, Kae Woei Lim and Elena Lowd of the XYZ Workshop.
The designers on their project:
While researching on water technologies and sustainability, we were compelled by an image of the electrolysis of water to create hydrogen. The idea that pure clean energy can be a harnessed from water has great potential in the field of sustainable energy. Focusing on the water molecules’ transient change of state, we express this in the design with a series of solid and “open” spheres.
The network of “open” spheres created a lace-like fabric, which created a contrast between the solid and transparent pieces. At a micro level, stillness is embodied by the ripple-like patterns, which has a texture that alludes to a traditional textile weave.
The silhouette of the design echoes a traditional Chinese cheongsam, creating an intriguing dialogue between tradition and technology.
Nils-Udo (born 1937) is a Bavarian artist who has been creating environmental art since the 1960s when he moved away from painting and the studio and began to work with and in nature. Even if I work parallel to nature and only intervene with the greatest possible care, a basic internal contradiction remains.