yes.

if i look back, i am lost
macklin celebrini has autism
$LAYYYTER

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tannertan36
KIROKAZE
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art blog(derogatory)

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@blue1lake
yes.
is anyone else out there also convinced selena gomez’s ‘good for you’ is a tragic homage to the ultimate futility of female pandering to the male gaze
i’ve been “working from home” for the past two days which means I’ve been answering emails sporadically and wearing no pants and eating fruits in bed
arrange your leaf bouquets tenderly and they will keep
it exceedingly freaks me out that the items that are meant to be small mementos of our intimacy end up outliving the very intimacy that they were meant to be tokens of. at the time of their gifting you think they’re just a peripheral element to your connection and then years later you’re looking at your shelf and there’s that book on gem hunting in northern california that he gave you, stubbornly outlasting everything it once stood for. it hardly seems fair. when the affections are lost the adornments of these affections should at least be polite enough to light up into flames
my lip is bruised from kissing which is so dumb never let men touch you they’ll tell you how important you are then in the same breath they’ll tell you they have to leave to texas and it will always be texas no matter where they say they’re going the place is always texas
healing
When you come crawling back to your blog because you’re sporting a fresh ripe wound and you need a private place to poke at it
why does everything i do feels soooooooo melodramatic in hindsight
when you’re a gemini shape-shifter the idea of taking on one static identity to give you a frame work within which to be understood is actually incredibly appealing and watching other people preform themselves consistently brings a twang of jealousy but with an ingrained level of flightiness (air bound) you will keep shifting trying to find a form that fosters you only to realize the shifting is your only constant
*woman at bar with a fox head scarf drinking a martini voice* the problem with this website is i’m not trying to get into some effed up feedback loop that reinforces my benign actions to teach me how to be palpable *takes sip*
can’t wait to get this stupid dumb bleach out and be in my night neST again : * (
i dyed parts of my hair lighter and i want my almost black ocean at night hair back this always happens to me when i try to make some sort of physical transformation i feel nostalgic for previous forms of myself and forget how tired and unstimulated i was when i was actively in those phases !
it’s been a long time and i don’t know where my friends on here went if i find you and follow you i’m hoping you’re a reincarnation of them
reading sontag’s journals and i can sense her deep agitation and longing for birthing a piece of fiction she feels holds as much literary merit as all of the authors she is so inspired and struck by and yet in all her attempts this quiet desperation that shows the distance created between the revered and the reverent
she writes “A sense of the inevitability of a style— the sense that the artist had no alternatives, so wholly centered is he in his style...
The greatest art seems secreted, not constructed.”
a year of work, a year of being held upside down like slaughtered meat to let the blood drain in their basins... i see lines in my face where there had never been lines before, my body feels tender and pained, stomach swollen and distended i don’t remember how to be true, only how to look for escape. i miss the people that speak the languages i’ve spent so long forcing my mouth to forget
By the time we grow up we become masters at dissimulation, at cultivating a self that the world cannot probe. But we pay a price. After years of turning people away, of protecting our inner self, of cultivating it by living in a different world, of furnishing this world with our fantasies and dreams—lo and behold we find that we are hopelessly separated from everyone else. We have become victims of our own art. We touch people on the outsides of their bodies, and they us, but we cannot get at their insides and cannot reveal our insides to them. This is one of the great tragedies of our interiority—it is utterly personal and unrevealable. Often we want to say something unusually intimate to a spouse, a parent, a friend, communicate something of how we are really feeling about a sunset, who we really feel we are—only to fall strangely and miserably flat. Once in a great while we succeed, sometimes more with one person, less or never with others. But the occasional break-through only proves the rule. You reach out with a disclosure, fail, and fall back bitterly into yourself. We emit huge globs of love to our parents and spouses, and the glob slithers away in exchange of words that are somehow beside the point of what we are trying to say. People seem to keep bumping up against each other with their exteriors and falling away from each other.
Ernest Becker,
The Birth and Death of Meaning