Mindhunter S01E01 (David Fincher, 2017).
Three Goblin Art
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@bloodtokens
Mindhunter S01E01 (David Fincher, 2017).
@bittermurmurings-a asked . . . < always accepting random asks >
Dwight Fairfield was scared shitless, as usual, but he wasn't about to let it stop him from leading his team to victory, especially not when the exit gates were powered! He made a dash to the form of the saboteur, pitifully groaning on the manicured lawn of Lampkin Lane, knocked nearly unconscious by Leatherface's hammer and barely clinging on to life. But Dwight wasn't about to let him die on his watch, not if he could help it. "Jake! Come on, show me what you can do! Get up!" bittermurmurings
None of the killers were particularly enjoyable to go against, but some were worse than others. The Nightmare was his own brand of awful, as was the Clown and the Doctor, but the Cannibal was one of Jake’s least favorite killers. Everything about Leatherface unsettled him to the core. The dried faces stretched across his own, the sounds he made after smacking someone in the head with his mallet before running them through with the chainsaw . . . everything about Leatherface made his skin crawl. He doesn’t let that nervousness show while in a trial, and he never would, but sometimes it gets to be too much.
Right away he had the misfortune of somehow starting right beside the killer. Jake had slowly looked over his shoulder to see a yellow apron and a somewhat perplexed Leatherface staring right at him. The confusion didn’t last long for either of them. Jake took off in a sprint –– nothing compared to Meg’s speed, but a fast dash for the nearest area he could lose the killer in and Leatherface was quick to follow. He managed to run him around for a few minutes, precious time given to his team before the cannibal got tired of trying to saw him down and resorted to hitting him with the mallet. The impact dislodged his shoulder and sent him careening forward. It didn’t take long for another swing to finish the job and up on a hook he went.
There had been two generators done in that time, and when Dwight unhooked him he gave their de-facto leader a grateful nod. Before he could patch Jake up, Leatherface rounded the corner, with his chainsaw already trilling a high pitched grinding sound and so they bolted in opposite directions. Staying grouped up was a sure way to get die when facing the cannibal.
Thankfully he happened across Claudette who patched him up and they got to work on the generator together. One popped off just before theirs, but they were the unlucky duo that happened to have a visitor. Leatherface swung at Claudette and she took the hit with a shout. Jake launched himself forward, blocking the cannibal’s path from following his wounded friend. He blinks down at him through the face he was wearing and Jake tried not to get sick. It looked familiar. The stare down lasted seconds before he raised the chainsaw, and Jake took off into a nearby house. He heard the final generator go off followed by the sound of an exit gate nearby being opened, the warning bells loud enough to be heard through the beat of his heart.
Before he could reach a window to vault over it, the mallet clipped his hip and he tumbled forward and into the grass below. It took a moment for him to recover and by the time he got to the front of the house, Leatherface was there, waiting to strike him. This time he hits him across the side of the head and Jake goes down –– hard.
As soon as he does, the ground gives a shake, patches of glowing embers beginning to crack through the surface. A gate was opened, and Leatherface turns towards the nearest one. Maybe he saw something Jake didn’t because he leaves the downed survivor. One hand strays to his head, trying to stop the bleeding while the other drags himself forward towards where he thought the gate was, but he was all turned around. Disoriented and at a huge disadvantage. He hears someone cry out, but the cry is short-lived. Claudette maybe at the gate? She must have gotten out since there wasn’t a follow-up scream.
“Jake! Come on, show me what you can do! Get up!”
Dwight?
Jake blinks a few times, clearing some of the blood out of his vision that’s been steadily running down his forehead. He tilts his head and sure enough there’s Dwight, kneeling down beside him and helping him up. Jake stumbles over his own feet, struggling to maintain his balance, but Dwight is there to help him as they limp their way towards the opposite exit gate. He follows Dwight’s lead, letting him guide him out. It used to be a bitter pill for him to swallow –– relying on other people for help, but he’s mostly gotten over that by now. Years in the Entity’s realm introduced a bit of humility into his life. They’re just passing the threshold of where the trial ends and safety begins when Leatherface lets out an angry cry from somewhere behind them.
The injury to his head mends itself and his mental clarity returns full force.
“Thanks Dwight.” He claps a hand on Dwight’s shoulder. One of the most expressive ways of showing gratitude that he can manage. It’s a lot for those who know the solitary saboteur.
Alan Wake (2010)
jake is so fluffy i love him give him a succ for me (also hello! u back)
Jake, softly but with feeling:
Please no
MILES
By the time his phone rings, Miles is thoroughly engrossed in the documents that Waylon had forwarded him. The unhappiness lingers like a shadow at the edge of his vision – a persistent scratching at the back of his skull that will demand attention sooner than later. The distraction will only last so long, and the minute he starts to dwell on things it’ll be like taking a flame to a bottle of lighter fluid. Something Waylon should be awfully familiar with – and maybe that’s why they got on so well in the first place. Miles has always been somewhat combustible. Waiting for a spark to set him off, though not always in a destructive way. Fire can be a good thing, can be something that fuels you and keeps you warm. But too much fodder upsets the balance and the fire rages before it can be contained. And that’s Miles through and through – forever teetering that line between just enough and too much.
Waylon just has an unfortunate penchant for striking matches.
His involvement with the words on the screen is such that Miles doesn’t notice the phone ring right away. By the time he does, by the time he peels his attention away from the files, the phone has already stopped ringing. But the call went through just long enough for the reporter to catch the caller ID that flashed across the screen.
And there’s the aforementioned spark.
The reaction is instantaneous. The laptop is slammed closed with enough force to rattle keys. Miles stands from the bed where he’d been sitting and takes heavy steps back and forth, each motion only serving to exacerbate the anger and frustration bubbling up inside of him. On one trip past the bed, he picks up his phone and throws it towards a farther corner of the room, where it dents the thin plaster wall and clatters to the ground, likely with another crack added to the screen.
With a harsh breath through his nose, Miles comes to a standstill in his pacing. Gritting his teeth, he swipes his jacket from the back of a chair, throws it on, and stalks out the door – making sure to slam it closed behind him and leaving his cellphone where it landed. The buzz of the Swarm lurks somewhere along the length of his spine, and for a brief moment he focuses all his energy on crowding it out. Making it just go away. Oddly compliant for once, it acquiesces, and Miles is left in the closest thing to solitude he’s permitted to experience. There’s a bar just a block away, and he wants to go alone.
It’s your typical small-town dive – the collection of locals interspersed with travelers spending an overnight before they hit the road again in the morning. The kind of place where no one questions an unfamiliar face. Blissful anonymity. Miles deposits himself on a stool at one corner of the bar, at a spot where he can keep to himself while still being able to watch the door. Old habits. The expression on his face must say more than he thinks, because the bartender – a woman who looks old enough to be Miles’ mother – sets a small glass of something strong down in front of him with a pitying look. Miles doesn’t ask questions. He just drinks. And he keeps drinking, there by himself, until someone new enters the bar and sits just a few seats down. For all intents and purposes, the stranger looks nothing like Waylon. He’s too tall, too muscled. But for just a second – just from looking at the way his hair is swept across his forehead and the dumb fucking Converse on his feet – Miles thinks that he could pretend. And they throw glances at one another, coy and unassuming, until Miles moves to sit next to him.
He’s played this game before, more times than he’d care to admit to. The target used to be a little different, though. Have a fight, go out, find someone with dark hair and a little bit of scruff and bright blue eyes. It was always the eyes – the first thing Miles would look for and the first thing that would inevitably feel wrong. Because there are blue eyes and there are blue eyes, and nothing could ever really compare to the eyes that Miles wanted to see. Oh, he’d flirt. He’d find a guy that looked passably enough like the one he’d just broken up with again for the fifteenth time, and he’d act like he was going to take him home just for the rebound, just to pretend – but it was only ever pretend. He could never bring himself to stomach such a bitter one night stand.
When the man at the bar – Miles’ doesn’t even know his name – suggests that they go somewhere else, the reporter pulls his hand back. Says thanks, but shakes his head. Settles his tab in cash and wanders into the night with a slight stumble to his step. Suddenly the thought of sharing a bed with anyone but Waylon makes his stomach twist and he feels stupid for going out in the first place. He doesn’t remember the entire trip back to his motel, doesn’t know if the ringing in his ears is just because he’s too drunk and the world is too loud, or if the Walrider is back. Either way, he makes it to his room and only manages to kick off his shoes and shrug off his jacket before he hits the mattress, blearily sliding his laptop onto the floor just before he passes out.
Once he finally awakens, everything is sharp. The sun streaming through the shitty tissue-thin curtains. Every lump in the cheap mattress. And the piercing shrill of a phone. His phone, still on the floor. It takes almost a full minute for Miles to register the ringing, to mutter a curse and scramble to retrieve it – nearly tripping on his laptop and breaking his heck in the process. He doesn’t even bother checking to see who’s calling. “Yeah?” he says smartly, the sound of his own voice driven like a nail between his eyes. Apparently the Walrider decided to leave him with the hungover consequences of last night’s actions. When he realizes who’s on the other end of the line, his stomach sinks, and he knows the wave of nausea can’t be blamed entirely on the alcohol.
He tries to listen through the fog in his brain.The world lurches dangerously when he’s standing, so he resorts to sitting against the wall, closing his eyes, and pinching at the bridge of his nose while Waylon makes a valiant attempt at speaking. Christ, he can’t remember the last time he was in such bad shape after a night out. Probably college, back when booze was still a novelty. Waylon’s lucky, in that the state Miles is in helps mitigate his external frustrations. Somewhat, at least.
“What the fuck? Why’re you calling, Park? You realize I’ve been tracking people down – killing them – since… since before we met, right? I can handle myself.” His voice probably sounds about as rough as he feels, but there isn’t much to be done about that. Sighing, collecting his thoughts, he adds, “You’re shit at this whole ‘breakup’ thing. Being ‘just friends’ or ‘just allies’ or whatever the fuck – it never works.”
The one-worded greeting hadn’t given him the information he needed to analyze what the current state of Miles was. But the words that follow do give him plenty to work off of. His voice sounds gravely and rough –– not tight and uncomfortable like Waylon’s, but still filled with that something that indicates neither of them is doing too hot. One hand cradles the phone to his ear while the other presses at his forehead, massaging the skin above his eyebrows before his hand slips down to cover both eyes. He looks a sight at the rest stop. Sitting sideways in the driver’s seat, hunched forward over his knees with one hand covering his face and a phone held to his ear with the other. It’s a pathetic image. The kind of despondent look you might see on a self-help flyer.
Feeling overwhelmed? Here’s ten easy steps to make life a little more manageable.
The way Miles uses his last name makes Waylon’s stomach twist uncomfortably. Please not Park. Not like that. Like Jeremy Blaire. He doesn’t say anything because what alternative is there? Asshole? Jackass? Arsonist? None of the others are any better.
Waylon bites down on his bottom lip, chewing at it for a second before he cuts in, “I’m calling because you wouldn’t call me.” It’s not said in a cruel way, just a matter-of-fact Dad voice way that he hasn’t used in at least a couple of weeks. “This isn’t about killing this is – there’s more to it than tracking and killing, and-” He pauses here, hesitates because admitting he wants to have a way to get back at them just as much as Miles does isn’t something he’s ever given voice to aloud. “Just because a lot of reasons.” Please don’t make him list them all out. He really doesn’t want to. The sigh that precedes what Miles next says isn’t nearly enough warning for Waylon. For a few seconds he’s silent, absorbing the sound of his voice. The word ‘breakup’ seems too insignificant a thing for what they’d gone through, but what else could they call it? His hand falls away from his face and he turns to sit in the chair the proper way, quietly closing his door so the family that just pulled in beside him doesn’t have to hear a grown man beg.
Or cry. Probably both.
“Why not?” His voice is quieter, and wavers more than before. He watches as three kids pile out of a van, with their mom herding them, looking as ragged and tired as Lisa had when they came home from the hospital with Liam. It’s a position he’d been in. Going on the run with them, forcing his family to drive hundreds of miles across the country in the cramped Hyundai. One of the kids is sporting a pair of Mickey Mouse ears and Waylon’s heart clenches. Okay, maybe not the same circumstances in the slightest. “If you can’t work with me, I, well there’s no one else, alright?” Waylon is reading into this as Miles saying it won’t work because of how much he hates the programmer. It’s the logical conclusion to make. “I can keep phone calls to a minimum, text only, but that leaves a trail and it’s dangerous. If you can make it work for this one thing I’ll,” hesitation, “I’ll never call you again if that’s what you want.” Waylon’s left leg starts to fidget nervously, heel lifting and rising against the floorboard of the car.
“I was on the dreamer project, briefly, was given an overview before I got switched fully to the Morphogenic.” He’s grasping at straws, at justifications for why Miles should tolerate him for just a little while longer. Waylon watches as the family of five filter into the restrooms, and he figures he should get driving again. The phone gets wedged between his ear and shoulder as he buckles himself in and then starts the car. He’s pulling out when another vehicle is pulling in, and he’s back on the highway only this time while on the phone. Not the safest combination but it’s not rush hour and it’s fairly desolate out this way.
“I was working with Simon because I wanted to get back at them.” They ruined everything. Ruined him. And in turn Waylon let that disease spread to everyone and everything. Lisa, Miles –– he couldn’t risk infecting the boys. “He told me I shouldn’t contact you, shouldn’t risk exposing either of us.” Had that been the wrong thing to do? In retrospect, yes. “So I didn’t. I thought it was . . . I already said all of this. Fuck just, I’m sorry. For what I did to you. That’s all, I’ll send you whatever information I get.” Waylon’s tired of canting his neck at that angle and lets the phone drop to his lap, letting go of the wheel to tap it onto speaker. “I’ll text you the next burner phone’s number.” He sounds defeated.
Alan Wake → scenery
my king my prince my boy
anonymous asked . . . < always accepting random asks >
how is jake like with kids, either with other kids or his own ??
Jake Park isn’t a people person in general. It’s no wonder given his perchance for seeking solace and becoming a bit of a recluse. With that said though, he is nice enough to kids. He doesn’t do baby talk or really handle kids gently, but he’s a lot more open with them than he is with adults. Sure, he knows they’re fragile, but he’s more likely to toss them a little higher than their parents would be comfortable with before catching them and spinning them around. He’s the fun, ‘cool’ Uncle in a kind of nerve-wracking way, but would always be the one they could go to if they needed time away from their parents or something. He’ll listen without judging, or saying anything that may unsettle a kid. In general, he’s an intimidating, but good source of comfort.
As for his own kids? Jake doesn’t plan on having any, or really wanted any. Even if he’d never been taken by the Entity, he was living alone and avoiding people. To get involved with someone would’ve required more trust than he was willing to offer. Simply put, there wasn’t a chance of it ever happening before being taken into the Entity’s realm, and now that he’s there, he doesn’t ever consider the possibility No daydreams of a family life for this saboteur.
MILES
Waiting is always the worst part of anything. Miles’ career necessitates a certain level of patience – nothing comes with instant gratification, and he’s adept at playing the long game – but it’s the little interpersonal things that he gets hung up on. He feels like a teenager who’s been left on read, wondering if the person on the other end is going to acknowledge his presence. Which is stupid, really, because Waylon was the one to initiate contact and it’s not like Miles cares, anyway. For all he knows, Simon could have magically decided to reply in the interim between emails and now the tech has everything sorted. Waylon’s made it clear that Miles isn’t his first line of defense anymore – he’s a second thought, a fallback, a Plan B.
He keeps the burner email site open, anyway. Get his laptop open, too, on the off chance that Waylon decides he’s worth his time. His heart does an embarrassing little somersault when a new email pops up in the inbox. Ignoring the treachery of his organs, he opens it and scans over the text – something about it makes his jaw clench involuntarily. For all of Waylon’s claims – that he didn’t want to rely on Miles, didn’t want to use him as a shield or a weapon – it seems like they’re back to square one. Waylon the whistleblower, Miles the man willing to do something about it. It’s insulting and impersonal.
The folder is downloaded and unzipped and its contents skimmed over but Miles doesn’t absorb most of it. He’s too busy seething. Tabbing back to the email site, he types quickly and hits send before he can censor himself.
i’m doing this because i want every last of those bastards dead, not because you asked me to. i don’t give a fuck what happened to simon and i don’t want your help. you’re using me because you’re out of options.
With one click of the ‘Forget Me’ button, the email address is wiped and the tab is closed. Waylon still has his number, but his earlier text made it clear that he doesn’t want this to be personal. Just business. Which is fine, it’s all fine, Miles just–
Part of him wishes Waylon would call. Just to show that he cares, that he thinks of Miles as more than a means to an end. But he’s too much of a coward for that, and the reporter doesn’t feel like it’s his place to make that kind of step. Sighing and squeezing his eyes closed, he goes back to the file folder of information and starts digging in. At least in the depths of research, it’s hard to think of much else.
The e-mail response is instantaneous. There’s no chance to close the tab. Miles has responded in record time and with the kind of vitriol that Waylon hadn’t prepared himself for. He scans the reply. It’s short, impersonal and leaves a cold spot in his chest that gradually works its way outwards. For a few minutes he stares at the website, minutes he shouldn’t spend there on the off chance that he gets tracked through it. Waylon lingers long enough for the automated timer to go off and he’s kicked out of the now deleted account.
His motions are stiff and jagged. Fingers curl around the top of the laptop and snap it shut, putting it into sleep mode rather than turning it off. It’s set aside at the bottom of the bed and he turns to stand up, walking over to the bathroom and flicking the light on when he enters. There he hesitates, eyes skimming over the counter, looking for something while knowing he won’t find it there. It’s an old habit he hasn’t yet broken. He grips the edge of the sink and leans forward, feeling nauseous and worse than he had when he’d first seen Miles in person. He didn’t think it was possible. From the other room his phone goes off –– the other one that only Lisa has the number to. It changed every week now, sometimes sooner depending on what happened.
He ignores it and opts for a shower. The water pressure in the motel is pathetic, but even if it were five-star resort worthy, it wouldn’t do anything to wash away the grimy feeling. That’s the kind of emotional filth a shower can’t fix. It leaves him tired, bone tired, but when he lays down in the motel bed, he can’t sleep. He twists and turns from one shoulder to another. Finally, he snatches the phone he’d texted Miles on and dials his number, only to hang up the second he hears it ring through.
Don’t make it worse. Don’t be an idiot.
If he didn’t think it would leave Miles in a bad spot, he’d have pried the phone apart, crushed the sim card and fried the battery, but he leaves it as a potential line to call through on. Maybe he’ll feel better in the morning, confident enough to talk with Miles. Sleep comes in bursts. An hour here, fifteen minutes there. It varies, and by the time the sun shines through the ratty curtains he’s gotten a grand total of three hours. More than the nights before at least. Waylon drags himself up and out of bed, sparing one glance for his two phones before he starts packing his stuff.
There’s not much to pack and he’s out the door in six minutes and twenty-three seconds. Once in the car he looks at the message from Lisa. An update on how they’re doing, a question asking if he’d ‘patched things up’. He replies with a simple ‘No’ and starts driving. The next motel is a few hours away. On the drive he listens to the recordings he’d gotten. They’re on a USB drive he can plug directly into the car which is handy. Doctors and scientists talking about the progress they’d made with dreamers, sending the latest update out for more funding to improve their studies with a larger test pool.
The dreamers had been something talked about back on the Morphogenic project, and Waylon isn’t eager to find out what Murkoff could do with that kind of potential, but he has to know.
He pulls into a rest stop off of the highway and gets out of the car to stretch his legs, grabbing his phone along the way. He calls Miles, and this time he lets it keep ringing. If it goes to voicemail, he knows what he’ll say. I’m sorry. I didn’t mean to make you feel used. I didn’t mean to use you before. I’m not a great person and we both know that. I’m working on it. If you can just, deal with it for a little while we can do something about whatever Murkoff is up to. I can help and it doesn’t have to be personal. It wasn’t with Simon. It’s a high stakes job trying to take down the assholes who ruined everything. No biggie. You call the shots. I’ll do what you ask.
Okay, maybe he needed to rethink his plan of attack.
The longer it rings the higher his anxiety climbs, but at the last second the ringing stops and it doesn’t go to a voicemail. Waylon cringes, waits for Miles to say something, gives him time to answer before he breaks the silence.
“I’m sorry.” Good start, great start even. “I realize I fucked up. You realize I fucked up. I fucked up.” Oh no. Why is his throat tight? Waylon steels himself for the inevitable breakdown, but tries to make it through this one phone call without letting his voice waver. “We don’t – this doesn’t have to be, it can just-” remember the voicemail you idiot, “you need my help.” Not the most eloquent retelling of his idealized voicemail he rehearsed in his head. “What I sent you isn’t what I know and remember, what they were – Jesus.” Why couldn’t he do this? Waylon hates phone calls, hates them so much and he’s about to throw the phone about as far away from him as he physically can but he abstains.
Instead he sits back down in the driver’s seat of his car and stares out at the scenery, forlorn and feeling foolish. “I need your help on this and you need mine.” He mumbles. He’s not only talking about the Murkoff situation, but Miles doesn’t need to know that.
"The boys wanted to make you something," he says like it's a warning. "I helped, but they were the ones making the creative decisions." The result is abstract, comprised of a lot of macaroni and feathers. And glue, which he hopes is dry by now. Miles got a pack of novelty socks to match Waylon's nerd shoes and had the boys wrap them, just in case their sculpture project didn't pan out, and the programmer is about to be presented with both. He smiles softly. "Happy Father's Day, sweetheart."
@walridiing // HAPPY DAD DAY
-------------------------------------------------
Money was starting to run tight again and Waylon was planningahead for it. He’d taken up as many jobs as he could that allowed for freelancework from home, and the kind of work that he could do without . . .stretching himself too far. The kind of work that wasn’t in high demand beforeMount Massive and surely wasn’t after. Job searching with the added stress of trying to avoid the corporationmade starting life over difficult, to say the least, but he wasn’t aloneanymore. He had finally gotten to a stable enough point to have the boys withhim for more than a weekend. Waylon still loved Lisa and she still loved him, but hecouldn’t put the trauma he’d endured on her, and she’d already suffered becauseof him. Not that she held it against him, or ever would, but he’d put her through too much to come back from the pain and heartache shared. To salvage what friendship they had left, they agreed to pursue theirown lives without the other as a partner.
It wouldn’t have worked with anyone else, but Lisa was special, and she was alwaysso good to him. Even when he didn’t deserve it. Much like a few others he couldthink of, such as the one who is lingering in the doorway, having been watchingWaylon for the past few seconds as he furiously typed into the search bar,looking for a job listing –– any joblisting. “The boys wanted to make you something.” It’s the first thingsaid and it gets Waylon’s eyes to slide away from the screen and meet Milesown. “Oh?” He glances back down at the laptop, wondering why they gothim anything. The date on the taskbar tells him why. “Oh.” Father’s Day.Waylon closes the laptop and stands up, stretching his back which pops a fewtimes in protest at having been stationary for so long.
“I helped, but they were the ones making the creativedecisions.” Miles says it in the way someone who is bracing someoneelse for the worst would. It’s endearing and has Waylon smiling –– a lopsided expression that only becomesmore skewed when he walks over and gets a glimpse of macaroni stuck to the cuff of Miles’ pants. His entirechest grows warm, tight with affection. “Back at you.” Waylon mumbles, hissmile softer but genuine as he tries not to become too emotionallyimpaired by the kind gesture from both his children and Miles. He leans in andpresses a kiss to the side of Miles’ face, just shy of his lips, at the cornerof his mouth and then whispers, “I got you something too.” But he doesn’tsay what, stepping back in time to hear Owen shouting that they ‘better hurry’ from downthe hall.
so I threw @bloodtokens‘ version of the Parks into the sims just For Funsies™ and:
Keep reading
Say You Will (2017) Directed by Nick Naveda
like 10 years ago I went to my dad’s office for the day and made this list of swears I knew (I was 7)
fast forward to now and apparently he kept it and now it’s hanging on his wall for him to always remember
Jeremy Blaire, Waylon Park -2019.05.07
It is an unspoken rule that if a little kid is hiding under a blanket or couch cushions, you are required to comment on how lumpy the blanket is and pretend to sit on it to try and “smooth it out.”
Also, if you’re playing hide-and-seek with them, it is critical that you search every other possible (and impossible) hiding spot, all the while wondering out loud how they managed to disappear just like magic, before walking right past their hiding spot.
And if a baby starts playing peekaboo you are required to act surprised when they show their face again
If a kid hands you a phone, you answer it
If a kid shoots you with a Nerf Gun you are supposed to Die a dramatic death and explain “ugh you shot me blaahh”
when you push a kid on the swings ya gotta do the woosh
I literally just blocked about a dozen people on this post for being cranky about children.
Being a joyless shitbeast to kids isn’t cool. They’re kids. If you want to be Oscar the Grouch, that’s fine, but do it in a way they understand and explain it to them.
“I don’t want to play, I’m grumpy. Thank you, though, that was kind.”
It’s literally not hard. Kids are small people. Treat them with common fucking decency.
Jake’s doodles.
@calmspirited