I'm not really active on here but go follow me on letterboxd ❤ especially if you're a fellow Peter fanatic
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d e v o n
TVSTRANGERTHINGS

Product Placement
"I'm Dorothy Gale from Kansas"

roma★

@theartofmadeline
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JBB: An Artblog!
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祝日 / Permanent Vacation
Cosimo Galluzzi
Today's Document
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DEAR READER
Peter Solarz
$LAYYYTER

★
Lint Roller? I Barely Know Her
macklin celebrini has autism

seen from United Kingdom
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seen from Tunisia
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seen from Saudi Arabia
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@blondessgonewild
I'm not really active on here but go follow me on letterboxd ❤ especially if you're a fellow Peter fanatic
Mary Pickford in Sparrows (William Beaudine, 1926)
Mary Pickford knitting between takes during the filming of William Beaudine’s SPARROWS (1926).
the only girl i've ever loved is udo in drag
much more scandalous move ...!
sum more gay portraits (kjars + jeff = ❤️)
This is still a movie side blog, I've just been getting distracted by a 30 year old dead fandom coming to life
Mary Pickford and director William Beaudine pose on the set of Little Annie Rooney (1925)
“Richard Corliss is correct when he writes that although “Pickford never took director’s credit on her films she was surely their de facto auteur and probably the first major non-directorial power on the creative side.” Film producers, according to the history books, were not “creative” until the era of Irving Thalberg and David O. Selznick in the 1930s and 1940s, but like Corliss, I would argue that a handful were creative during the silent era — in particular, Pickford. By the early 1920s, she and husband Douglas Fairbanks were exerting more influence on American film production than anyone else.” — Kevin Brownlow, Mary Pickford: Queen of the Movies.
average dobi subplot
hello desert peach nation
trying to figure out how to draw the old man. just need to draw him 1 willian more times n then i think we'll get there
Now I’m obsessed with these guys ughhhhhh